RECOLLECTIONS OF THE OPERA
By W. M. Thackeray.
I’ve known a god on clouds of gauze
With patience hear a people’s prayer,
And, bending to the pit’s applause,
Wait while the priest repeats the air.
I’ve seen a black-wigg’d Jove hurl down
A thunderbolt along a wire,
To burn some distant canvas town,
Which—how vexatious!—won’t catch fire.
I’ve known a tyrant doom a maid
(With trills and roulades many a score)
To instant death. She, sore afraid,
Sings; and the audience cries encore.
I’ve seen two warriors in a rage
Draw glist’ning swords, and—awful sight!—
Meet face to face upon the stage
To sing a song, but not to fight!
I’ve heard a king exclaim “To arms”
Some twenty times, yet still remain;
I’ve known his army ’midst alarms,
Help by a bass their monarch’s strain.
I’ve known a hero wounded sore
With well-tuned voice his foes defy;
And warbling stoutly on the floor,
With the last flourish fall and die.
I’ve seen a mermaid dress’d in blue;
I’ve seen a Cupid burn a wing;
I’ve known a Neptune lose a shoe;
I’ve heard a guilty spectre sing.
I’ve seen, spectators of a dance,
Two Brahmins, Mahomet, the Cid,
Four Pagan kings, four knights of France,
Jove and the Muses—scene Madrid.
Punch, 1843.
Sailors sing at their work. Why don’t clerks, lawyers, doctors, brokers, and shopkeepers? It would add to the variety of life.
THE HIGH NOTE.
THE LOW NOTE.