How to Read Airplane Photographs
Not all the features, however, are so easily recognizable. Oblique photographs are often more readily interpreted than ordinary photographs, since they combine with the usual view the essentials of a plan; but in vertical photographs very few objects present an appearance that is natural in the light of our experience as lateral observers. The uninitiated, on attempting systematically to identify the features of a vertical photograph, find a very large number that are foreign in appearance. A necessary preliminary is an acquaintance with the ground photographed or with similar regions and features. Without such a key the air photograph is not always self-interpretative and is often unintelligible. Military observers are carefully trained to recognize features of military significance. It is not to be expected, however, that they should be trained in the observation of land forms except such as are of military importance. Consequently, whereas a great variety of photographs is now easily obtainable at many flying fields, the information that a scientist would desire concerning them is not so easily available. Most of the photographs used in this paper were taken by men who were not trained in observing land forms. Many were taken simply as a requirement in practice flights and meant so little to the observer that no record was made concerning them. For several not even the location was recorded.
It is of primary importance that the picture be held in the right position. Not only must the observer imagine himself looking directly down on the scene but he must hold the photograph in the position in which experience has shown that the image appears the most natural. Otherwise a depression will appear as an elevation and an elevation as a hollow. It is a well-known fact that in telescopic photographs of the moon the craters appear like hollows when the print is held in one position and like elevations when the position is reversed. Experience shows that if the print is held so that the shadows fall toward the observer the objects appear natural. The reason is that the observer sees only those shadows that are caused by light falling towards him. Consequently, the only interpretation that the brain can give to shadows on a photograph is that they are cast by an elevation between the eye and the light. In a picture, therefore, in which shadows fall away from the eye instead of towards it valleys are seen as hills and hills as valleys. In the northern hemisphere this prescribed orientation conflicts with the convention of placing the north side of a map at the top of the page and also with the modern shaded map on which the light is represented as coming from the upper left, or northwest, corner of the map.