A Fortunate Rejection.
The vaudeville managers refused positively to consider a sketch containing more than four people; Royle could not cut "The Squaw Man" to fewer than ten. Had either he or they given way, the four-act play that has proved one of the big New York hits of the season might have remained a sketch and spent its life on the road, instead of tarrying for six months on Broadway.
In this deadlock it occurred to Royle that he would expand the play and try it in a new field, but even after this was done he failed to find a purchaser. Nat Goodwin, to whom he sent it first, turned it down, and Charles Frohman could not read it within the time limit set.
But Royle had active agents in his brother actors, who had seen the thing in its Lambs' Club performance, and who were all anxious to play the leading part. Whenever they got the chance they spoke of the piece to their respective managers, and in this way Royle finally got four of these gentlemen to consent to listen to a reading of the play. The result was the purchase of the rights by Mr. Tyler, of the Liebler Company, on terms which have netted Mr. Royle royalties amounting close to a thousand dollars a week.