X. ARISTOPHANES.
Aristophanes is a witness of great importance. Of eleven surviving plays the Acharnians appeared in 425 BC, the Plutus in 388. Thus we have from this prince of wit and humour a series of comments on the social and political life of Athens and Attica from the point of view of conservative admirers of good old times. The evidence of Comedy is liable to be suspect, on the ground of a tendency to exaggerate and distort facts: but to make allowances for this tendency is not a task of extreme difficulty. Nor can it fairly be said that the political bias of the poet is such as to deprive his evidence of all authority. If he seems at times to be singularly detached from the prejudices of the war-party, dominating Athens under the democratic leaders, and able to discern and boldly to declare that the right was not solely on their own side in the war; still he was a warm patriot, devoted to the Athens whose defects he could not ignore. Among the striking events of the time nothing seems to have impressed him more forcibly than the devastation of Attica and the consequent ruin of the agricultural interest. That the cooping-up of the rural population[153] within the walls month after month was a progressive calamity, could hardly escape the notice of any one then resident. It was not merely the squalor or the appalling sickness, though these were in themselves enough to produce a terrible strain. Discontent and recklessness took hold of the masses, and other observers beside Aristophanes remarked the degeneration of the democracy. Aristophanes was an opponent of the war-policy, and strove hard to rally the farmer-folk in favour of peace. He spared no pains to discredit the noisy demagogues, accusing them of prolonging the war in order to retain or increase their own importance at the cost of the soundest element in the civic body. But, while he turned the farmers’ grievances to account in political advocacy, he was no mere unscrupulous partisan. His frequent references to the homely joys of country life, sometimes in sympathetic rural vignettes, have the ring of sincerity. Like many another dweller in the unwholesome city, he sighed for the fresh air, the wholesome food, the peace and quiet of Attic farmsteads: no doubt he idealized the surroundings, though he did not depict them as scenes of spotless innocence. But the details that drop out casually are often very significant from the point of view of my inquiry, and very helpful as giving us a genuine picture of the time.
On no point is information more to be desired than the relation of agriculture to wealth. Is the typical farmer of the period a man of large estate or not? We have seen that the ‘old oligarch’ classed together the wealthy and the farmers as favouring a peace-policy. That such a body of opinion, large or small, existed in Athens, is also suggested by passages in Aristophanes. In the Ecclesiazusae, the play in which the leader of the female politicians offers to cure distress by a communistic scheme, we are told[154] that a proposal to mobilize a fleet divides the Assembly: the poor man votes for it, but the wealthy and the farmers are against it. I take it that, as in the case of the Sicilian expedition, the man who wants to get paid for service (with a chance of profit) supports the motion; those who dislike having to pay for the enterprise, or see no way of profiting by it, are in opposition. This is a phenomenon normal in politics, and does not tell us whether the ‘farmers’ are cultivators on a large scale or small. Later in the play we find a protest[155] against the iniquity of the present juxtaposition of wealth and destitution, the state of things in which one man farms much land while another has not enough to afford him a grave. Even a comic poet would hardly put this into the mouth of one of his characters if there were not some section of the audience to whom it might appeal. It is probable that at the time (393-2 BC) communistic suggestions were among the currents of opinion in humbled and impoverished Athens. To squeeze the rich had long been the policy of the democrats, and a jealousy of wealth in any form became endemic in the distressful city. A few years later (388 BC) the poet gave in the Plutus a pointed discussion[156] of economic questions, ridiculing the notion that all could be rich at the same time: for nobody would work, and so civilization would come to an end. True, the individualistic bent of the average Athenian, grasping and litigious, prevented the establishment of downright communism: but Athens was henceforth never free from the jealous and hardly patriotic demands of the clamorous poor We must remember that military service, no longer offering prospects of profit in addition to pay, was becoming unpopular; that land-allotments[157] in conquered territories had ceased; and that agriculture in a large part of Attica was toilsome and unremunerative. Poverty was widespread, and commerce declined: this implies that the supply of slaves, and the money to buy them, would be reduced. Was there then much to attract the poor man to the lonely tillage of a patch of rocky land? The generation of small farmers before and during the great war had some outlook for themselves and their sons, serving in victorious armies or fleets, getting booty or allotments abroad. Hence they took a keen interest in politics. The fall of Athens had changed all this: the profits of empire had departed, and with them the buoyancy of an imperial pride. No wonder if there were signs of unwillingness to follow a hard rustic life. So the Informer in the Plutus[158], when asked ‘are you a husbandman?’ replies ‘do you take me for a madman?’ Earlier in the play[159] Chremylus, wishing to share with old cronies the profits of having captured the god of wealth, says to his slave ‘invite my fellow farmers: I fancy you’ll find them working themselves (αὐτοὺς) on their farms.’
I have taken this later picture first, in order to bring out more clearly the contrast presented by that given in the earlier plays. Naturally enough, many details are the same in both, but the general character of the farmers is different. The farmer class makes an important figure. They are sturdy rustics[160], old-fashioned and independent, rough in manners, fond of simple country life, and inclined (perhaps justly) to mistrust the city folk, who cheat them in business whenever they can, and take advantage of them in other ways, such as liability to military service at short notice. When driven to take refuge in Athens, their hearts are in their farms, and they have to make up their minds whether to support the war-party in hope of regaining their homes and property by force of arms, or to press for peace in order to end what is from their point of view an unnecessary war, kept going in the interest of demagogues and others who are profiting by the opportunities of offices and campaigns abroad. The issue appears in our earliest play, the Acharnians (425 BC). The farmers of the deme Acharnae, one of whose occupations was wood-cutting and charcoal-burning, at first come on as stubborn rustics, all for war and revenge on the enemy. But Dicaeopolis the chief character of the play, himself a farmer, and a sufferer in the same kind by the Spartan raids, succeeds in persuading[161] them that Athenian policy, provocative and grasping, is really to blame for their losses. In the end they come over to his views, and the play serves as a manifesto of the peace-party. Of course we are not to take it as history. But the conflict between the two sections of opinion is probably real enough. When Dicaeopolis describes[162] himself as ‘with my eyes ever turned to my farm, a lover of peace, detesting the city and hankering after my own deme, that never yet bade me buy charcoal or rough wine or olive oil,’ he is giving us a portrait of the rustic who is resolved not to part with cash for what can be produced on the farm.
But, whatever policy may seem best adapted to achieve their purpose, the purpose itself is clearly and consistently marked. The desire of the war-time farmers is simply to return to their farms[163] and to resume the life of toil and plenty, varied by occasional festivals, that had been interrupted by the war. They long to escape from the abominations of the crowding and unhealthiness prevailing in the city. Once they get back to their old surroundings, all will be well. Time and labour will even repair the damages caused by the enemy. No misgivings suggest that a change of circumstances may be found to have robbed Attic country life of some of its charm. Nothing like the loss of the empire, the fall of Athens, and the deadly depression of economic and political life, is foreboded: they face the sequel with undisturbed faith in the stability of the existing system. Nor indeed until the Sicilian disaster (413 BC) was there much to cause uneasiness. So we find the same spirit illustrated in the Peace (421 BC), which may be regarded as driving home the lesson of the Acharnians. The agricultural interests are now represented as solidly in favour of the peace of Nicias, unsatisfactory though it soon proved to be. While other interests are slack, indifferent or even hostile, farmers are whole-hearted[164] in determination to end the war and go home. Trygaeus their leader, according to the Greek sketch of the plot an elderly rustic, describes himself[165] as a ‘skilled vine-dresser, one who is no informer or fomenter of troubles (lawsuits).’ Needless to say, he carries his point, and the farmers march off triumphant[166] to their farms, eager to take up the old easygoing life once more. We must not take our comic poet too literally, but we have no reason to doubt that feelings such as he depicts in this play did prevail, and perhaps widely. And, though the peace was insincere, and warfare never really ceased, the immunity of Attica from invasion for several years gave time for agriculture to revive. When Agis occupied Deceleia in the winter of 413, his marauders would find on the Attic farms all manner of improvements and new plantations to destroy. And the destruction of the fruits of a laborious revival is to be reckoned among the depressing influences that weighed upon falling and desperate Athens. It was surely at work in the year 411, when Aristophanes was preaching a policy of concord at home and sympathetic treatment of the Allies in order to save the shaken empire. In the Lysistrata he represents the mad war-fury of the Greek states as due to the misguided men, whom the women coerce by privation into willingness for peace. This is strung up into a passionate longing, so that neither[167] of the principal parties is disposed to haggle over details. The Athenian breaks out ‘I want to strip and work my land at once.’ The Spartan rejoins ‘and I want to be carting manure.’ There is still no misgiving expressed, and the poet is probably true to facts. The struggles of the time were a fearful strain on Athenian resources, but it still seemed possible that the empire would weather the storm.
This brief sketch leads on to the inquiry, what do we gather as to the labour employed on the farms? We have to consider three possibilities (a) the farmer, including his family, (b) hired labourers, (c) slaves. It is well to begin by remarking that frequency of reference to one of these does not necessarily imply the same proportion in actual employment. Slavery being assumed as a fact in all departments of life (as it is by all writers of the period), and the slave being an economic or domestic appliance rather than a person, there was no need to call special attention to his presence. Hence it is natural that the rustic slave should, as such, be seldom referred to in the plays. He is in fact mentioned several times, rather more often than the yoke of oxen. Nor was it necessary to mention the wage-earner, the man employed for the job under a temporary contract, and in connexion with agriculture he hardly appears at all. But the working farmers were a class of citizens. They had votes, and they were on political grounds a class to whose sympathies the poet was anxious to appeal. Therefore he had no choice but to lay stress upon their virtues and magnify their importance. Any careful reader of Aristophanes will I think admit that he does this consistently. In doing this with political aims he was subject to the temptation of passing lightly over any considerations that might, whether justly or unjustly, be turned against his case. This may serve to explain why he refers almost solely to the small working farmer, who himself labours on the land. We are not to infer that there were no large estates worked by deputy, though probably there were not many: to lay stress on the interested views of large landowners was not likely to please the jealous Demos. Nor are we to infer that the small farmer used no slaves: that he laboured himself is no proof, for no man could get more out of a slave’s labour than the working owner, on whom the burden of making good his slave’s neglect must fall. I turn now to the passages from which the various details may be gleaned.
In the Acharnians the working farmer Dicaeopolis is delighted at having made a separate peace on his own account. He holds it a fine thing[168] that he should now be able to perform religious rites and celebrate the festival of the rustic Dionysia with his slaves. He is back at home[169] in his own rural deme, and he calls his slave Xanthias to carry the phallus in the procession. In the Clouds[170] old Strepsiades says that he lives in the heart of the country, and his preference for the easy and rather squalid life on a farm is plainly expressed. And the play opens with his complaint that in war-time a man has not a free hand to punish his slaves. It is however not clear that he is supposed to be at the time living on the farm. In the Wasps the chorus of old dicasts are indignant[171] that their old comrade Philocleon should be dragged off by his own slaves at the order of his son. The old man himself, struggling and protesting, reminds the leading slave of the time when he caught the rogue stealing grapes (obviously in his vineyard) and thrashed him soundly. In the Peace a rustic scene[172] is described. The weather being unfavourable for work on the land, but excellent for the seed just sown, it is proposed to make merry indoors. Country fare is made ready, and the female slave Syra is told to call in the man slave Manes from the farm. A little below Trygaeus is mocking the workers in war-trades. To the trumpet-maker he says, fit up your trumpet differently[173] and you can turn it into a weighing-machine: ‘it will then do for serving out rations of figs to your slaves on the farm.’ In the Lysistrata the chorus, being aware that an interval of distress will follow the conclusion of peace, offers[174] to tide over the crisis by helping the fathers of large families and owners of hungry slaves by doles of food. ‘Let them bring their bags and wallets for wheat: my Manes shall fill them.’ After these passages the announcement of the working of the communistic scheme[175] in the Ecclesiazusae carries us into a very different atmosphere. ‘But who is to till the soil under the new order?’ asks Blepyrus. ‘Our slaves,’ replies Praxagora, his typical better-half. We see that this amounts to basing society on a serf-system, for the slaves will be common property like the rest. In the Plutus old Chremylus is a farmer, apparently a working[176] farmer, but he has a slave, indeed more than one. Age has probably led him to do most of his work by deputy. When Poverty, in the course of her economic lecture, explains to him[177] that wealth for all means slaves for none and that he will have to plough and dig for his own proper sustenance, he is indignant. The weak points of the argument do not concern us here. The solution offered in the play, the cure of the Wealth-god’s blindness, enabling him to enrich only the deserving, is a mere piece of sportive nonsense, meant to amuse an audience, not to hold out a serious hope of better things.
Enough has been said to shew that the slave had a place in farm life as depicted by Aristophanes. It will be observed that in the earlier plays the references are all of a casual kind: that is to say, that slave-labour calls for no particular attention or remark. The consideration of slave-labour as such, in fact as an economic phenomenon, only appears later. This is, I repeat, significant of the change that had come upon Athens and Attica in consequence of exhaustion. In respect of hired labour it is obvious that pressure of poverty, as stated[178] in the Plutus, directly influences the supply. If the possession of a competency will deter men from professional industry in trades, even more will it deter them from the drudgery of rough labour. The hired men (μισθωτοί) were commonly employed in all departments, for instance in the building trades, to which there is a reference[179] in the Birds. But we may fairly assume that during the great war the number of such ‘hands’ available for civilian services was much reduced. In agriculture there would be little or no demand for them. And any able-bodied citizen could earn good pay from the state. Moreover rough labour was not much to the taste of the average Athenian,—above all, digging[180]. ‘I cannot dig’ was proverbial. On the other hand there were farm-duties in the performance of which sufficient care and intelligence could only be exacted through the medium of wage-paying. Such was that of olive-pickers, to whom and their wage we have a reference[181] in the Wasps. They are probably free persons, but it is possible that wage-earning slaves, paying rent to their owners, might be thus employed. That in some occupations free and slave-labour were both employed indifferently, is certain. The carriage of burdens[182] is a case in point. But employment in odd jobs would be far more frequent in the city, including Peiraeus, than in country places. I do not think it rash to conclude that hired free labourers were few on the farms of Attica in the time of Aristophanes.
Turning to citizen agriculturists, it must be mentioned that views differ as to the proportion of large estates held and worked by wealthy owners in this period. Such estates would almost certainly employ slave-labour. So far as the evidence of Aristophanes goes, I should infer that they were few. No doubt he had reasons for not making much of such cases; still I believe that the comfortable working farmer, homely and independent, the poet’s favourite character, was in fact the normal type. They were not paupers,—far from it: but their capital consisted in land, buildings, dead and live farm-stock, and the unexhausted value of previous cultivation. These items could not suddenly be converted into money without ruinous loss: most of them could not be carried away in the flight to Athens. Hence the dislike felt by such men to an adventurous policy, in which their interests were sacrificed. The passages in which agriculture is connected[183] with large property occur in a play produced 392 BC, at which time great changes had happened. It is highly probable that, among these changes, much Attic land had passed from the hands of ruined yeomen into those of rich men possessed of ready money and able to buy in a glutted market. In a later period we shall find γεωργεῖν used in the sense of acting the country landowner. To illustrate the life and ways of the peasant farmers of this period Aristophanes supplies endless references descriptive and allusive. The chief of these have been cited above. A few more may be added here. In the Clouds Strepsiades, urging his son to a rustic life, hopes to see him dressed in a leathern jerkin, like his father before him, driving in the goats[184] from the waste (φελλέως, the rocky hill-pasture). Here is a good instance of husbandry in the Attic highlands, in short a case of crofters. What a refugee might hope to save in his flight and take back to his farm on the return of peace—it amounts to a few implements[185]—is set out in the Peace. Loss of oxen, a yoke of two, driven off by Boeotian raiders, is pitifully bewailed[186] by a farmer in the Acharnians. But in general the farmers of the earlier plays are represented as tough elderly men. They are the ‘elder generation,’ and the poet genuinely admires them. For the younger generation he has a profound contempt. Evidently he thought that the soundest breed of Athenian citizens was dying out; and I am not sure that he was wrong.
I conclude that the evidence of Aristophanes on the whole points to an agriculture mainly carried on by working farmers with the help of slaves. This system was subjected to a very severe strain by the war-conditions prevailing for many years, and I do not think that it was possible to revive it on the same footing as before, even when Attica was no longer exposed to frequent raids. It was not merely the loss of fixed capital that told on the farmer class. Importation of corn was so developed and organized to meet the necessities of the crowded city, that it completely dominated the market, and in the production of cereals the home agriculture could now no longer compete with foreign harvests. There remained the culture of the olive and vine: but it needed years to restore plantations of these and other fruit-trees, and to wait for revival needed a capital possessed by few. The loss of imperial revenues impoverished Athens, and the struggle with financial difficulties runs through all her later history. It did not take the poorer citizens long to see that how to get daily bread was the coming problem. State-pay was no longer plentiful, and one aim of jealous franchise-regulations was to keep down the number of claimants. Had Aristophanes any inkling of the evil days to come? At all events he was aware that poverty works in two[187] ways: if it leads one man to practise a trade for his living, it tempts another to evildoing, perhaps to crime.