C
C minor Symphony (Beethoven), analysis of, [145]-[151].
C minor Symphony (Brahms), analysis of, [239]-[249].
cadences, [55]-[57].
Calvacoressi, on dominant relationship, [52].
canon, [11];
account of, [36]-[37].
canzona, [69].
Carnaval Romain Overture, analysis of, [211]-[212].
Carpenter, John Alden, Adventures in a Perambulator, [80], [329].
Casella, [328].
Casse-Noisette Suite, [80].
Cellini, Benvenuto, compared with Berlioz, [202];
opera by Berlioz, [211].
Chabrier, Bourrée Fantasque, [80], [297];
España, [80], [297];
Overture to Gwendoline, [99], [297];
account of style, [297].
chaconne, [86];
Bach's for violin solo, [87].
Chadwick, Canonic Studies, [36];
fugal passage in Vagrom Ballad, [41], [329].
Chamisso, texts for Schumann's songs, [170].
Chantavoine, Life of Beethoven, [159].
Charpentier, Impressions of Italy, [80].
Chausson, Ernest, account of style, [298].
Chavannes, Puvis de, compared with Franck, [258].
Chopin, type of melody, [10], [21];
Sonata in C minor, [67];
biography and features of style, [188]-[189];
analysis of Prelude in C major, [198];
Étude in A-flat major, [199];
Mazurka in F-sharp minor, [199];
analysis of Polonaise in E-flat minor, [200];
of Barcarolle, [200]-[201];
of Scherzo in C-sharp minor, [201].
chromatic changes, [51].
Clapp, P.G., [48], [329].
coda, definition and examples of, [99].
color, in different keys, [51].
Combarieu, Jules, [2].
Converse, F.S., Dramatic Poem, Job (Phrygian mode), [26];
String Quartet, [99], [329].
Corelli, [70], [74].
Coriolanus Overture, analysis of, [152]-[156].
counterpoint, definition of, [11].
counter-subject (of a fugue), [42].
Couperin, [70], [74], [81], [85];
descriptive pieces, [152], [255].
courante (corrente), [75].
Croatian Folk-songs (in Haydn), [101]-[102].
csárdás, [76].