THE USE OF THE FOREST.

* For general bibliography, see [p. 4.]

Appendix.

HOW TO DISTINGUISH THE DIFFERENT KINDS OF WOOD.[*]

By B. E. Fernow and Filibert Roth.

The carpenter or other artisan who handles different woods, becomes familiar with those he employs frequently, and learns to distinguish them thru this familiarity, without usually being able to state the points of distinction. If a wood comes before him with which he is not familiar, he has, of course, no means of determining what it is, and it is possible to select pieces even of those with which he is well acquainted, different in appearance from the general run, that will make him doubtful as to their identification. Furthermore, he may distinguish between hard and soft pines, between oak and ash, or between maple and birch, which are characteristically different; but when it comes to distinguishing between the several species of pine or oak or ash or birch, the absence of readily recognizable characters is such that but few practitioners can be relied upon to do it. Hence, in the market we find many species mixed and sold indiscriminately.

To identify the different woods it is necessary to have a knowledge of the definite, invariable differences in their structure, besides that of the often variable differences in their appearance. These structural differences may either be readily visible to the naked eye or with a magnifier, or they may require a microscopical examination. In some cases such an examination can not be dispensed with, if we would make absolutely sure. There are instances, as in the pines, where even our knowledge of the minute anatomical structure is not yet sufficient to make a sure identification.

In the following key an attempt has been made—the first, so far as we know, in English literature—to give a synoptical view of the distinctive features of the commoner woods of the United States, which are found in the markets or are used in the arts. It will be observed that the distinction has been carried in most instances no further than to genera or classes of woods, since the distinction of species can hardly be accomplished without elaborate microscopic study, and also that, as far as possible, reliance has been placed only on such characteristics as can be distinguished with the naked eye or a simple magnifying glass, in order to make the key useful to the largest number. Recourse has also been taken for the same reason to the less reliable and more variable general external appearance, color, taste, smell, weight, etc.

The user of the key must, however, realize that external appearance, such, for example, as color, is not only very variable but also very difficult to describe, individual observers differing especially in seeing and describing shades of color. The same is true of statements of size, when relative, and not accurately measured, while weight and hardness can perhaps be more readily approximated. Whether any feature is distinctly or only indistinctly seen will also depend somewhat on individual eyesight, opinion, or practice. In some cases the resemblance of different species is so close that only one other expedient will make distinction possible, namely, a knowledge of the region from which the wood has come. We know, for instance, that no longleaf pine grows in Arkansas and that no white pine can come from Alabama, and we can separate the white cedar, giant arbor vitæ of the West and the arbor vitæ of the Northeast, only by the difference of the locality from which the specimen comes. With all these limitations properly appreciated, the key will be found helpful toward greater familiarity with the woods which are more commonly met with.

The features which have been utilized in the key and with which—their names as well as their appearance—therefore, the reader must familiarize himself before attempting to use the key, are mostly described as they appear in cross-section. They are:

(1) Sap-wood and heart-wood (see [p. 17]), the former being the wood from the outer and the latter from the inner part of the tree. In some cases they differ only in shade, and in others in kind of color, the heart-wood exhibiting either a darker shade or a pronounced color. Since one can not always have the two together, or be certain whether he has sap-wood or heart-wood, reliance upon this feature is, to be sure, unsatisfactory, yet sometimes it is the only general characteristic that can be relied upon. If further assurance is desired, microscopic structure must be examined; in such cases reference has been made to the presence or absence of tracheids in pith rays and the structure of their walls, especially projections and spirals.

(2) Annual rings, their formation having been described on [page 19]. (See also Figs. 128-130.) They are more or less distinctly marked, and by such marking a classification of three great groups of wood is possible.

(3) Spring wood and summer wood, the former being the interior (first formed wood of the year), the latter the exterior (last formed) part of the ring. The proportion of each and the manner in which the one merges into the other are sometimes used, but more frequently the manner in which the pores appear distributed in either.

(4) Pores, which are vessels cut thru, appearing as holes in cross-section, in longitudinal section as channels, scratches, or identifications. (See [p. 23] and Figs. 129 and 130.) They appear only in the broad-leaved, so called, hard woods; their relative size (large, medium, small, minute, and indistinct when they cease to be visible individually by the naked eye) and manner of distribution in the ring being of much importance, and especially in the summer wood, where they appear singly, in groups, or short broken lines, in continuous concentric, often wavy lines, or in radial branching lines.

(5) Resin ducts (see p. 26 and Fig. 128) which appear very much like pores in cross-section, namely, as holes or lighter or darker colored dots, but much more scattered. They occur only in coniferous woods, and their presence or absence, size, number, and distribution are an important distinction in these woods.

(6) Pith rays (see [p. 21] and Figs. 129 and 130), which in cross-section appear as radial lines, and in radial section as interrupted bands of varying breadth, impart a peculiar luster to that section in some woods. They are most readily visible with the naked eye or with a magnifier in the broad-leaved woods. In coniferous woods they are usually so fine and closely packed that to the casual observer they do not appear. Their breadth and their greater or less distinctness are used as distinguishing marks, being styled fine, broad, distinct, very distinct, conspicuous, and indistinct when no longer visible by the naked (strong) eye.

(7) Concentric lines, appearing in the summer wood of certain species more or less distinct, resembling distantly the lines of pores but much finer and not consisting of pores. (See Fig. 129.)

Of microscopic features, the following only have been referred to:

(8) Tracheids, a description of which is to be found on [page 28].

(9) Pits, simple and bordered, especially the number of simple pits in the cells of the pith rays, which lead into each of the adjoining tracheids.

For standards of weight, consult table on pages [55] and [192]; for standards of hardness, table on [page 195].

Unless otherwise stated the color refers always to the fresh cross-section of a piece of dry wood; sometimes distinct kinds of color, sometimes only shades, and often only general color effects appear.

[*] From Forestry Bulletin No. 10, U. S. Department of Agriculture.