ANTONY AND CLEOPATRA.
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BY HENRY WILLIAM HERBERT, AUTHOR OF “THE BROTHERS,” “THE CAPTAINS OF THE OLD WORLD,” ETC.
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Some thirty years before the Christian era, Egypt was not as now a barbarous and desert region, a strip of rudely cultivated land along the margin of the eternal Nile, and all beyond that semi-civilized district a waste of howling wilderness, shifting and fiery sands roamed by the wild hyena, or the wilder Arab, scattered here and there with those gigantic relics of a former race, which, while they recall the original magnificence of the kings, and priests yet mightier than kings, who ruled of yore with a sway revered and dreaded to the very limits of the earth in those huge halls, are now avoided, or visited in fear and trembling by the adventurous traveler, as haunts of the ferocious Bedouin. Her cities were not then the sinks of mingled filthiness and luxury; a foreign rule had not then paralyzed her commerce, desolated her fields, and brutified her men. The Moslem had not then poured upon her, the garden of the Mediterranean shore, a scourge more foul and loathsome than the most terrible of her ancient plagues.
Egypt, although even then shorn of a portion of her ancient glories, and sinking by slow steps into a Roman province, was still the garden, and the glory of the universe. It was a glorious sight to look upon those almost boundless plains, or on those wondrous valleys, bounded on either hand by mountains then clothed with artificial verdure even to their summits, in the early summer, when the tender herbage of the young grain had spread them with an interminable carpet of the brightest green, or in the genial noon of autumn, when the tall wheat and bearded barley undulated in every breeze, a sea of golden fertility.
It was a yet more wondrous sight, and savoring of enchantment, to view her thousand cities blazing with the barbaric splendors of the East—her temples far surpassing in strange, awful magnificence, in gloomy mysticism, and terrific splendor, the simpler and more classic shrines of Greece—her groves of palm, her thickets of acacia, her canals embowered with the broad leaves and lovely blossoms of the azure lotus, her coppices blushing with the scarlet flowers of the pomegranate, or rich with the bursting fig—her palaces, her libraries, her quays, trodden by the mariners of every known realm, her galleys, that had braved the tempests of the “ocean stream,” and visited, in their adventurous roamings, the dark and stormy Cassiterides, or yet more wonderful, had been favored with glimpses of those “Edens of the western wave,” those islands of the blest, in whose remote and uncertain shores the imaginative poets of the Greeks had placed the residence of the departed good.
It was about the period above mentioned, that a war-galley of that construction which had been recently adopted by the Romans, in preference to the lofty and cumbrous castles of the deep, only used for purposes of display and pleasure, was to be seen beating in for the Egyptian shore. She was a noble trireme, and it would seem that the builder had exerted his utmost skill to render her not only seaworthy, and formidable as a ship of war, but rich even to magnificence in her decorations.
Her upturned prow, with its wonted equipage of brazen beaks, to shatter the bows of an adversary, and brazen plates to protect her own, all polished till they flashed back the rays of the summer sun with almost intolerable brightness, displayed along its bulwarks exquisitely moulded railings of a richer metal; while high in front stood a statue, the presiding deity of Rome, a helmed and crested Mars, sculptured with the utmost finish of the Grecian chisel in pure gold. The shields, suspended from the channels, were charged with thunderbolts of the same precious material, upon the dark blue steel of Iberia. The oars were gilded, and from the castled stern floated beneath a golden effigy of the guardian wolf and the twin founders of the Imperial City, a broad sheet of silk, blushing with the crimson effulgence of the Tyrian dye, and, as it was tossed aloft by the light breath of the sirocco, displaying the initials at which the universe trembled—those dread initials S. P. Q. R.—the Senate and People of Rome—at whose edicts the remote Indian and nomadic Scythian shook with unwonted awe.
Gorgeous, however, as were the decorations, perfect as the entire equipment of the galley, there was something in her motions which betrayed even at a nearer inspection, it was evident that while several of her oars were entirely missing, a yet greater number were sprung, and so far weakened as to give her that slow and crippled progress through the water, which the master of the Latin Epic has so aptly compared to the painful writhings of a wounded serpent.
Her prow was in several places pierced and shattered, the sails bore evident marks of having met with rougher treatment than under so bright a sky was likely to have been inflicted by the waves. The breeze though not exactly favorable was not adverse, blowing freshly on her beam. It was such a wind as would now be hailed with delight; but, in those days of imperfect navigation, when all weather was considered foul which would not allow a vessel to run dead before it—though not actually contrary, it was looked upon with distrust at least, and deprecated as producing difficulty at the least, if not danger.
In her disabled state, therefore, this noble galley toiled long and wearily before the lofty pharos of Alexandria was seen towering, like a vast column of snow, from the bosom of the placid sea. For many an hour after this splendid landmark had been visible, did she struggle onward, ere the quays of Parian marble, the long breakwaters, and gigantic moles at its base, could be distinguished on the horizon.
Gradually the inner shores of the harbor opened, a vista of pillared porticoes, architrave and frieze, of Corinthian, Ionic, Tuscan structure, mingled with massive and fantastic forms of the earlier style of Egypt, sphynx and colossus, obelisk and pyramid, blended with the everlasting verdure of the palmy gardens that invested the glorious city with a belt of aromatic verdure.
High on her prow stood the form of a noble-looking leader, in the very prime of strength and manhood, his frame displaying all the graces of Antinous mingled with all the sinewy strength of Hercules. To the first might be referred the massive brow, the short curled, clustering locks that shaded it, and the somewhat effeminate cast of his singularly beautiful features—to the latter, the broad shoulders, the brawny neck, and the firmness of the muscular development that was displayed at every motion. His eyes were of that long-cut narrow form which has been supposed to be typical of a soft luxurious character; but in the dark orbs themselves there lurked, when they were raised, a sparkle, which might easily be kindled into lightning splendidly different from the dream-like softness of their wonted expression.
In the curve, too, of his well-defined and ruddy lips there was that firmness, that bold decision, which almost belied the dimples at their corners, and the voluptuous curve of the chin. He seemed a man who possessed the energy to battle with the universe, to win a world, and when won, the recklessness to cast it away as worthless. Nor did his countenance misrepresent the character of the Triumvir.
It was Marc Antony, the glorious winner of the Roman world, and its reckless loser. It was Marc Antony, returning in defeat—with any other it had been despair; but his was not a temper to yield even for a moment to so base a sinking of the spirit—returning with a single trireme from the half-conquered strife of Actium—hurrying away from his almost victorious fleet on the very instant of victory in a pursuit of a fair but faithless mistress; leaving his devoted followers to the mercy of a heartless conqueror, leaving a world, which another hour would have rendered irrecoverably his own, to cast its subject diadems at the feet of young Octavius.
Bravely, fiercely, had he striven, while the humor was upon him; and farthest into the yielding ranks of the enemy had his brave galley forced her way, until the fatal cry was heard, that Cleopatra, with her sixty light-armed ships, had abandoned the conflict, and was flying at the utmost speed of sail and oar, toward her native shores.
At once, and with a double exertion of valor almost supernatural, he had forced his retrograde passage through the shattered and reeling galleys of Augustus, and expending tenfold the quantity of noble blood to lose a half-won battle, which would have secured to him the empire of the universe.
Even now, although he knew that his all was set upon a single die, that he who might have been an emperor, was now a vanquished fugitive, without a home, a country, a place of refuge, there was no touch of humiliation or sadness in his mien. His eye was thoughtful, indeed, and perhaps somewhat melancholy in its expression, but at all events such was, when unexcited, its usual character.
Moreover, as he neared the quay, as he was gradually enabled to distinguish the things and persons on the quay, there was a sudden brightening of the features, an eagerness of expression, an anxious excitement almost to nervousness of manner, displaying itself clearly in the quivering of the under lip, and the unconscious play of his fingers on the sword-hilt, the dark spots of blood upon which denoted how deeply its blade must have been ensanguined.
The vessel worked up to the wharf. Strong cables were extended from her head and stern to the massive rings of brass which studded the noble piers. On the instant, a bridge was extended from the galley to the neighboring pier; but, ere the quivering planks were steadied, with an active bound the triumvir had thrown himself over the high bulwarks and stood in the centre of the eager throng that crowded round to witness the arrival of a galley from the fleet.
“Ho! by the mother of the gods!” cried an aged man, whose toga proved him a citizen of Rome, as clearly as did the scars on his bold and bronzed visage prove him a soldier, “’Tis Antony himself—victorious, too, by Jupiter! else had we not beheld him here. Shout, comrades, shout—Io triumphe! Salve Imperator!”
“Peace ho! Be silent!” shouted a stern, martial-looking figure on the prow. “Peace, brawlers! This day is to be marked as black as Acheron—victory! by Pollux, a rare victory!”
Silently, and unheeding the raised voices and loud queries of the populace, the noble Roman threaded the crowd. Strange—it was passing strange, that no word from Cleopatra—no sable-visaged messenger, no bright damsel of her court, should have met him on his return. “By the faith of Jove!” he muttered, “but that bitter knave, Horace, was not so much in the wrong either;” and he hummed in reckless gayety the well known stanza of the lyric bard—
“At vulgus infidum et meretrix retso
Perjura cedit; diffurgiunt cadis
Cum face siccatis amici
Ferre jugum pariter dolosi.”
“Fie on thee, Antony! hast thou, the veteran of a thousand fields of Mars and Venus, hast thou been cheated by the honeyed words? the last stake was a heavy one, by Hercules! That crown, for which great Julius fell, was worth a higher price than a glance of the brightest eye that ever beamed with a woman’s tenderness. Fie on’t! ’twas boy’s play—boy’s play! but to-morrow—be the gods propitious—Soh! ’tis the palace gate at last, and swart Melancthon at the portals. What ho, Melancthon! Bestir thee, varlet! Say to Cleopatra, Marcus Antonius sends her greeting; and never will he rest till he be where she tarries, be that where it may!”
“Now may the gods avert!” muttered the trembling slave.
“What mutterest thou then? Begone, and speed my bidding, else will I make thee messenger to Hades! Where is the fair Egyptian?”
“She is not, Antony,” faltered the trembling Ethiopian, avoiding with the wonted superstition of the day, the usage of words deemed ominous.
“Is not! What mean’st thou, paltering with thy double speeches?”
“Mortua est—she is dead!” he cried, mustering all his resolution, and then, as if fearing the wrath of the triumvir, fled hastily into the palace.
“Dead! Cleopatra dead!” muttered the bold Epicurean, and the whiteness of his lips told how deeply he was affected by the unexpected news. “Ho, there!” he shouted. “Bear me a flagon of Falernian hither, and the jeweled cup of Isis—the old Falernian pressed in the first of Caius Marius! ’Twill be my last on this side Acheron! A battle—an empire—and a woman! By the Thunderer! loss enough, methinks, for one day! Lost, too, forever! The first—that—that might be redeemed—ay, and the second won—but the woman! By the bright eyes of Aphrodite! he who has once loved Cleopatra, has loved all womankind! Marc Antony has done with battles. Ho! the Falernian! ’tis well—ay! pour it till it froth—hence with the water! Pure—let it be pure! for, this quaffed, I have done with wine, too. Sweet Cleopatra, this to thee, to thee, in Hades or Elysium, if the poets’ dreams be true. Now hark thee, slave, say thou to Ahenobarbus, if Antony hath forgotten how brave men conquer, he hath not forgotten”—he drained the liquor at a single draught, and hurling the chased and jeweled chalice against the marble pavement, unsheathed his sword, still crusted with the blood of Romans—“hath not forgotten how brave men—die!”
Suiting the action to the word, he buried the massive weapon in his throat, just above the collar-bone, and over the rim of his embossed and glittering corslet. The force of the blow was so great, that he was pitched headlong backward, the cone of his lofty helmet striking fire from the dinted pavement.
The blood gushed in torrents, not from the wound, for there the massive blade stood fixed hilt deep, but from ears, eyes, and mouth. After he fell, not a limb moved, not a pulse throbbed, the last breath rushed forth half choked in blood, with a fearful gurgling murmur. The broad chest slowly collapsed—the bravest of the brave had perished for a woman’s lie!
For Cleopatra was not dead—nor as yet had she even thought to die—but soon
She dared her fallen kingdom to behold
In dauntless pride of majesty serene;
She dared the coiling reptiles to unfold—
Courting their venomed kiss with dauntless mien.
Sublimely fierce—death full before her eyes—
She spurned the thought, that she could e’er be seen
Swelling the Roman’s pomp, his noblest prize!—
A proud reluctant slave, a crownless queen.
And now the coming sun shone in unclouded brilliancy over the lovely gardens, that extended for many a mile beyond the marble suburbs of the Egyptian metropolis, the mightiest work of that famed conqueror, who, building it in the very wantonness of pride, deemed it, perchance, the slightest of his wonderful achievements. The roads which issued from that great city, circulating, like arteries from the human heart, wealth and prosperity to the extremities of her dominion, wandered among brakes and thickets of the coolest verdure; nor had the almost tropic sun of those now scorched and sterile climes the power to pierce the embowering foliage, which covered those magnificent highways with a continuous vault of living freshness. The glossy leaves of the dark fig, and the broad canopy of the aspiring palms, towering a hundred feet aloft to bask in the full glare of day above his head—a pavement of the milk-white marble of Canopus, cool as the snows of Atlas beneath his feet—and the waters, drawn from the distant Nile, glancing and murmuring in their marble channels on either side the highway—the wayfarer might travel on his path, enjoying the breezy coolness of more temperate climes, although he stood beneath the intolerable brightness of an Egyptian sky.
Far in the depths of those fairy gardens, girdled, as it were, by groves of almost impenetrable richness, watered by a hundred fountains, drawn through their secret canals, from the one mighty river, which was to Egypt what the soul is to the human frame, adorned by luxury that could be made to minister happiness to the living, stood the mansion of the dead, the mausoleum of the Ptolemies, the palace-tomb of Cleopatra. Portico above portico, gallery over gallery, it towered a pile of snow-white alabaster, more ample in its vast accommodations, more splendid in its sculptures, more rich in its materials than the proudest dwelling of a line of kings. The lower stories of the building, surrounded by triple colonnades of Corinthian architecture, were constructed of gigantic blocks of stone fitted and dovetailed, as it were, into each other, with a firmness that might well endure forever.
But in these enormous walls there was no opening—door nor window, nor the smallest crevice, to admit the blessed light of day to those huge receptacles of the meanest relics of mortality.
Elsewhere, so singular a form of architecture would have been looked upon as something utterly unnatural and monstrous; but in Egypt, where every species of deception, and what we should now call stage effect, was resorted to in all buildings, and particularly in such as were intended for religious purposes, it was by no means calculated to excite astonishment. Near the summit of this strange edifice, sheltered from the glare of the declining luminary by projecting awnings of muslin, the fabric of the Egyptian loom, then known as Byssus, was a long range of windows, on which the sunbeams glittered with a brilliancy which showed that they were fitted with that most precious of ancient luxuries, transparent glass.
In a small but airy apartment of this mansion of the dead, there were now collected a small group of females, whose gorgeous draperies and jeweled ornaments, would have seemed to denote the proud beauties of some barbaric court, rather than mourners over the soulless tenement which had so recently inclosed the spirit of a man.
Situated at the very summit of the edifice, and commanding a prospect far over the wilderness of aromatic gardens that surrounded it, even to the distant city, overlooking the wide valley of the Nile, with the ocean-like channel of its giant river glancing like a stream of molten gold to the evening sun, and the vast cones of the three great pyramids distinctly drawn against the deep-blue sky, that chamber might well have vied with the most beautiful retreats of king or kaisar—nor were its internal decorations less splendid than the scenery which its windows opened to the view.
Its walls of the purest alabaster, polished till they reflected every object with the radiant exactness of metallic mirrors, its pilasters of the same rich materials, with their Corinthian capitals and bases of solid virgin gold, its tesselated pavement of a thousand dies, its couches glowing with the pictured fabrics of the Eastern loom, its curtains of gauze so delicate that they well nigh justified the hyperbole which had named them woven air, rendered it a befitting shrine for the form of beauty which seemed the presiding spirit of the place.
On one of those rich couches there lay a figure of almost superhuman majesty. The eyes were closed, and the short curls parted from the noble brow; the features were not more pallid than is often seen in life; a strangely voluptuous smile still slept upon the well-defined and as yet unaltered lip, and, but for something of rigidity and constraint in the position of the limbs, it would never have been believed that the dreams of that warrior were those which know no waking.
His helmet, embossed with golden sculptures, rested on the ground at the foot of the low bed, its lofty crest of snow-white horse-hair dancing in the light air which found its way into the chamber, and casting its wavering shadows upon the features of the dead; the elaborately ornamented corslet, which still rested on the massive chest, was stained in several places with broad plashes of gore; but if blood had stained the face or the bare neck, it had been washed off with a care which had removed every sign of violence, every symptom of death.
Perfumes had been liberally sprinkled upon the crisp, auburn locks, censers were steaming with the smoke of musk and ambergris, and garlands of the freshest flowers were cast like fragrant fetters over the cold limbs of the sleeper. But what were all these to a single tear drop from the mourner who sat beside his bed, gazing with a cold, unmeaning gaze on the features of him whom she had loved so mightily—betrayed so madly!
Her hair, the uncurled raven hair of Ethiopia, fell to her very feet in strange profusion, not in the undulating flow of ringlets free from restraint, but in straight, shadowy masses, such as we have sometimes seen, and known not whether to praise or censure, in some sacred painting of the Italian school. Her lineaments of the Coptic cast, chiseled in their flowing lines of majesty and softness, were such as men are constrained to admire despite their judgment; but her form, her limbs, her swan-like neck, her swelling bust, the rounded outlines, the wavy motion, were of a loveliness which, while they baffled every attempt at description, explained at once and justified the passionate adoration of Julius, the frantic devotion of the wild triumvir.
It was Cleopatra who sat there, mourning in desolate despair over him whom alone she had loved. Him, strange it is to say, she had loved for himself, for himself alone. No delusion of vanity, no pride of boasting a second ruler of the universe her slave, had mingled with her deep, indomitable passion.
The conqueror had been merged in the man, the man in the lover. In peace or war, in triumph or defeat, absent or at her side, in the flush of health or in the frail humility of sickness, he had been ever the chosen idol of her heart; and never perhaps had she loved him more entirely, or more fervently, than at the very moment of that desertion of his cause, in the hour of his utmost need, which had terminated in the downfall of his honor and her happiness.
Dark, indeed, and incomprehensible are the mysteries of a woman’s heart, impenetrable her motives, unfathomable the sources of her hatred or affection; often most tender in the heart when coldest in the semblance; most passionate when most unmoved, most faithful when most insincere.
It might have been from mere womanish caprice, from a desire of probing the depth of her lover’s feelings, from curiosity to learn and look upon the conduct of a baffled conqueror; or more likely yet from jealousy—jealousy that his love of honor and empire should interfere with his devotion to her beauty, that she had so fatally betrayed him.
She might have overlooked, in the moment of action, the consequences of her flight—she might have fancied the victory gained, and her desertion a matter of no moment—a desertion that would wring the heart, without affecting the cause, of him whom she adored the most, when she most trifled with his peace of mind.
She might have fancied the defeat, should defeat ensue, not irreparable—the empire lost to-day recoverable on the morrow—she might have hoped so to teach the proud triumvir by this reverse, that, when the government of the world should be conquered by their joint forces, the world were the gift of Cleopatra.
It might have been one of these motives singly; it might have been the result of all united—felt, perhaps, but not analyzed even by herself, that had spurred her on till retreat was impossible and hope desperate. Still it was love that caused her to betray him, as it was love that caused her to proclaim herself dead already, ere she had yet thought of dying, in order to mollify his indignation and awaken his sympathies; as it was love that now led her to curse the day when she was born, born to be the fate of Antony.
Her beautiful bosom was exposed to the light, which lingered in a pencil of mellowed lustre, upon its soft, yet sculptured loveliness. The delicate veil of fine muslin which should have veiled those secret beauties, had been violently rent asunder, and hung down in natural folds below her jeweled cincture. On each of her voluptuous bosoms, which hardly heaved under the influence of the chill despair which had frozen up the very sources of her grief, there was a small gout of gore, a speck such as covers the orifice of the smallest punctured wound; but beyond those tiny witnesses there was no stain upon her snow-white kerchief, no trace as of blood which had flowed freely and been wiped away.
Her hands were folded in her lap, the fingers unconsciously playing with a chain of mingled strands of golden thread and dark, auburn hair. Her face was very pale, and cold, and almost stern in its passionless rigidity—the eye was cast downward, immovably riveted on the countenance of the mighty dead; but, from the long, dark lashes there hung no tear. All was composed, silent, self-restrained grief. An occasional shudder crept, as it were, electrically through her whole frame, and now and then her lips moved, as though she were communing with some viewless form; but beyond this there was no motion or no sound.
At a distance from the miserable mistress sat a group of women, attired, as has been said, most gorgeously, but their sad and clouded aspects offered a fearful contrast to their sumptuous garments; near them, and on a table of the richest porphyry, negligently strewn with instruments of music, the Grecian lute, the wild Egyptian systrum, and the Italian pipe, with jeweled tiaras, perfumes, cosmetics, and all the luxuries of a regal toilet, pateræ of solid emerald, drinking-cups of agate, vases and flasks of crystal, there stood a plain, country-looking basket, woven of the slender reeds that grow beside the lake of Mœris, filled with the dark, glossy leaves and purple fruits of the fig-tree.
To a casual glance it might have seemed that there was nothing in the contents of the basket beyond the casual offering of some simple rustic’s gratitude to his queen; but on a nearer view, there might be seen upon the foliage long, slimy trails, twining hither and thither, as if left by the passage of some loathsome reptile. At times, too, there was a slight, rustling sound, a motion of the leaves, not waving regularly as if shaken by the breeze, but heaving up at intervals from the life-like motions of something beneath; and now a scaly back, a small, black head, with eyes glowing like sparks of fire, and an arrowy tongue quivering and darting about like a lambent flame—it was the deadly aspic of the Nile, the most fatal, the most desperately venomous of all the serpents of Africa.
Deeply, fearfully skilled, in all the dark secrets of poisoning and incantation, the wife and sister of the Ptolemies had chosen this abhorred way of avenging upon herself the wrongs of Antony; of baffling the cool malignance of the little-minded man whom Rome’s adulation had even then began to style the August; of freeing herself from the chains, not emblematic, of Roman servitude; from the humiliation of being led along in gliding fetters behind the chariot wheels of the perpetual consul; from the dungeon, the scaffold, the rod, and the axe, which closed alike the triumph of the victor and the misery of the vanquished. Already had the news been conveyed to her—the stunning news that, save in name, she was no more a queen—but the rumor had fallen on a deaf or unregarding ear.
An earthquake, it is written, shook the earth unnoticed by those who fought at Thrasymene, an empire crumbled into ruins unmarked by her who had lost, who had destroyed, an Antony. After the first burst of agony was over, when the self-immolated victim was borne to her in place of the burning, feeling, living lover, she had caused those hated reptiles to be brought to the tomb, which she had entered while yet alive, in the very recklessness of dissimulation and caprice; she had applied them to her delicate bosom, and a thrill of triumphant ecstasy had rushed through her frame as she felt the keen pang of their venomed fangs piercing her flesh, and imbuing the very sources of life with the ingredients of death.
And now she sat in patient expectation, brooding over the ruin she had wrought, calmly awaiting the agony that she well knew must convulse her limbs and distort her features from their calm serenity; while her attendant maidens, with strange and unaccountable devotion, had needlessly and almost unmeaningly followed the example of her, whom they were determined to accompany faithfully not merely to the portals of the tomb, but into the dark regions of futurity. Now, however, when the step was taken from which there is no returning, the courage, which had buoyed them up for a moment and impelled them to the fatal measure, had deserted them.
In the aspect of each, remorse, or pain, or terror was engraved in fearful variety. One gazed with straining eyes, over the glowing landscape, gloriously bathed in the radiance of that setting luminary which would arise, indeed, in renewed splendor but not for her. She saw the distant hills on which she had sported in the uncontaminated freshness of her youth, ere she had been acquainted with the sin and sorrow of courts—the nearer palaces, in whose vaulted halls she had often led the dance in happy, because thoughtless merriment—and her whole spirit was absorbed in that long, wistful view of scenes never to be viewed again.
Another stood, as motionless as the marble column against which she leaned, staring upon her beloved mistress and the lifeless body; but it was evident that the images which were painted on her eye were not reflected on her mind. At intervals a large, bright tear stole slowly down her cheeks and literally plashed on the Mosaic pavement as it fell.
A third, already sensible of the physical agonies that accompany the action of poison on the human system, rocked her body to and fro, every separate nerve writhing and quivering in the extremity of pain, yet still retained so much mastery over her tortures as to repress all outward indications of her suffering and approaching dissolution, beyond a low, choking sob, a fearful and indescribable sound, between a hiccough and a groan.
It was a scene of horribly exciting interest—a scene on which a spectator feels that it is terror to gaze; yet feels that, for his life, he cannot avert his eyes until the agony is over: a scene from which—so strangely were terror and compassion mingled and interwoven with curiosity—no human being could withdraw himself, till he had looked upon the end.
The pale, haughty features of the senseless clay which had wielded and weaponed, a few short hours ago, the energies of a gigantic soul—the deeply seated despair of the silent mourner, still full of life and sensation, but forgetful of herself in the contemplation of her lost idol, unconscious of physical pain in the abstraction of mental agony—the wretched girls repenting their rashness, yet repressing their own anguish lest they should augment hers for whom they had cast life away; and for whom—could it now have been redeemed—they would but have cast it away once again: the stillness of that gorgeous room, the hated reptiles crawling and hissing among the beautiful fruits, the sunshine without and the gloom within, all uniting to make up a picture so awful, yet so exciting, as no poet’s pen or painter’s pencil ever yet created.
It was a scene, however, rapidly drawing to its conclusion: the girl on whose system the venom of the aspic had taken the strongest effect, had already fallen upon the floor; and it seemed, by the long and gasping efforts with which she caught her breath, that her very minutes were numbered. Notwithstanding the miserable plight in which she rolled over and over in her great agony, so callous had the feelings of her companions been rendered by the immediate pressure of their own calamities, that—delicate and tender beings as they were, with hearts ever melting at the slightest indication of sorrow—each one retained her station, wholly absorbed by her own awful thoughts, and careless of all besides.
It was at this crisis, that a shrill and prolonged flourish of trumpets rose—almost painfully—upon the ear. It was a Roman trumpet. There was a pause—a brief, but awful pause; such as is often felt between the first peal of a thunder-storm and the bursting deluge of the shower. Again it rang—nearer, and nearer yet; and now, beneath the very windows of the mausoleum.
As the first note sank into silence, the queen had arisen breathlessly to her feet; and there she stood, motionless as a statue, her eyes still fixed on Antony; but her lips slightly severed, her head and her whole frame expressing the earnestness with which she listened for a repetition of the sounds; but, as the second flourish smote her ear, she threw her arm aloft in triumph, a flash of exultation kindled that glorious brow like a sunburst, and her eyes danced in their sockets with the highly-wrought ecstasy of the moment; but, while her brow and eyes were radiant with delight, the wide expansion of the nostril and the curl of the chiseled lip spoke volumes of defiance and contempt.
“It is too late,” she cried, in accents still clear and musical, though strained far above the natural pitch of her voice. “It is too late, ye Roman robbers. He whom your sacrilegious trumpets would have but now aroused to vengeance, from the lightning of whose eye ye would have fled like howling wolves before the bolt of Jove, whose voice would have stunned you like the thunders of the Omnipotent—the conqueror of the universe has fallen asleep, nor can your senseless clangors waken him to vengeance.”
Even, as she spoke, the rattle of the ladders, by which the legionaries of the victor were scaling the porticoes of that fortress tomb, the shouts of the rude veterans, and the clash of their brazen harness were distinctly audible; and, ere her words were ended, the same wild sounds were heard echoing along the vaulted passages and spacious halls of the story next beneath. Another moment, and their steps were heard mounting the long sloping passages which, in Egyptian architecture, supplied the want of stairs, affording access to the upper chambers. The door, formed like the walls of the apartment, of polished alabaster, and invisible when closed, was evidently forced; and a group of men, whose Italian complexions and features, prominent and strongly marked, denoted them to be the victors of the world, the iron men of Rome—stood on the threshold. All sheathed in complete armor: not decked, like that of the soft Orientals, with gold and precious stones, but of bronze so brightly polished that it reflected every object; perfect in the accuracy with which it was adapted to their frames, in the facility of motion it left to all their limbs, and in its exquisite finish; with crested casques and crimson tunics, it would have been impossible to conceive more martial figures.
Foremost of all, the conqueror of Actium entered the arena of his triumph; and, in truth, although he could not have sustained a moment’s comparison with his more fortunate rival, he looked—at least, if he were not—the hero. No flush of exultation tinged his complexion, no insolence of victory sparkled in his eye; but, not the less did exultation, insolence, and cruelty live within his breast, although he was sufficiently versed in dissimulation to conceal his odious character beneath a vail of stoical philosophy and magnanimous indifference.
“Hail, emperor!” cried the dying sovereign, confronting him with a demeanor a thousand times more lofty than his own. “Hail, conqueror!”—her countenance alone would have expressed the scorn she felt, had not her tones been such that the cold-blooded despot writhed beneath them.
“Comest thou hither, puissant lord, noble successor of the mighty Julius, comest thou hither to violate the ashes of the dead, or to prove thy virgin valor on a woman? Macte tuâ virtute! On, in thy valor and thy glory! Why—the dead Cæsar was to thee as Omphale to Hercules! We are no Amazon to dare thy valor, O, thou second Thesius! Out with thy broad-sword, Cæsar, the august!—and see who first will shrink from it—I, or my dead, yonder?”
“No—by the Faith of Jove!—we would have the superb Cleopatra our friend, as she was our uncle’s,” replied the arch dissembler. “Thou art still free—still Queen of Egypt!”
“By the great gods, I am!—nor is it in thy power to make me other! Free was I born and royal—free will I die and royal! Cæsar—I scorn your mercy as I defy your menace! My fathers left to me a crown: crowned will I go to my fathers! What—think you, Cleopatra will live to be a slave?—will live to be at all, at your bidding? Go—trample on the subject necks of Romans! The Egyptian spits at your clemency. Why cling you not to your vaunting motto?—It was Rome’s word of old—
Parcere subjectis et debellare superbos.
And dare you think me subject, or dare you not assail my pride? I tell you, Roman, you can slay men by thousands at a word; but, for your empire, you cannot make one woman live. Away—defile not me with your hangman hands! These are my subjects,” and she pointed to the dying girls around her, “this my empire—this the sepulchre of my forefathers; who were sages, priests, and kings, when yours were robbers and banditti. And this, that but this morning was a man, and now is nothing, this is my idol and my god! Away—one death like this, is worth a thousand abject lives like thine; and one dead, a hundred live Octavii, if ever earth bore aught so base by hundreds. If I betrayed in thy prime, thou mighty one, most dearly—I, upon myself, have I avenged the treason. If I sent thee before me, behold! I follow in thy footsteps! Manes of the dead rejoice—rejoice, ye are avenged!”
Her eyes glared, awful. The death-sweat was already darkening her brow—the death-foam clammy on her white lip. She must have been devoured by the fiercest inward tortures, yet she made them subject to her will; and the veterans of a hundred battles quailed before the edge of her eloquence, more cutting than the mortal sword. She flung her arm toward the astonished tyrant in defiance, folded her garments decently about her limbs, placed the antique diadem of the Ptolmies upon her raven tresses, and, without another word, composed herself on the couch beside him toward whom she had proved her love so fearfully, and closed her eyes for the last time—for ever!
For many minutes longer, while—mute between astonishment, regret at his frustrated triumph, and admiration of her undaunted valor—the cold Cæsar watched her silent agonies, the convulsed heavings of her bosom, and her loud and painful breathings alone told that she lived.
One long and shuddering sigh—one short, sharp spasm—and the dark eyes opened, but their orbs were glazed and sightless—her jaw fell.
And Egypt never more bowed to a native sovereign.
And Rome was never more uncursed by a Cæsar.