Old French Romances, Done into English

by William Morris

Transcribed from the 1896 George Allen edition by David Price, email ccx074@pglaf.org

OLD FRENCH
ROMANCES

DONE INTO ENGLISH

BY

WILLIAM MORRIS

WITH AN INTRODUCTION BY

JOSEPH JACOBS

LONDON
GEORGE ALLEN, RUSKIN HOUSE
1896

All rights reserved

Printed by Ballantyne, Hanson & Co.
At the Ballantyne Press

INTRODUCTION

Many of us have first found our way into the Realm of Romance, properly so called, through the pages of a little crimson clad volume of the Bibliothèque Elzevirienne. [1] Its last pages contain the charming Cante-Fable of Aucassin et Nicolete, which Mr. Walter Pater’s praises and Mr. Andrew Lang’s brilliant version have made familiar to all lovers of letters. But the same volume contains four other tales, equally charming in their way, which Mr. William Morris has now made part of English literature by writing them out again for us in English, reproducing, as his alone can do of living men’s, the tone, the colour, the charm of the Middle Ages. His versions have appeared in three successive issues of the Kelmscott Press, which have been eagerly snapped up by the lovers of good books. It seemed a pity that these cameos of romance should suffer the same fate as Mr. Lang’s version of Aucassin et Nicolete, which has been swept off the face of the earth by the Charge of the Six Hundred, who were lucky enough to obtain copies of the only edition of that little masterpiece of translation. Mr. Morris has, therefore, consented to allow his versions of the Romances to be combined into one volume in a form not unworthy of their excellence but more accessible to those lovers of books whose purses have a habit of varying in inverse proportion to the amount of their love. He has honoured me by asking me to introduce them to that wider public to which they now make their appeal.

I

Almost all literary roads lead back to Greece. Obscure as still remains the origin of that genre of romance to which the tales before us belong, there is little doubt that their models, if not their originals, were once extant at Constantinople. Though in no single instance has the Greek original been discovered of any of these romances, the mere name of their heroes would be in most cases sufficient to prove their Hellenic or Byzantine origin. Heracles, Athis, Porphirias, Parthenopeus, Hippomedon, Protesilaus, Cliges, Cleomades, Clarus, Berinus—names such as these can come but from one quarter of Europe, and it is as easy to guess how and when they came as whence. The first two crusades brought the flower of European chivalry to Constantinople and restored that spiritual union between Eastern and Western Christendom that had been interrupted by the great schism of the Greek and Roman Churches. The crusaders came mostly from the Lands of Romance. Permanent bonds of culture began to be formed between the extreme East and the extreme West of Europe by intermarriage, by commerce, by the admission of the nobles of Byzantium within the orders of chivalry. These ties went on increasing throughout the twelfth century till they culminated at its close with the foundation of the Latin kingdom of Constantinople. In European literature these historic events are represented by the class of romances represented in this volume, which all trace back to versions in verse of the twelfth century, though they were done into prose somewhere in Picardy during the course of the next century. Daphnis and Chloe, one might say, had revived after a sleep of 700 years, and donned the garb and spoke the tongue of Romance.