VIII.
For things that pass are past, and in this field
The indeficient spring no winter fears;
The trees together fruit and blossom yield,
The unfading lily leaves of silver bears,
And crimson rose a scarlet garment wears:
And all of these on the saints' bodies grow,
Not, as they wont, on baser earth below;
Three rivers here of milk, and wine, and honey flow.
IX.
About the holy city rolls a flood
Of molten crystal, like a sea of glass,
On which weak stream a strong foundation stood,
Of living diamonds the building was
That all things else, besides itself, did pass:
Her streets, instead of stones, the stars did pave,
And little pearls, for dust, it seemed to have,
On which soft-streaming manna, like pure snow, did wave.
X.
In midst of this city celestial,
Where the eternal temple should have rose,
Lightened the idea beatifical:
End and beginning of each thing that grows,
Whose self no end, nor yet beginning knows,
That hath no eyes to see, nor ears to hear;
Yet sees, and hears, and is all eye, all ear;
That nowhere is contained, and yet is everywhere.
XI.
Changer of all things, yet immutable;
Before, and after all, the first, and last:
That moving all is yet immoveable;
Great without quantity, in whose forecast,
Things past are present, things to come are past;
Swift without motion, to whose open eye
The hearts of wicked men unbreasted lie;
At once absent, and present to them, far, and nigh.
XII.
It is no flaming lustre, made of light;
No sweet consent, or well-timed harmony;
Ambrosia, for to feast the appetite:
Or flowery odour, mixed with spicery;
No soft embrace, or pleasure bodily:
And yet it is a kind of inward feast;
A harmony that sounds within the breast;
An odour, light, embrace, in which the soul doth rest.
XIII.
A heavenly feast no hunger can consume;
A light unseen, yet shines in every place;
A sound no time can steal; a sweet perfume
No winds can scatter; an entire embrace,
That no satiety can e'er unlace:
Ingraced into so high a favour, there
The saints, with their beau-peers, whole worlds outwear;
And things unseen do see, and things unheard do hear.
XIV.
Ye blessed souls, grown richer by your spoil,
Whose loss, though great, is cause of greater gains;
Here may your weary spirits rest from toil,
Spending your endless evening that remains,
Amongst those white flocks, and celestial trains,
That feed upon their Shepherd's eyes; and frame
That heavenly music of so wondrous fame,
Psalming aloud the holy honours of his name!
XV.
Had I a voice of steel to tune my song;
Were every verse as smooth as smoothest glass;
And every member turned to a tongue;
And every tongue were made of sounding brass:
Yet all that skill, and all this strength, alas!
Should it presume to adorn (were misadvised)
The place, where David hath new songs devised,
As in his burning throne he sits emparadised.
XVI.
Most happy prince, whose eyes those stars behold,
Treading ours underfeet, now mayst thou pour
That overflowing skill, wherewith of old
Thou wont'st to smooth rough speech; now mayst thou shower
Fresh streams of praise upon that holy bower,
Which well we heaven call, not that it rolls,
But that it is the heaven of our souls:
Most happy prince, whose sight so heavenly sight beholds!
XVII.
Ah, foolish shepherds! who were wont to esteem
Your God all rough, and shaggy-haired to be;
And yet far wiser shepherds than ye deem,
For who so poor (though who so rich) as he,
When sojourning with us in low degree,
He washed his flocks in Jordan's spotless tide;
And that his dear remembrance might abide,
Did to us come, and with us lived, and for us died?
XVIII.
But now such lively colours did embeam
His sparkling forehead; and such shining rays
Kindled his flaming locks, that down did stream
In curls along his neck, where sweetly plays
(Singing his wounds of love in sacred lays)
His dearest Spouse, Spouse of the dearest Lover,
Knitting a thousand knots over and over,
And dying still for love, but they her still recover.
XIX.
Fairest of fairs, that at his eyes doth dress
Her glorious face; those eyes, from whence are shed
Attractions infinite; where to express
His love, high God all heaven as captive leads,
And all the banners of his grace dispreads,
And in those windows doth his arms englaze,
And on those eyes, the angels all do gaze,
And from those eyes, the lights of heaven obtain their blaze.
XX.
But let the Kentish lad,[1] that lately taught
His oaten reed the trumpet's silver sound,
Young Thyrsilis; and for his music brought
The willing spheres from heaven, to lead around
The dancing nymphs and swains, that sung, and crowned
Eclecta's Hymen with ten thousand flowers
Of choicest praise; and hung her heavenly bowers
With saffron garlands, dressed for nuptial paramours.
XXI.
Let his shrill trumpet, with her silver blast,
Of fair Eclecta, and her spousal bed,
Be the sweet pipe, and smooth encomiast:
But my green muse, hiding her younger head,
Under old Camus' flaggy banks, that spread
Their willow locks abroad, and all the day
With their own watery shadows wanton play;
Dares not those high amours, and love-sick songs assay.
XXII.
Impotent words, weak lines, that strive in vain;
In vain, alas, to tell so heavenly sight!
So heavenly sight, as none can greater feign,
Feign what he can, that seems of greatest might:
Could any yet compare with Infinite?
Infinite sure those joys; my words but light;
Light is the palace where she dwells; oh, then, how bright!
[1] The author of 'The Purple Island.'