TO RESTRAIN HOLIDAY BEGGING

The mummery and begging in which the children of New York city so generally indulge Thanksgiving Day and other holidays have long been matters of concern and alarm to those who are interested in educational work with young people. Many articles have appeared denouncing the custom. On the morning of Thanksgiving, the New York Times contained an especially well directed effort to protest against this growing evil.

The children of Asacog Social Settlement, 52 Sands street, Brooklyn, partake very generally in these holiday mummeries, masquerading and begging. The harmful results have long been realized, but the efforts heretofore used to modify the custom have been quite ineffective. It was resolved this year to undertake a different method of modifying the nuisance.

It was found in all cases that the children had no idea why they should choose Thanksgiving for begging, beyond the fact that people gave them money on that day and all their playmates chose this method of "having fun," so of course it was necessary to be in the game.

So with "having a good time" in mind, parents, young people, children, were invited to a festival on Thanksgiving eve. It seemed quite necessary to draw a moral lesson in the attempt to overthrow such a deeply seated custom, and this was done through a series of tableaus and dances with connecting narrative.

The probable historical setting of the Thanksgiving custom was presented through scenes of the Dutch in Holland, during the troublesome times of William of Orange, when the sea beggars made their famous pledge. Two tableaus showing the court scene and the banquet of the beggars were followed by a costume dance by small boys, which was called the "beggars' march." The English contribution to the celebrations was in tableaus from the history of the Guy Fawkes plot. The Dutch and English transferred to America were shown by Peter Stuyvesant and his surrender; the southern scenes with their harvest ideas through a colored plantation sketch; the Puritans and Indians by tableaus and Indian squaw dances. Then followed the times of the Revolution, with the tyranny of the British, the spirit of '76, and the Evacuation Day celebration on November 25, 1783.

The tableaus were given in costume by the young people and children, about seventy-five taking part. The members of the Civic Club, composed of mothers and neighborhood women did a great deal in preparing the costumes and dressing the actors.

The settlement had the valuable help of Miss Mari R. Hofer in preparing Dutch and Indian dances, and of Howard Bradstreet, the narrator of the evening.

Admission was by tickets given in clubs and classes, and the seating capacity of three hundred and twenty-five was taxed to over five hundred. But the carnival spirit was in the midst and no one minded the necessity of standing on a chair with a friend or two in order to catch an occasional glimpse of the stage. Several of the star performers became so interested in the audience that it was necessary to snatch the nearest boys or girls as the occasion demanded, hustle them to the improvised "green" room, hastily dress them in remaining fragments of costumes far removed from the historic time, and with impromptu coaching from the wings, an attitude was struck worthy of any Dutch patriot or Puritan dignitary.

The most gratifying results of the performance were that the begging on the street was greatly diminished. Many of the children did dress up and beg, for of course we could not expect a complete reformation on Sands street. But up to eleven o'clock not a begging child had been seen on Asacog corner. Later in the day little beggars began to appear but in smaller numbers and at three o'clock in the afternoon, a very lively hour, all the children on the block were out playing their ordinary street games, and but one child was in fancy costume. From one tenement from which twenty children begged last year, but two indulged this year, one mother having been to the festival, and really beginning to realize the dangers of street gaieties for the first time, refused to permit her eight year old girl to parade in fancy dress, at which the child volunteered to stay in bed, feeling life was too dull for words, and besides she was tired from the night before, the carnival spirit having worked itself out. In reality it was the "day after the fun."