PEN AND PALETTE PORTRAITS.
(TAKEN FROM THE FRENCH.)
BY ALPHONSE LECOURT.
(Continued.)
PORTRAIT OF THE LOVER.
CHAPTER II.
IN WHICH THE AUTHOR TREATS OF LOVERS IN GENERAL.
All lovers are absurd and ridiculous. The passion which spiritualises woman makes man a fool. Nothing can be more amusing than to observe a bashful lover in company where the object of his affections is present. He is the very picture of confusion and distress, looking like a man who has lost something, and knows not where to seek for it. His eyes wander from the carpet to the ceiling; at one moment he is engaged in counting the panes in the window, and the next in watching the discursive flights of a blue-bottle round the apartment. But while he appears anxiously seeking for some object on which to fix his attention, he carefully avoids looking towards his innamorata; and should their eyes meet by chance, his cheeks assume the tint of the beet-root or the turnip, and his manifest embarrassment betrays his secret to the most inexperienced persons. In order to recover his confidence, he shifts his seat, which seems suddenly to have shot forth as many pins as the back of a hedgehog; but in doing so he places the leg of his chair on the toe of a gouty, cross old uncle, or on the tail of a favourite lap-dog, and, besides creating an awful fracas, succeeds in making inveterate enemies of the two brutes for the remainder of their lives.
There are some lovers, who show their love by their affected indifference, and appear smitten by any woman except the one whom they are devoted to. This is an ingenious stratagem; but in general it is so badly managed, that it is more easily seen through than a cobweb. Lastly, there are a select few, who evince their tender regard by perpetual bickerings and quarrels. This method will frequently mislead inquisitive aunts and guardians; but it should only be attempted by a man who has full confidence in his own powers.
Lovers, as I have observed, are invariably objects of ridicule; timid, jealous, and nervous, a frown throws them into a state of agony it would be difficult to describe, and a smile bestowed upon a rival breaks their rest for a week. Only observe one of them engaged in a quiet, interesting tête-à-tête with the lady of his choice. He has exerted all his powers of fascination, and he fancies he is beginning to make a favourable impression on his companion, when—bang!—a tall, whiskered fellow, who, rumour has whispered, is the lady’s intended, drops in upon them like a bomb-shell! The detected lover sits confounded and abashed, wishing in the depths of his soul that he could transform himself into a gnat, and make his exit through the keyhole. Meantime the new-comer seats himself in solemn silence, and for five minutes the conversation is only kept up by monosyllables, in spite of the incredible efforts of all parties to appear unconcerned. The young man in his confusion plunges deeper into the mire;—he twists and writhes in secret agony—remarks on the sultriness of the weather, though the thermometer is below the freezing point; and commits a thousand gaucheries—too happy if he can escape from a situation than which nothing can possibly be conceived more painful.
THE LOVER AT DIFFERENT AGES.
It would not be easy to determine at what age love first manifests itself in the human heart; but if the reader have a good memory (I now speak to my own sex), he may remember when its tender light dawned upon his soul,—he may recall the moment when the harmonious voice of woman first tingled in his ears, and filled his bosom with unknown rapture,—he may recollect how he used to forsake trap-ball and peg-top to follow the idol he had created in her walks,—how he hoarded up the ripest oranges and gathered the choicest flowers to present to her, and felt more than recompensed by a word of thanks kindly spoken. Oh, youth—youth! pure and happy age, when a smile, a look, a touch of the hand, makes all sunshine and happiness in thy breast.
But the season of boyhood passes—the youth of sixteen becomes a young man of twenty, and smiles at the innocent emotions of his uneducated heart. He is no longer the mute adorer who worshipped in secrecy and in silence. Each season produces its own flowers. At [pg 275]twenty, the time for mute sympathy has passed away: it is one of the most eventful periods in the life of a lover; for should he then chance to meet a heart free to respond to his ardent passion, and that no cruel father, relentless guardian, or richer lover interposes to overthrow his hopes, he may with the aid of a licence, a parson, and a plain gold ring, be suddenly launched into the calm felicity of married life.
I know not what mysterious chain unites the heart of a young lover to that of the woman whom he loves. In the simplicity of their hearts they often imagine it is but friendship that draws them towards each other, until some unexpected circumstance removes the veil from their eyes, and they discover the dangerous precipice upon whose brink they have been walking. A journey, absence, or sickness, inevitably produce a discovery. If a temporary separation be about to occur, the unconscious lovers feel, they scarce know wherefore, a deep shade of sadness steal over them; their adieux are mingled with a thousand protestations of regret, which sink into the heart and bear a rich harvest by the time they meet again. Days and months glide by, and the pains of separation still endure; for they feel how necessary they have become to the happiness of each other, and how cold and joyless existence seems when far from those we love.
That which may be anticipated, at length comes to pass; the lover returns—he flies to his mistress—she receives him with blushing cheek and palpitating heart. I shall not attempt to describe the scene, but throughout the day and night that succeeds that interview the lover seems like one distracted. In the city, in the fields—alone, or in company—he hears nothing but the magic words, “I LOVE YOU!” ringing in his ears, and feels that ecstatic delight which it is permitted mortals to taste but once in their lives.
But what are the sensations which enter the heart of a young and innocent girl when she first confesses the passion that fills her heart? A tender sadness pervades her being—her soul, touched by the hand of Love, delivers itself to the influence of all the nobler emotions of her nature; and borne heavenward on the organ’s solemn peal, pours forth its rich treasures in silent and grateful adoration.
At thirty, a man takes a more decided—I wish I could add a more amiable—character than at twenty. At twenty he loves sincerely and devotedly; he respects the woman who has inspired him with the noblest sentiment of which his soul is capable. At thirty his heart, hardened by deceit and ill-requited affection, and pre-occupied by projects of worldly ambition, regards love only as an agreeable pastime, and woman’s heart as a toy, which he may fling aside the moment it ceases to amuse him. At twenty he is ready to abandon everything for her whom he idolises—rank, wealth, the future!—they weigh as nothing in the balance against the fancied strength and constancy of his passion. At thirty he coldly immolates the repose and happiness of the woman who loves him to the slightest necessity. I must admit, however—in justice to our sex—provided his love does not interfere with his interest, nor his freedom, nor his club, nor his dogs and horses, nor his petites liaisons des coulisses, nor his hour of dinner—the lover is always willing to make the greatest sacrifices for her whom he has honoured with his regards. The man of thirty is, moreover, a man of many loves; he carries on half-a-dozen affairs of the heart at the same time—he has his writing-desk filled with billets-doux, folded into a thousand fanciful shapes, and smelling villanously of violets, roses, bergamot, and other sentimental odours. He has a pocket-book full of little locks of hair, of all colours, from the light golden to the raven black. In short, the man of thirty is the most dangerous of lovers. Let my fair readers watch his approaches with distrust, and place at every avenue of their innocent hearts
A WATCHFUL SENTINEL.
A DEER BARGAIN.
In consequence of an advertisement in the Sporting Magazine for SEVERAL OLD BUCKS, some daring villains actually secured the following venerable gentlemen:—Sir Francis Burdett, Lord Palmerston, Sir Lumley Skeffington, Jack Reynolds, and Mr. Widdicombe. The venison dealer, however, declined to purchase such very old stock, and the aged captives upon being set at liberty heartily congratulated each other on their
NARROW ESCAPE.
OUT OF SCHOOL.
An attenuated disciple of the ill-paid art which has been described as one embracing the “delightful task which teaches the young idea how to shoot,” in a fit of despair, being but little skilled in the above sporting accomplishment, endeavoured to cheat nature of its right of killing by trying the efficacy of a small hanging match, in which he suicidically “doubled” the character of criminal and Jack Ketch. Upon being asked by the redoubtable Civic Peter what he meant by such conduct, he attempted to urge the propriety of the proceeding according to the scholastic rules of the ancients. “It may,” replied Sir Peter, “be very well for those chaps to hang themselves, as they are out of my jurisdiction; but I’ll let you see you are wrong, as
A GRAMMARIAN DECLINING TO BE.
PUNCH’S LITERARY INTELLIGENCE.
We understand that the Author of “Jack Sheppard,” &c., is about to publish a new Romance, in three volumes, post octavo, to be called “James Greenacre; or, the Hero of Paddington.”
We are requested by Mr. Catnach, of Seven Dials, to state that he has a few remaining copies of “All round my Hat” on sale. Early application must be made, to prevent disappointment. Mr. C. has also to inform the public that an entirely new collection of the most popular songs is now in the press, and will shortly be published, price One Halfpenny.
Mr. Grant, the author of “Random Recollections,” is, it is said, engaged in writing a new work, entitled “Quacks as they are,” and containing copious extracts from all his former publications, with a portrait of himself.
“An Essay on False Wigs,” written by Lord John Russell, and dedicated to Mr. Wakley, M.P., may shortly be expected.