PEN AND PALETTE PORTRAITS.
(TAKEN FROM THE FRENCH.)
BY ALPHONSE LECOURT.
Paris, Passage de l’Opéra, Escalier B. au 3ème.
MY DEAR PUNCH,
I salute you with reverence—I embrace you with affection—I thank you with devout gratitude, for the many delightful moments I have enjoyed in your society. I regularly read your “London Charivari:” it is magnificent—superb! What wit—what agacerie—what exquisite badinage is contained in every line of it! You are the veritable monarch of English humour. Hail, then, great fun-ambule, PUNCH THE FIRST! Long may you live, to flourish your invincible baton, and to increase the number of your laughing subjects. Your “Physiology of the Medical Student” has been translated, and the avidity with which it is read here has suggested to me the idea that sketches of French character might be equally popular amongst English readers. With this hope I send yon the commencement of a Physiological and Pictorial Portrait of “THE LOVER.” I have chosen him for my leading character, because his madness will be understood by the whole world. Love, mon cher ami, is not a local passion, it grows everywhere like—but I am anticipating my subject, which I now commit to your hands.
With sentiments of the profoundest respect and esteem,
ALPHONSE LECOURT.
PORTRAIT OF THE LOVER.
CHAPTER I.
THE AUTHOR DEDICATES HIS WORK TO THE FAIRER HALF OF THE CREATION.
Gentle woman!—Beautiful enigma!—whose magnetic glances and countless charms subdue man’s sterner nature—to you I dedicate the following pages. The subject on which I am about to treat is the gravest, the lightest, the most decided, the most undefined, the most earthly, the most spiritual, the saddest, and the gayest, the most individual, and at the same time the most universal you can imagine. To you, ladies, I address myself. You who form the keys on which the eternal and infinite gamut of love has been run from creation’s first hour till the present moment—tell me how I may best touch the chords of your hearts? Come around me, ye earthly divinities of every age, rank, and imaginable variety! Buds of blushing sixteen, full-blown roses of thirty, haughty court dames, and smiling city beauties, come like delicious phantoms, and fill my mind with images graceful as your own forms, and melting as your own hearts! Thanks, gentle spirits! ye have heard my call, and now, inspired by you, I seize my pen, and give to my paper the thoughts which crowd upon my mind.
WHAT IS LOVE?
It is easier to answer this question by a thousand instances, than by one definition, which can comprehend them all. What is Love? It is anything you please. It is a prism, through which the eye beholds the same object in various colours; it is a heaven of bliss, or a hell of torture; a thirst of the heart—an appetite which we spiritualize; a pure expansion of the soul, but which sooner or later becomes metamorphosed into an animal passion—a diamond statue with feet of clay. It is a dream—a delirium, a desire for danger, and a hope of conquest; it is that which everyone abjures, and everyone covets; it is the end, the great end, and the only end of life. Love, in short, is a tyrannical influence which none can escape; and however metaphysicians may define the passion, it appears to me that it is wholly dependent on the mysterious
LAWS OF ATTRACTION.
A FEW WORDS ABOUT YOUNG LADIES.
A young lady, I mean one who has but recently thrown aside her dolls, is a bashful blushing little puppet, who only acts, speaks, and moves as mama directs. She is a statue of flesh and blood, not yet animated by the Promethean fire—a chrysalis, which may one day become a beautiful butterfly, fluttering on silken wing amidst a crowd of adorers; but she is yet only a chrysalis, pale and cold, and wrapped up in a thousand conventional restrictions, like a mummy in its swathes.
The very young lady is usually prodigiously careful of her little self: she regards men as her natural enemies. Poor innocent!—This absurdity is the fault of her education. They have made her believe that love is the most abominable, execrable, infernal thing in existence. They have taught her to lie and to dissimulate her most innocent emotions. But the time is not far distant when the natural impulses of her heart will break down the barriers that hypocrisy has placed around her. Woman was formed to love: she must obey the imperious law of her being, and will love the moment her inspirations for the belle passion become stronger than her reason. I may add, also, that when a young lady discovers a tendency this way, it may be safely conjectured the object on which she will bestow her favour is not very distant.
THE AUTHOR’S DIVISION OF HIS SYSTEM.
It has been a long-established axiom that there is but one great principle [pg 263] of love; but then it assumes various phases, according to the thousands of circumstances under which it is exhibited, and which, to speak in the language of philosophy, it would be impossible to synthetise. Time, place, age, the very season of the year, the ruling passion, peace or war, education, the instincts of the heart, the health of the body and the mind (if it be possible for the latter to be in a sane state when we fall in love), the buoyancy of youth or the decrepitude of old age,—these, and numerous other causes which I cannot at present enumerate, serve to modify to infinity the form and character of the sentiment. Thus we do not love at eighteen as we do at forty, nor in the city as we do in the country, nor in spring as we do in autumn, nor in the camp as we do in the court; nor does the ignorant man love like a learned one; the merchant does not love like the lawyer; nor does the latter love like the doctor. It is upon these different phases in the character of love that I have founded my system. Next week I shall endeavour to describe some of the traits which distinguish “The Lover.” Till then, fair readers,—I remain your devoted slave.
WITNESS MY
HAND AND SEAL.
