BLANCHE'S LETTERS.

Revues and Things.
Park Lane.
January 31st.

Dearest Daphne,—I've been putting in quite a pleasant little time down at Much Gaddington with Bosh and Wee-Wee. Theatricals were the order of the night, and the best thing we did was a revue written for us by the Rector of Much Gaddington, who's a perfectly sweet man and immensely clever. It's a better revue than any of those at the theatres, and as that dreadful Censor had, of course, nothing to do with it the dear rector could make it as snappy as he liked. Wee-Wee and I were two "plume girls," Sal and Nan, in aprons, you know, and feathers and boots stitched with white; and our duet, "Biff along, Old Sport!" with a pavement dance between the verses, fairly brought down the house. The rector himself was impayable in his songs, "Wink to me only," and "Tango—Tangoing—Tangone!" But the outstanding feature of the whole affair was certainly Dick Flummery, who introduced his new and sensational Danse à trois Jambes, entirely his own invention!

What Dick doesn't know about dancing isn't worth knowing, and he says all the steps that can be done with two legs have been done, and for anything really novel another leg must be added. So he's had a clockwork leg made, and he winds it up before beginning and makes its movements blend in with the steps of his real legs, and the effect is simply enormous!

People wrote to Wee-Wee from far and near begging to come and see "Hold Tight, Please!"—that's the name of the rector's revue—so we decided to give it in the village school-room for charity. Since then Dick's been fairly snowed under with offers from London managers. They offer him big terms, and if his colonel decides that the prestige of the regiment won't suffer through one of its officers doing a three-legged dance at the Halls Dick will accept. If the colonel objects, Dick will still accept, for then he'll send in his papers, and go on the music-hall stage in earnest.

The rector has also had good offers for "Hold Tight, Please!" and he's busy toning it down before it's given in front of the dear old prudish public. He made us laugh one evening by telling us how he met his bishop lately at a Church Congress or something, and the bishop said, "There's a report that you've been seen once or twice lately at the Up-to-Date Variety Theatre, Piccadilly Square, London. You're able to contradict it, of course?" "Oh, that's quite all right, bishop," answered the dear rector; "I have run up to town several times in order to go to the Up-to-Date, but it was for business, not amusement. I'm responsible for the new ballet there, 'Fun, Frills and Frocks.'" So of course the bishop had no more to say.

I was talking to Norty yesterday about the state of Europe, and when we're to know who's who in the Near East, and which of the kingdoms out there are to be absorbed or abolished or allowed to go on; and he threw a new light on things by telling me that these matters are a good deal in the hands of the stamp-collectors—that when they agree among themselves as to what's to be done it will be done. A great many people who matter very much indeed are stamp-collectors, it seems, and it would make an immense difference in the value of their collections if certain countries were absorbed or abolished or allowed to go on. For instance, suppose anyone had a complete set of Albelian stamps, and Albelia wasn't allowed to go on, the set would become almost priceless. Norty says also that heaps of stamp-collectors who have been opposed tooth and nail to Home Rule on principle have been won over by the Coalition with the promise that an absolutely sweet set of Irish stamps would be issued as soon as H. R. became an accomplished fact. Ainsi va le monde.

The swing of the pendulum is going to make the coming season a stately one. It will be correct to be haughty and dignified. Features will be de rigueur, and aquiline noses will be very much worn. Dancing is to be deliberate and majestic, and partners will not touch each other; as Teddy Foljambe put it, "Soccer dancing will be in and Rugby dancing out." As far as one can see at present, the most popular dance at parties will be the war-dance of the Umgaroos, a tribe who live on the banks of some river at the back of beyond. I can't tell you anything about them except that they were found near this river doing this dance, and someone's brought it to Europe. It's very slow and impressive, and a native weapon, like a big egg-boiler with a long handle, is carried. The dance grows faster towards the end and the native weapon is twirled. In a crowded room there'd be a little danger here, and one would have to practise carefully beforehand. Already Popsy Lady Ramsgate's maid, has brought an action against her for "grievous bodily harm." In practising the war-dance of the Umgaroos, Popsy twirled her weapon too wide and struck the girl on the head.

What do you think of the New Music, my child? No answer is expected. It's a question few people dare to answer. Norty's definition of the New Humour—"the old Humour without the Humour"—won't do for the New Music. It's quite out by itself. But on the whole it's darling music, full of new paths to somewhere or other, and ideas and impressions of one doesn't know what, and sprinkled all over with delicious accidentals that seem to have been shaken out of a pepper-pot.

I've just got some piano studies of Schönvinsky's, to be played with the eyes shut and gloves on, and they're too wonderful for words!

Ever thine, Blanche.