D
D major Sonata of Beethoven, analysis of, [140]-[145].
D Minor Symphony of Schumann, [179]-[184].
d'Albert, Suite for Pianoforte, [78].
Damnation of Faust, instrumental numbers from, [213]-[214].
Daniels, Mabel, [329].
Dannreuther, eulogy on Beethoven, [159];
comment on Berlioz's counterpoint, [209].
Dargomijsky, use of whole-tone scale, [289].
Debussy, modal expression in works, [23], [288]-[289];
Pelléas et Mélisande (Dorian mode), [24];
comments upon, [294];
Minstrels (cadence in), [55]-[56];
Sarabande for pianoforte, [77];
comment on development, [97];
compared with Mendelssohn, [185];
apropos of new music, [204];
features of style, [287]-[297];
whole-tone scale, [289]-[290];
titles of pianoforte pieces, [292]-[293];
on his pianoforte style, [295]-[296].
de Musset, quotation apropos of Grieg, [325].
deceptive cadence, [56].
Dent, E.J., Mozart's Operas, [112].
De Pachman, playing of Mendelssohn's pieces, [185].
De Quincey, quotation from the Dream Fugue, [49].
Deutsches Requiem, [233].
development section of Sonata-form, [93]-[94], [97]-[98].
Dickinson, Edward, estimate of Haydn, [101].
diminution, definition of, [44].
d'Indy, modal expression in works, [23];
canonic style, [36];
Symphonic Variations, Istar, [67];
comments on the Sonata-form, [95], [100];
comment on Beethoven's Seventh Symphony, [131];
comment on Sonata Pathétique, [142];
comments on D major Sonata, [145];
comments on Fifth Symphony, [145];
Life of Beethoven, [159];
comments on Franck's themes, [268];
biography and features of style, [280]-[282];
Istar, analysis of, [283]-[287].
dissonance, discord, distinction between terms, [143].
Dohnányi, [328].
Dominant, acoustical and harmonic importance of, [22]-[23], [52].
Don Giovanni, [111], [119].
Don Juan, [85].
Don Quixote, [89].
Dorian mode, [24].
Dostoyevsky, [314], [319], [320].
Doumic, René, essay on George Sand, [189].
Dowland, John, his Pavans, [80].
Duparc, Henri, account of his style, [298].
Dvořák, New World Symphony, [9], [21];
modal expression in works, [23];
New World Symphony (Aeolian mode), [26];
Suite for Orchestra, [79];
works and features of style, [322]-[324].