Characters.
THE OLD GENTLEMAN.
Our old gentleman, in order to be exclusively himself, must be either a widower or a bachelor. Suppose the former. We do not mention his precise age, which would be invidious;—nor whether he wears his own hair or a wig; which would be wanting in universality. If a wig, it is a compromise between the more modern scratch and the departed glory of the toupee. If his own hair, it is white, in spite of his favourite grandson, who used to get on the chair behind him, and pull the silver hairs out, ten years ago. If he is bald at top, the hair-dresser, hovering and breathing about him like a second youth, takes care to give the bald place as much powder as the covered; in order that he may convey, to the sensorium within, a pleasing indistinctness of idea respecting the exact limits of skin and hair. He is very clean and neat; and in warm weather is proud of opening his waistcoat half way down, and letting so much of his frill be seen; in order to show his hardiness as well as taste. His watch and shirt-buttons are of the best; and he does not care if he has two rings on a finger. If his watch ever failed him at the club or coffee-house, he would take a walk every day to the nearest clock of good character, purely to keep it right. He has a cane at home, but seldom uses it, on finding it out of fashion with his elderly juniors. He has a small cocked hat for gala days, which he lifts higher from his head than the round one, when made a bow to. In his pockets are two handkerchiefs, (one for the neck at night-time,) his spectacles, and his pocket-book. The pocket-book, among other things, contains a receipt for a cough, and some verses cut out of an odd sheet of an old magazine, on the lovely duchess of A., beginning—
When beauteous Mira walks the plain.
He intends this for a common-place book which he keeps, consisting of passages in verse and prose cut out of newspapers and magazines, and pasted in columns; some of them rather gay. His principal other books are Shakspeare’s Plays and Milton’s Paradise Lost; the Spectator, the History of England; the works of Lady M. W. Montague, Pope, and Churchill; Middleton’s Geography, the Gentleman’s Magazine; Sir John Sinclair on Longevity; several plays with portraits in character; Account of Elizabeth Canning, Memoirs of George Ann Bellamy, Poetical Amusements at Bath-Easton, Blair’s Works, Elegant Extracts; Junius as originally published; a few pamphlets on the American War and Lord George Gordon, &c. and one on the French Revolution. In his sitting rooms are some engravings from Hogarth and Sir Joshua; an engraved portrait of the Marquis of Granby; ditto of M. le Comte de Grasse surrendering to Admiral Rodney; a humorous piece after Penny; and a portrait of himself, painted by Sir Joshua. His wife’s portrait is in his chamber, looking upon his bed. She is a little girl, stepping forward with a smile and a pointed toe, as if going to dance. He lost her when she was sixty.
The Old Gentleman is an early riser, because he intends to live at least twenty years longer. He continues to take tea for breakfast, in spite of what is said against its nervous effects; having been satisfied on that point some years ago by Dr. Johnson’s criticism on Hanway, and a great liking for tea previously. His china cups and saucers have been broken since his wife’s death, all but one, which is religiously kept for his use. He passes his morning in walking or riding, looking in at auctions, looking after his India bonds or some such money securities, furthering some subscription set on foot by his excellent friend sir John, or cheapening a new old print for his portfolio. He also hears of the newspapers; not caring to see them till after dinner at the coffee-house. He may also cheapen a fish or so; the fishmonger soliciting his doubting eye as he passes, with a profound bow of recognition. He eats a pear before dinner.
His dinner at the coffee-house is served up to him at the accustomed hour, in the old accustomed way, and by the accustomed waiter. If William did not bring it, the fish would be sure to be stale, and the flesh new. He eats no tart; or if he ventures on a little, takes cheese with it. You might as soon attempt to persuade him out of his senses, as that cheese is not good for digestion. He takes port; and if he has drank more than usual, and in a more private place, may be induced by some respectful inquiries respecting the old style of music, to sing a song composed by Mr. Oswald or Mr. Lampe, such as—
Chloe, by that borrowed kiss,
or
Come, gentle god of soft repose;
or his wife’s favourite ballad, beginning—
At Upton on the Hill
There lived a happy pair.
Of course, no such exploit can take place in the coffee-room; but he will canvass the theory of that matter there with you, or discuss the weather, or the markets, or the theatres, or the merits of “my lord North” or “my lord Rockingham;” for he rarely says simply, lord; it is generally “my lord,” trippingly and genteelly off the tongue. If alone after dinner, his great delight is the newspaper; which he prepares to read by wiping his spectacles, carefully adjusting them on his eyes, and drawing the candle close to him, so as to stand sideways betwixt his ocular aim and the small type. He then holds the paper at arm’s length, and dropping his eyelids half down and his mouth half open, takes cognizance of the day’s information. If he leaves off, it is only when the door is opened by a new comer, or when he suspects somebody is over-anxious to get the paper out of his hand. On these occasions, he gives an important hem! or so; and resumes.
In the evening, our Old Gentleman is fond of going to the theatre, or of having a game of cards. If he enjoy the latter at his own house or lodgings, he likes to play with some friends whom he has known for many years; but an elderly stranger may be introduced, if quiet and scientific; and the privilege is extended to younger men of letters; who, if ill players, are good losers. Not that he is a miser; but to win money at cards is like proving his victory by getting the baggage; and to win of a younger man is a substitute for his not being able to beat him at rackets. He breaks up early, whether at home or abroad.
At the theatre, he likes a front row in the pit. He comes early, if he can do so without getting into a squeeze, and sits patiently waiting for the drawing up of the curtain, with his hands placidly lying one over the other on the top of his stick. He generously admires some of the best performers, but thinks them far inferior to Garrick, Woodward, and Clive. During splendid scenes, he is anxious that the little boy should see.
He has been induced to look in at Vauxhall again, but likes it still less than he did years back, and cannot bear it in comparison with Ranelagh. He thinks every thing looks poor, flaring, and jaded. “Ah!” says he, with a sort of triumphant sigh, “Ranelagh was a noble place! Such taste, such elegance, such beauty! There was the duchess of A. the finest woman in England, sir; and Mrs. L., a mighty fine creature; and lady Susan what’s her name, that had that unfortunate affair with sir Charles. Sir, they came swimming by you like the swans.”
The Old Gentleman is very particular in having his slippers ready for him at the fire, when he comes home. He is also extremely choice in his snuff, and delights to get a fresh box-full at Gliddon’s, in King-street, in his way to the theatre. His box is a curiosity from India. He calls favourite young ladies by their Christian names, however slightly acquainted with them; and has a privilege also of saluting all brides, mothers, and indeed every species of lady on the least holiday occasion. If the husband for instance has met with a piece of luck, he instantly moves forward, and gravely kisses the wife on the cheek. The wife then says, “My niece, sir, from the country;” and he kisses the niece. The niece, seeing her cousin biting her lips at the joke, says, “My cousin Harriet, sir;” and he kisses the cousin. He never recollects such weather, except during the great frost, or when he rode down with Jack Skrimshire to Newmarket. He grows young again in his little grand-children, especially the one which he thinks most like himself; which is the handsomest. Yet he likes best perhaps the one most resembling his wife; and will sit with him on his lap, holding his hand in silence, for a quarter of an hour together. He plays most tricks with the former, and makes him sneeze. He asks little boys in general who was the father of Zebedee’s children. If his grandsons are at school, he often goes to see them; and makes them blush by telling the master or the upper-scholars, that they are fine boys, and of a precocious genius. He is much struck when an old acquaintance dies, but adds that he lived too fast; and that poor Bob was a sad dog in his youth; “a very sad dog, sir, mightily set upon a short life and a merry one.”
When he gets very old indeed, he will sit for whole evenings, and say little or nothing; but informs you, that there is Mrs. Jones (the housekeeper),—“She’ll talk.”—Indicator.
A HAPPY MEETING.
And doth not a meeting like this make amends
For all the long years I’ve been wand’ring away?
To see thus around me my youth’s early friends,
As smiling and kind as in that happy day!
Though haply o’er some of your brows, as o’er mine,
The snow-fall of time may be stealing—what then
Like Alps in the sunset, thus lighted by wine,
We’ll wear the gay tinge of youth’s roses again.
What soften’d remembrances come o’er the heart,
In gazing on those we’ve been lost to so long!
The sorrows, the joys, of which once they were part
Still round them, like visions of yesterday, throng,
As letters some hand hath invisibly traced,
When held to the flame will steal out on the sight,
So many a feeling, that long seem’d effaced,
The warmth of a meeting like this brings to light.
And thus, as in memory’s bark, we shall glide
To visit the scenes of our boyhood anew,
Tho’ oft we may see, looking down on the tide,
The wreck of full many a hope shining through—
Yet still, as in fancy we point to the flowers
That once made a garden of all the gay shore,
Deceiv’d for a moment, we’ll think them still ours,
And breath the fresh air of life’s morning once more
So brief our existence, a glimpse, at the most,
Is all we can have of the few we hold dear;
And oft even joy is unheeded and lost,
For want of some heart that could echo it near.
Ah! well may we hope, when this short life is gone,
To meet in some world of more permanent bliss,
For a smile, or a grasp of the hand, hast’ning on,
Is all we enjoy of each other in this.
But come—the more rare such delights to the heart,
The more we should welcome, and bless them the more—
They’re ours when we meet—they’re lost when we part,
Like birds that bring summer, and fly when ’tis o’er,
Thus circling the cup, hand in hand, ere we drink,
Let Sympathy pledge us, thro’ pleasure thro’ pain,
That fast as a feeling but touches one link,
Her magic shall send it direct through the chain.
Lines to his Cousin
ON THE NEW YEAR,
By a Westminster Boy.
Time rolls away! another year
Has rolled off with him; hence ’tis clear
His lordship keeps his carriage
A single man, no doubt;—and thus
Enjoys himself without the fuss
And great expense of marriage.
His wheel still rolls (and like the river
Which Horace mentions) still for ever
Volvitur et volvetur.
In vain you run against him; place
your fleetest filly in the race,—
Here’s ten to one he’ll beat her.
Of all he sees, he takes a tithe,
With that tremendous sweeping scythe,
Which he keeps always going;
While every step he takes, alas!
Too plainly proves that flesh is grass,
When he sets out a mowing.
And though his hungry ravenous maw
Is crammed with food, both dress’d and raw,
I’ll wager any betting,
His appetite has ever been
Just like his scythe, sharp-set and keen,
Which never wanted whetting.
Could you but see the mighty treat
Prepared, when he sits down to eat
His breakfast or his dinner,—ah,
Not vegetable—flesh,—alone,
But timber, houses, iron, stone,
He eats the very china.
When maidens pray that he will spare
Their teeth, complexion, or their hair,
Alas! he’ll never hear ’em;
Grey locks and wrinkles hourly show,
What Ovid told us years ago,
Ut Tempus edax rerum!
In vain, my dearest girl, you choose
(Your face to wash) Olympic dews;
In vain you paint or rouge it;
He’ll play such havoc with your youth,
That ten years hence you’ll say with truth
Ah Edward!—Tempus fugit!
The glass he carries in his hand
Has ruin in each grain of sand;
But what I most deplore is,
He breaks the links of friendship’s chain,
And barters youthful love for gain:
Oh, Tempora! oh, Mores!
One sole exception you shall find,
(Unius generis of its kind,)
Wherever fate may steer us;
Tho’ wide his universal range,
Time has no power the heart to change
Of your Amicus Verus.
Bath Herald.