THE EMPEROR OF JAPAN
The line of gods carried on through godlike mortal descendants was prolonged in ordinary mortals, the first of whom was Zinmu. It is of little consequence by whom this pedigree was written or invented. It evidently was solely written for the then de facto rulers of the land. It does not pretend to deal with the people of Japan, or with the mode in which the peopling of the empire took place, but simply invents and details a divine pedigree for one family. At the time when this family is first heard of, the islands of Japan are acknowledged by Japanese historians to have been already peopled and divided into villages, each under some municipal rule.
The reign of Zinmu is the era of Japan, and is placed at 667 years before Christ. Setting out from Miazaki in Fiuga, on the east side of the island of Kiusiu, he with troops under his command gradually overran that island, and the adjoining one of Sikok, together with the west half of the island of Nippon, as far as the province of Mino to the east of Miako. Coming from the most rugged and comparatively barren province in the empire, he was attracted by the beauty and desirableness of the country around Miako. He settled at a place named Kashiwarra or Kashiwabarra, a site near the city of Narra, about fifteen miles from the present capital. This choice of a site has been ratified by every succeeding emperor, the Kio or capital (“King,” Chinese) of the empire having been frequently changed, but never removed to any great distance from the spot originally selected by Zinmu.
In truth, the site is in every way most suitable for the capital of the country. It is, geographically, nearly in the center of the islands which constitute the empire. From the port of the capital, Osaka (or Naniwa, as it was named of old), a great fringe of the coast of the three islands in almost land-locked waters is accessible to ships without their venturing into the open sea. To this port a large body of water is rolled down by the confluence of several rivers, which at one time were dispersed into several mouths and branches; but by labor these have been collected and confined within two outlets. There is, in consequence, a large extent of alluvial ground producing rice and wheat for a numerous population. The inland water-communication extends to the large lake Owomi—upward of sixty miles in length and eighteen in breadth; and thence, with an interval of a few miles only of land-carriage, to the port of Tsurunga, on the northern coast; while to the southeast, the natives report that there is uninterrupted water-communication to Owarri, and thence to Sinano, and, with a short interval of land-carriage, even to Yedo—whence, again, it extends northward by rivers and canals to the vicinity of Nambu. The city of Miako of the present day stands on a plain, among hills clothed with wood, where art has done what it could to assist nature in the completion of landscape scenery, of the beauties of which the natives speak with rapture. During twenty-four centuries, members of the family of Zinmu have sat upon the throne, and during that long time the palace has been only at short intervals removed to any considerable distance from the site on which it at present stands.
The imperial residence in Japan is a very different structure from anything that European ideas of palaces would expect, being chiefly built of wood and other materials so inflammable that a palace has been reconstructed and destroyed within a year. When we read of each emperor, at an early date, building a palace for himself, it is not to be supposed that these were either expensive or very durable buildings. Each emperor seems to have occupied a different habitation from his predecessor, removing from one site to another, but generally keeping within the province of Yamashiro, or that adjoining, Yamato. Kwanmu, in the year 794, built a palace on the site where the present city stands, and since his time Miako has been always looked upon as the metropolis.
The palace of the Emperor of Japan is called, as a whole, “Kinri go sho.” Though built of fine and expensive timber, it presents no appearance of that outward splendor which is generally considered by us to be necessary to an imperial residence. The roofs of the buildings are said to be white. It is surrounded by a common inclosure of wooden boarding. This inclosure is pierced by several gates. These entrances are graduated, and the settlement of the gate by which a great man shall make his entrance or his exit is a matter of no small importance at court. These gates lead into a large open space; in this is another inclosure (with other gates), in the center of which stands the wooden building, the “Shi shin deng,” or imperial office, in which the emperor receives the highest officers of the empire. This he appears to do almost in the open air. The emperor does not sit upon a throne or chair, but is slightly raised above the floor—three of the ordinary mats of the country, placed one above the other, being used as a throne. To the back of this public office is the residence or private apartments of the emperor; and behind these are the female apartments of the empress, the empress-mother, and other high ladies.
The “Shi shin deng” (Ch. “Tsz shin tien”) faces to the south, to the large outer gate, the “Yio may mong”; within this is another gate of a red inclosure, the gate of the sun, “Hi no go mong.” On passing through this, the large wooden-pillar-supported hall, with its roof with immense eaves, is seen raised from the ground upon a lower framework of wood. Before it stand an orange and a cherry tree. Between these, six steps lead up to the wooden gallery or veranda, which goes round the hall under eaves projecting five or six feet from the supports. A low balustrade surrounds this veranda. Under this large canopy of roof, almost in the open air, the Emperor sits while he receives homage. The “Shi shin deng” occupies the red inclosure, having on the east side a small wooden building for covering the car used in processions; to the east of that is the building in which the “three jewels” are kept, the “Naishi dokoro.” Within the “Shi shin deng” all extraordinary formal business of importance is transacted. The Shiogoon here presents himself to the Emperor. In the long hall to the west of the “Shi shin deng,” the “Say rio deng” (“Tsing liang tien”) or “Hiru no ma,” the mid-day room, ordinary business is transacted. Immediately in the rear of the “Shi shin deng” is the “Nai go bansho,” or inner hall for business. To the east side, and overlooking the garden, is the “Tsunay no goteng,” or hall of meeting, or drawing-room. Behind, in the “Ko ngo sho,” the Emperor’s son and heir lives; here also are the apartments of the elder women. “Nanga Hashi no Tsubo nay” is the room in which levees are held, where rank is given, and degradations or punishments are awarded. Formerly all the offices of the different departments of government were in the neighborhood of the palace, but outside, at a distance of one “cho,” or 120 yards.
At the back of all are the female apartments. On the east side, outside of the inclosure, is the Gakumonjo, or imperial school.
To the southeast of the whole is another inclosure, the “Ko een go sho,” the palace of the Emperor after he has abdicated, when he is known as Kubo, covering a space of ground nearly as large as the palace inclosure. Adjoining this, and immediately to the south, is the residence of the father or predecessor of the abdicated emperor. He is known as Sento (Tsin tung). To the southwest is that of the empress dowager, and the females of the old emperor’s court. The Shi sin wo, or four royal families, are located in the neighborhood, while all around are the residences, with inclosures of ground, belonging to the “Go sekkay,” or “five assisting” families. Among these also is found a small inclosure, the residence of the Sho shi dai, the envoy of the Shiogoon at the imperial court.
Except the greater elevation and whiteness of the roofs, there is nothing to distinguish the palace from the adjacent streets. That the Emperor should be thus housed probably involves a great state principle. The houses of Daimios and high officers are built in a much more durable manner. The Shiogoon’s residences at Osaka, Miako, Yedo, and other places, are generally built more like fortifications or places of great strength. In similar style are raised the houses, palaces or forts of the Daimios in their respective provinces. It cannot, therefore, be from any fear of earthquakes that this style of a plain wood-and-paper house is adopted, but it is probably founded on the same principle as that on which the imperial pedigree is drawn up; viz., with the view of giving to it the appearance of a temple, and surrounding the Emperor with the circumstances and attributes of a god.
This palace in Miako appears to be the only one now used by the Emperor. He is supposed to move from it temporarily only upon rare occasions. When he is obliged to change his residence, as when the palace is burned down, he occupies apartments in some one of the many temples in the neighborhood. Any display of splendor in building is reserved for the Shiogoon, who has several palaces of great size and strength, as at Miako, Osaka, Fusimi, Yedo, Kofoo, Soonpoo, all of which are laid out on the plan of forts and built with a view to defense from military attacks.
JAPAN
AND HER ISLANDS
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It has been stated, and often repeated, that the Emperor of Japan sits on a throne all day without moving his hands, or even his eyes; that he is treated as a god, and that his subjects believe that the empire totters if he is unsteady. These are the exaggerations of the lower classes. There is no doubt that he is treated with the greatest reverence and respect—that he is, as it were, an ideal abstraction, a thing apart, necessary to the empire—that he is the Lord’s anointed, and not to be touched, and that no subject, however great he may be, or however firmly he may have grasped the power of the empire in the convulsions of a revolutionary period, may contemplate placing himself upon that seat; and we shall find that two of the greatest men who rose to the highest power did not dare to take such a step, though one, and perhaps both, proposed it to himself, and broached the idea to his followers. Though Nobunanga set up a representation of himself to be worshiped, he did not set aside the Emperor; and though Taikosama proposed to depose the Emperor, his followers would not allow it, or at least dissuaded him from making the attempt. Still the Emperor is not altogether looked upon as the spiritual being he is generally represented in modern books. Indeed, in the first periods of the history of the country the head of the empire was the commander, the leader of the army. Zinmu led his army to victory; and long after him the Empress Jinku Kogoo led her army into Corea. Her son Osin, better known by his posthumous title of Hatchimang, was at the head of his army. But where there is no enemy to fight the post of commander-in-chief soon falls into abeyance. Japan has long been in this position—of having no enemy to watch or to attack. Such a position entails, almost of necessity, the creation of a duality or double power. The weak condition to which the imperial court descended, after it had been denuded of its power, and after the command of its armies had fallen from the hands of scions of the blood-royal into those of other families, was followed by convulsions, civil wars, and bloodshed, till the people returned to a state of ignorance, and the fields to barrenness; but this seems only a consequence of having no enemy, no near neighbor with whom, by a process of constant watching and battling, as in Europe, the sinews of a nation are strengthened, and national feeling is concentrated into a unity.
The annals of the emperors show that, for long after the time of Zinmu, his successors took an active part in the politics, the wars, and the intrigues of the state. It is not a matter of wonder that the hands which held the scepter should have become feeble during the fierce civil wars which raged in the sixteenth century. The country would seem to have been driven by necessity to have two emperors—or at least, two opposing interests; and when the hereditary commander-in-chief had in turn become a nonentity, one adventurer after another started up—first, Nobunanga; secondly, Taikosama; thirdly, Iyeyas, all able men. The first battled with the Buddhist priesthood, the second turned his arms against Corea, the third, the ablest of all, devised that dual system of seemingly divided empire, by which the power of the executive remained in the hands of the Shiogoon at Yedo, while the source or fountain of honors remained with the Emperor in Miako. The configuration of the islands prevents their being cut into two empires; it remained for Iyeyas to devise a dual system by which peace has been preserved in a remarkable way for two hundred and fifty years.
As to the titles by which the Emperor is known, these are drawn in most part from the Chinese, and denote, in language suited to Oriental ideas, the illustrious position which he holds. The names express the idea that he reigns by divine right. The oldest of these titles seems to be Mikoto. This is a Japanese word meaning “venerable,” and translated into Chinese, “tsun.” The word Mikado is more commonly used now, and is translated by the Chinese “Ti,” or emperor. The word “O” or “Wo” is the Chinese “Wang,” emperor; and the word “ten,” or heaven, is commonly added—“Ten wo,” the heavenly ruler; or the combination “Owo,” or “Oho-wo,” meaning the great ruler, in which sense “Dai-wo” is also used. “Tenshi” is the “tien-tsi” of China, the son of heaven. “O-ooji,” the great family, is sometimes applied to the Emperor. The common people talk of the Emperor as “Miyako sama,” in contradistinction to “Yedo sama,” the Shiogoon, the Lord of Yedo. “Ooyaysama,” or the superior lord, is also used. “Dairi,” made up of two Chinese words signifying the inner court or “the interior,” is equivalent to the words “the court” in English, and seems to include the residences of the royal families and higher nobility. It is, however, sometimes applied to the Emperor himself, and sometimes to the palace as a building. The first word, “dai” is written both “great,” ta, and “inner,” nai. The latter seems the more common. “Gosho” is a word sometimes applied to the palace, at others to the Emperor and the government. The word “in,” or “een,” is a Buddhist word, added to the posthumous name of some of the deceased emperors instead of “Ten wo.” In addition to these, other names are used, as “Kwo tei,” or ruler of the people, “Chokku,” etc.
From the earliest period in the history of Japan, mention is made of three things which necessarily appertain to the person who sits upon the throne. They seem to be looked on as symbols of the imperial power, as palladia of the empire. In one of the treatises upon the Emperor’s court it is said of these mysterious emblems: “In that early time the heaven-illuminating god arrived at Kashiwabarra, then the capital, and placed an eight-cubit mirror and a grass-shaving sword in the palace, on the throne of the Emperor, and these received such homage as was rendered in the early times. The efficacy of the god was very great, so that the Emperor, dwelling with this god (these divine symbols), was, as it were, equal to a god. Within the palace these things were laid up, that the divine power might remain wherever these things were. At that time (two high officers) regulated the sacrificial rites and ceremonies until the tenth emperor, who, fearing the sacredness of the divine presence, took these two efficacious symbols, the sword and the mirror, and put them away in another place, which was the origin of the idea of the Emperor sitting like a god in the place of a god.”
In this quotation only two things are mentioned—the sword and the mirror. A third is spoken of sometimes as a ball of crystal, at others as a seal, “sinji.” Klaproth calls it a ball of greenstone with two small round holes. The three things go by the name of “Sanjioo no jinji.” During the long and bloody wars between the emperors of the north and south, in the sixteenth century, the former, who resided in Miako, and finally established himself on the throne, was not considered incontestably emperor until he obtained possession of these three sacred symbols. Though the emperor of the south was hard pressed, and almost a refugee in the mountains, he kept possession of them, and finally concluded a truce, delivering them up to his opponent, emperor de facto. On one occasion the three precious jewels were stolen, and after being kept several months were recovered or sent back. On several occasions they have narrowly escaped destruction by fire, and in the year 1040 A.D. the mirror was broken by the heat; but the pieces were recognized and placed together. Within the last few years (in 1851) they were again nearly exposed to a similar chance of destruction, but were saved by Hoongay Hashimoto, who brought them out at the risk of his life.
In Japan it is usual to perform a ceremony at the time when the boy assumes the toga virilis and becomes a man. The age at which this takes place is not settled, and seems to vary from the tenth to the fifteenth year. The eldest son of the Emperor undergoes this operation (known as “Gembuko”; Ch., “yuen fuh”) about the age of ten or eleven, when he, according to the custom, receives a new name. His hair is shaved off in the manner usual with men, and he assumes a dress. In all families the occasion is an important one, and in the case of the son of the Emperor, the heir-apparent, it becomes national. At the inauguration of the Emperor (according to Klaproth) his height is measured with a bamboo, which is deposited in one of the great temples in the province of Isse until his death, when it is removed to another, and revered as a spirit. With the bamboo of the reigning Emperor are deposited a straw-hat, a grass rain-mantle, and a spade, emblems of agriculture, held in Japan as an occupation second only to that of the soldier.
The Emperor is said to have his eyebrows shaved, and to blacken his teeth every morning, which operation is effected by a mixture of sulphate of iron and some astringent bark. The state dresses of the Emperor are generally of very rich strong silk of a bright green color. The shape, the color, the pattern are all fixed, and not left to choice. His under garments are of white silk, and called “mookoo”; and this is the part of his dress which he never wears twice. Besides being changed every morning, there are other occasions during the day in which necessity demands a change. These white silk dresses are the perquisites of one of the servants, and are sold by him in Miako. The Emperor always uses cold water for bathing. The cups which he uses for his meals are also broken; but when it is remembered that the Chinese and Japanese style of eating requires only one cup, and this perhaps not a very expensive one, the total does not amount to a large sum in the annual budget. He is said to devote his time to business matters, with discussions upon history, laws, and religion. In times past he has taken but little part in the business of the country; but his share in this is every year upon the increase, and he is courted by those who see in what direction political power is tending. The power of conferring titles and rank may have given him an amount of occupation and an acquaintance with mankind which would hardly leave him the nonentity he has generally been described. Twelve days of the month are set apart for conversations and discussions upon the history, laws, and religion of Japan. Such spare time as he has is devoted to the composition of poetry, with music and chess. The Emperor is supposed to move out of his palace and the grounds and gardens adjoining only twice a year—once during spring, and once in autumn—when he goes in a covered car, inclosed by semi-transparent screens of bamboo, drawn by large bullocks, to visit the environs of Miako. This procession is known as “Miyuki” or “Gokowo.”
On this state procession the Emperor is accompanied by all the high officers in Miako. He does not always strictly adhere to this rule of seclusion, however. Twenty-five years ago Kokaku was in the practice of walking about the town with his son, afterward Jin-ko, dressed like a common man. The excuse for this was that his palace was being rebuilt, after having been burned down. After the Emperor has abdicated no restrictions are placed upon him.
The Emperor, like the majority of his countrymen, is a vegetarian in his diet, and, in addition, eats only fish. At one time such animal food as venison was considered fit for royalty; but the story goes that the Emperor Ssu-jio heard one evening a doe crying plaintively for her mate. On the succeeding morning he came to the conclusion that some venison for his breakfast was the missing lover; and, ever since, venison has not been included among the dainties of the royal kitchen. In his time the Emperor and all his court began to wear the stiff-starched ample robes still used, and the long “kio” or train, which was introduced to prevent the feet of retreating courtiers being seen. On leaving the presence of the Emperor, officers walk backward on their knees.
Some writers have alleged that the Emperor is looked upon as a god, and that the people think that he goes in the eleventh month to the meeting of the spirits, the “kami.” This meeting is believed by the lower classes in Japan to take place during the eleventh month in the province of Idzumo, at the temple of Oyashiro, which temple is thus honored because the first spirit dwelt there. At this meeting the spirits arrange the sublunary and mundane business of Japan for the subsequent eleven months. The inhabitants of Idzumo call this month “Kami ari tski,” or the spirit month. All the other provinces call it “Kami nashi tski,” the month without spirits. The Emperor is supposed to be above all the kami or spirits, inasmuch as he can confer honors upon the dead; but he is not looked upon as above the “Tento sama,” or Lord of heaven, showing that a lower position is assigned to the kami (or “Shin” of the Chinese) than to the highest deity. But no one of any ordinary education in Japan believes that the Emperor goes to this meeting of spirits; these ideas, like many others similar in China, are only current among the least educated of the people. During this month, when the spirits are so occupied, none of those ceremonies in which their assistance must be invoked, such as marriages, adoptions, etc., takes place; no prayers are offered, as the spirits are supposed to be engaged. At this meeting they arrange all the marriages which are to take place during the ensuing year. Each individual in this world, male and female, is supposed to have a thread of existence, “yeng.” The spirits take the pairs of threads of those who are to be joined in matrimony and knot them together. So we speak of marriages being made in heaven while the hymeneal knot is tied on earth. From this the month is called “Yeng moosoobi tski”—i.e., Tie-the-knot month.
Abdication from positions of active life is very common among all ranks in Japan. No position seems to be more easily renounced than that of the occupation of the throne. In a country where the heir may have the misfortune to be brought up in the lap of luxury, and amid sensual excitements and indulgences of every kind, it is not surprising that the irksomeness of his position should make the holder sigh to be relieved from it, or that vigor of mind or body is only to be found in those cases where, the heir-apparent having been cut off, the successor has been adopted at a late period of his life, having been reared without the expectation of subsequent elevation. After the Emperor has abdicated he is named “Tai sho ten wo”—equivalent to “His most exalted and sacred Majesty.” At the present day, upon his taking this step, should he devote himself to religion and become “Fo wo,” his head is shaved, and he retires to a monastic life, and generally occupies the temple Ninaji or Omuro in the neighborhood of Miako.
The Japanese are unostentatious in their customs, and in the treatment of their great ones after death are singularly undemonstrative. Considering that all the rites connected with the dead are after the Buddhist ritual, and that the Chinese devote so much money and soil to the tombs and monuments of their ministers and great men and women, something of the same veneration might be expected in Japan. But, on the contrary, the tombs are generally very small unpretending structures, consisting of a basement, upon which a single stone is erected of no great size. Such is the tomb of Yoritomo, the great hero, in the neighborhood of Kamakura; and such, we are told, are the tombs of the emperors. They are covered over with a roofing of straw, to keep before their countrymen and subjects the remembrance of their primeval simplicity.
As to the succession to the throne, the laws or regulations in Japan do not seem to be very decided. The frequent abdication of the ruler gives the opportunity for securing that his successor shall have all the weight and assistance that the predecessor can give to overcome the pretensions of rival claimants. When the death of the Emperor has suddenly left the throne vacant, the eldest son is supposed to be the rightful heir. But when, as frequently has happened, his mind and body have been enfeebled by dissipation, and he has neither wit nor vigor to seize the reins of power, he has too often been supplanted by the ambition of a brother, or a wife of his father. When the Emperor leaves only a daughter, she is married to a member of the four imperial families, and her husband in that case becomes Emperor. In reality, the most powerful party about the court, when any difficulty occurs, puts in and supports the member of the imperial family most favorable to their continuing in power.
The genealogy of the Emperors is considered true and authentic as published in the Red Book of the empire; the pedigree of the Shiogoon is looked upon as made up. The former is to be found fully detailed from native sources in the works of Klaproth and Kæmpfer. The “Oon jo may rang” is the title of a small book giving the pedigrees and crests of the Emperor’s family, and of the koongays or nobility. Two crests or coats-of-arms are used by the Emperor—the one, “kiku,” for outside imperial government business, like the flower of a chrysanthemum, with sixteen petals; the other, the “kiri,” is used for the palace matters personal to the Emperor and his family. No notice seems to be taken of the common assumption of the imperial crest, but no one dares to use the crest of the Shiogoon except by permission.
The following sayings give some idea of the reverence with which the Emperor is spoken of: “Mikado ni ooji nashi,” is a saying to express that the Emperor is of no family. “Tenshi foo bo nashi”—“The Emperor has neither father nor mother.” “In heaven there is one sun, on earth there is one Emperor,” is a Confucian saying in accordance with the ideas of the country. “O wo wa jiu zenn, kami wa ku zenn”—“The power of the Emperor is as ten, that of the gods as nine”; implying that more reverence is due to the Emperor than to the lesser spirits, and that he has more power. “The Emperor all men respect, the Shiogoon all men fear.” “Heaven is his father, earth is his mother, his friends are the sun and moon.” Such ideas are taken from the Chinese classics.
The Emperor marries one wife, who is the Empress. He is allowed by the laws of the country to take twelve concubines, who are generally the daughters of the poorer nobility. The throne can be, and has frequently been, occupied by a female. The Emperor is supposed to receive, as an allowance from the Shiogoon, 100,000 kobangs, equal to $350,000 per annum. This he receives from the Yedo government, but he probably has a large revenue from land in the “Go ki nai” or “Go ka koku,” or five provinces. He is said to complain of the duties from foreign trade not being paid into his treasury, inasmuch as when the trade was conducted formerly by the Portuguese at Sakkye, the Emperor received the duties; but as Yokohama is out of the Gokinai, the Shiogoon prefers that the duties should flow to Yedo. These five provinces are frequently spoken of by the writers of the sixteenth century as the Tensee—heavenly or sacred soil. They are Yamashiro, Yamato, Setsu, Kaawdsio, and Idzumi. The whole empire is spoken of, as in China, as all under heaven—“Tenka.”
Two officers in the Emperor’s palace are appointed from Yedo—two Hattamoto, or inferior barons—to superintend the disbursement of money, and to keep accounts of the money paid by the Shiogoon’s government. These men have fifty soldiers under them. Under them are nine “Toritsungi,” generally men of some rank and position.
The Emperor’s own private establishment consists of the following officers:
1. Makanye Kashira, generally a Hattamoto, who keeps the accounts of the imperial table and pays the money.
2. Kye mon tskye, called “Kimsakye,” two Hattamoto, who go to buy the provisions for the palace.
3. Go zembang, six men, whose business is to examine the Emperor’s food.
4. Shuri siki, five men, to look after the buildings; generally Miako men of old families.
5. Makanye kata, six men, whose duty is to say what, and how much, is to be purchased for the palace.
6. Gim miakoo and Itamoto—of the former three, of the latter seventeen—head cooks and ordinary cooks.
7. Kangay bang, keepers of the keys, seven men.
8. Sosha bang, messengers.
9. Tskye bang or Kashira, three men, lower messengers.
These are all given in the official list as the ordinary household in daily attendance on the emperor.
After his death an honorific title is given to the deceased Emperor, by which he is subsequently known in history.