WHERE ARE THEY GOING?
[CHAPTER I.]
JEAN VALJEAN.
That same day, about four in the afternoon, Jean Valjean was seated on one of the most solitary slopes of the Champ de Mars. Either through prudence, a desire to reflect, or simply in consequence of one of those insensible changes of habits which gradually introduce themselves into all existences, he now went out very rarely with Cosette. He had on his workman's jacket and gray canvas trousers, and his long peaked cap concealed his face. He was at present calm and happy by Cosette's side; what had startled and troubled him for a while was dissipated; but during the last week or fortnight anxieties of a fresh nature had sprung up. One day, while walking along the boulevard, he noticed Thénardier; thanks to his disguise, Thénardier did not recognize him, but after that Jean Valjean saw him several times again, and now felt a certainty that Thénardier was prowling about the quarter. This was sufficient to make him form a grand resolution, for Thénardier present was every peril at once; moreover, Paris was not quiet, and political troubles offered this inconvenience to any man who had something in his life to hide,—that the police had become very restless and suspicious, and when trying to find a man like Pepin or Morey, might very easily discover a man like Jean Valjean. He therefore resolved to leave Paris, even France, and go to England; he had warned Cosette, and hoped to be off within a week. He was sitting on the slope, revolving in his mind all sorts of thoughts,—Thénardier, the police, the journey, and the difficulty of obtaining a passport. From all these points of view he was anxious; and lastly, an inexplicable fact, which had just struck him, and from which he was still hot, added to his alarm. On the morning of that very day he, the only person up in the house, and walking in the garden before Cosette's shutters were opened, suddenly perceived this line on the wall, probably scratched with a nail, 16 Rue de la Verrerie.
It was quite recent; the lines were white on the old black mortar, and a bed of nettles at the foot of the wall was powdered with fine fresh plaster. This had probably been inscribed during the night. What was it,—an address, a signal for others, or a warning for himself? In any case, it was evident that the secrecy of the garden was violated, and that strangers entered it. He remembered the strange incidents which had already alarmed the house, and his mind was at work on this subject; but he was careful not to say a word to Cosette about the line written on the wall, for fear of alarming her. In the midst of his troubled thoughts he perceived, from a shadow which the sun threw, that some one was standing on the crest of the slope immediately behind him. He was just going to turn, when a folded paper fell on his knees, as if a hand had thrown it over his head; he opened the paper and read these words, written in large characters, and in pencil: LEAVE YOUR HOUSE.
Jean Valjean rose smartly, but there was no longer any one on the slope; he looked round him, and perceived a person, taller than a child and shorter than a man, dressed in a gray blouse and dust-colored cotton-velvet trousers, bestriding the parapet, and slipping down into the moat of the Champ de Mars. Jean Valjean at once went home very thoughtfully.
[CHAPTER II.]
MARIUS.
Marius had left M. Gillenormand's house in a wretched state; he had gone in with very small hopes, and came out with an immense despair. However,—those who have watched the beginnings of the human heart will comprehend it,—the lancer, the officer, the fop, cousin Théodule, had left no shadow on his mind, not the slightest. The dramatic poet might apparently hope for some complications to be produced by this revelation, so coarsely made to the grandson by the grandfather; but what the drama would gain by it truth would lose. Marius was at that age when a man believes nothing that is wrong; later comes the age when he believes everything. Suspicions are only wrinkles, and early youth has none; what o'erthrows Othello glides over Candide. Suspect Cosette? Marius could have committed a multitude of crimes more easily. He began walking about the streets, the resource of those who suffer, and he thought of nothing which he might have remembered. At two in the morning he went to Courfeyrac's lodging and threw himself on his mattress full dressed; it was bright sunshine when he fell asleep, with that frightful oppressive sleep which allows ideas to come and go in the brain. When he awoke he saw Courfeyrac, Enjolras, Feuilly, and Combeferre, all ready to go out, and extremely busy. Courfeyrac said to him,—
"Are you coming to General Lamarque's funeral?"
It seemed to him as if Courfeyrac were talking Chinese. He went out shortly after them, and put in his pockets the pistols which Javert had intrusted to him at the affair of February 3, and which still remained in his possession. They were still loaded, and it would be difficult to say what obscure notion he had in his brain when he took them up. The whole day he wandered about, without knowing where; it rained at times, but he did not perceive it; he bought for his dinner a halfpenny roll, put it in his pocket, and forgot it. It appears that he took a bath in the Seine without being conscious of it, for there are moments when a man has a furnace under his skull, and Marius had reached one of those moments. He hoped for nothing, feared nothing now, and had taken this step since the previous day. He awaited the evening with a feverish impatience, for he had but one clear idea left, that at nine o'clock he should see Cosette. This last happiness was now his sole future; after that came the shadow. At times, while walking along the most deserted boulevards, he imagined that he could hear strange noises in Paris; then he thrust his head out of his reverie, and said,—"Can they be fighting?" At nightfall, at nine o'clock precisely, he was at the Rue Plumet, as he had promised Cosette. He had not seen her for eight-and-forty hours; he was about to see her again. Every other thought was effaced, and he only felt an extraordinary and profound joy. Those minutes in which men live ages have this sovereign and admirable thing about them, that at the moment when they pass they entirely occupy the heart.
Marius removed the railing and rushed into the garden. Cosette was not at the place where she usually waited for him, and he crossed the garden and went to the niche near the terrace. "She is waiting for me there," he said; but Cosette was not there. He raised his eyes and saw that the shutters of the house were closed; he walked round the garden, and the garden was deserted. Then he returned to the garden, and, mad with love, terrified, exasperated with grief and anxiety, he rapped at the shutters, like a master who returns home at a late hour. He rapped, he rapped again, at the risk of seeing the window open and the fathers frowning face appear and ask him,—"What do you want?" This was nothing to what he caught a glimpse of. When he had rapped, he raised his voice, and called Cosette. "Cosette!" he cried: "Cosette!" he repeated imperiously. There was no answer. It was all over; there was no one in the garden, no one in the house. Marius fixed his desperate eyes on this mournful house, which was as black, as silent, and more empty, than a tomb. He gazed at the stone bench on which he had spent so many adorable hours by Cosette's side; then he sat down on the garden steps, with his heart full of gentleness and resolution; he blessed his love in his heart, and said to himself that since Cosette was gone all left him was to die. All at once he heard a voice which seemed to come from the street, crying through the trees,—
"Monsieur Marius!"
He drew himself up.
"Hilloh!" he said.
"Monsieur Marius, are you there?"
"Yes."
"Monsieur Marius," the voice resumed, "your friends are waiting for you at the barricade in the Rue de la Chanvrerie."
This voice was not entirely strange to him, and resembled Éponine's rough, hoarse accents. Marius ran to the railings, pulled aside the shifting bar, passed his head through, and saw some one, who seemed to be a young man, running away in the gloaming.
[CHAPTER III.]
M. MABŒUF.
Jean Valjean's purse was useless to M. Mabœuf, who in his venerable childish austerity had not accepted the gift of the stars; he had not allowed that a star could coin itself into louis d'or, and he had not guessed that what fell from heaven came from Gavroche. Hence he carried the purse to the police commissary of the district, as a lost object, placed by the finder at the disposal of the claimants. The purse was really lost; we need hardly say that no one claimed it, and it did not help M. Mabœuf. In other respects M. Mabœuf had continued to descend: and the indigo experiments had succeeded no better at the Jardin des Plantes than in his garden of Austerlitz. The previous year he owed his housekeeper her wages; and now, as we have seen, he owed his landlord his rent. The Government pawn-brokers' office sold the copper-plates of his Flora, at the expiration of thirteen months, and a coppersmith had made stewpans of them. When his plates had disappeared, as he could no longer complete the unbound copies of his Flora, which he still possessed, he sold off plates and text to a second-hand bookseller as defective. Nothing was then left him of the labor of his whole life, and he began eating the money produced by these copies. When he saw that this poor resource was growing exhausted be gave up his garden, and did not attend to it; before, and long before, he had given up the two eggs and the slice of beef which he ate from time to time, and now dined on bread and potatoes. He had sold his last articles of furniture, then everything; he had in duplicate, in linen, clothes, and coverlids, and then his herbals and plates; but he still had his most precious books, among them being several of great rarity, such as the "Les Quadrins Historiques de la Bible," the edition of 1560; "La Concordance des Bibles," of Pierre de Besse; "Les Marguerites de la Marguerite," of Jean de la Haye, with a dedication to the Queen of Navarre; the work on the "Duties and Dignity of an Ambassador," by the Sieur de Villiers Hotman; a "Florilegium Rabbinicum," of 1644; a Tibullus, of 1567, with the splendid imprint "Venetiis, in ædibus Manutianis;" and lastly a Diogenes Laertius, printed at Lyons in 1644, in which were the famous various readings of the Vatican manuscript 411, of the thirteenth century, and those of the two Venetian codices 393 and 394, so usefully consulted by Henri Estienne, and all the passages in the Doric dialect, only to be found in the celebrated twelfth century manuscript of the Naples library. M. Mabœuf never lit a fire in his room, and went to bed with the sun, in order not to burn a candle: it seemed as if he no longer had neighbors, for they shunned him when he went out, and he noticed it. The wretchedness of a child interests a mother, the wretchedness of a youth interests an old man, but the wretchedness of an old man interests nobody, and it is the coldest of all distresses. Still M. Mabœuf had not entirely lost his childlike serenity; his eye acquired some vivacity when it settled on his books, and he smiled when he regarded the Diogenes Laertius, which was a unique copy. His glass case was the only furniture which he had retained beyond what was indispensable. One day Mother Plutarch said to him,—
"I have no money to buy dinner with."
What she called dinner consisted of a loaf and four or five potatoes.
"Can't you get it on credit?" said M. Mabœuf.
"You know very well that it is refused me."
M. Mabœuf opened his bookcase, looked for a long time at all his books in turn, as a father, obliged to decimate his children, would look at them before selecting, then took one up quickly, put it under his arm, and went out. He returned two hours after with nothing under his arm, laid thirty sous on the table, and said,—
"You will get some dinner."
From this moment Mother Plutarch saw a dark veil, which was not raised again, settle upon the old gentleman's candid face. The next day, the next after that, and every day, M. Mabœuf had to begin again; he went out with a book and returned with a piece of silver. As the second-hand booksellers saw that he was compelled to sell, they bought for twenty sous books for which he had paid twenty francs, and frequently to the same dealers. Volume by volume his whole library passed away, and he said at times, "And yet I am eighty years of age," as if he had some lurking hope that he should reach the end of his days ere he reached the end of his books. His sorrow grew, but once he had a joy: he went out with a Robert Estienne, which he sold for thirty-five sous on the Quai Malaquais, and came home with an Aldus which he had bought for forty sous in the Rue de Grès. "I owe five sous," he said quite radiantly to Mother Plutarch, but that day he did not dine. He belonged to the Horticultural Society, and his poverty was known. The President of the Society called on him, promised to speak about him to the Minister of Commerce and Agriculture, and did so. "What do you say?" the minister exclaimed. "I should think so! an old savant! a botanist! an inoffensive man! we must do something for him." The next day M. Mabœuf received an invitation to dine with the minister, and, trembling with joy, showed the letter to Mother Plutarch. "We are saved!" he said. On the appointed day he went to the minister's, and noticed that his ragged cravat, his long, square-cut coat, and shoes varnished with white of egg, astounded the footman. No one spoke to him, not even the minister, and at about ten in the evening, while still waiting for a word, he heard the minister's wife, a handsome lady in a low-necked dress, whom he had not dared to approach, ask, "Who can that old gentleman be?" He went home afoot at midnight through the pouring rain; he had sold an Elzevir to pay his hackney coach in going.
Every evening, before going to bed, he had fallen into the habit of reading a few pages of his Diogenes Laertius; for he knew enough of Greek to enjoy the peculiarities of the text which he possessed, and had no other joy now left him. A few weeks passed away, and all at once Mother Plutarch fell ill. There is one thing even more sad than having no money to buy bread at a baker's, and that is, not to have money to buy medicine at the chemist's. One night the doctor had ordered a most expensive potion, and then the disease grew worse, and a nurse was necessary. M. Mabœuf opened his bookcase, but there was nothing left in it; the last volume had departed, and the only thing left him was the Diogenes Laertius. He placed the unique copy under his arm and went out,—it was June 4, 1832; he proceeded to Royol's successor at the Porte St. Jacques, and returned with one hundred francs. He placed the pile of five-franc pieces on the old servant's table? and entered his bedroom without uttering a syllable. At dawn of the next day he seated himself on the overturned post in his garden, and over the hedge he might have been seen the whole morning, motionless, with drooping head, and eyes vaguely fixed on the faded flower-beds. It rained every now and then, but the old man did not seem to notice it; but in the afternoon extraordinary noises broke out in Paris, resembling musket-shots, and the clamor of a multitude. Father Mabœuf raised his head, noticed a gardener passing, and said,—
"What is the matter?"
The gardener replied, with the spade on his back, and with the most peaceful accent,—
"It's the riots."
"What! Riots?"
"Yes; they are fighting."
"Why are they fighting?"
"The Lord alone knows," said the gardener.
"In what direction?"
"Over by the arsenal."
Father Mabœuf went into his house, took his hat, mechanically sought for a book to place under his arm, found none, said, "Ah, it is true!" and went out with a wandering look.