LA DIVA AT DALY'S.
Gismonda is poor stuff. The selection was a mistake. Lucky man Sardou to have Sara for heroine. Great is Sardou and Sara is his profit! Splendid as ever, but genius wasted on Gismonda. She will be seen at her best in other dramas. Wonderful artiste!
Yes, artiste jusqu'au bout des ongles, but why give us these real good tips, painted red? If it were in English, Sara might make some joke about her fingers being "reddy" for the assassination of the villain. This explanation does not exist in French. Probably it was the fashion in the time of Gismonda.
Will any dramatist give Sara an entirely new part in which she will not be compelled to purr, swear (like a cat, not a trooper), scratch, shriek, tumble on settees, clutch curtains, wrestle with cushions, and so forth?
Why, on first night, revive old custom of handing up baskets of flowers, per orchestra, to the heroine of the play and the Star of the Night? Why keep the audience waiting so long between each Act? We are not in Paris, and when we have too much "song," or play, we can't get any "supper."
Note (by our City Man).—Excellent notion for a hot June—"the Chili Loan." It will be a hot favourite: to be taken up warmly. Mem. Invest "cool thousand" in the Chili Loan.