Metals are all identical in their essence; they only differ by their form. The form depends on accidental causes which the artist must seek to discover. The accidents interfere with the regular combinations of sulphur and mercury; for every metal is a combination of these two substances. When pure sulphur meets pure mercury, gold results sooner or later by the action of nature. Species are immutable and cannot be transformed from one into the other; but lead, copper, iron, silver, &c., are not species. They only appear to be from their diverse forms.
Albertus Magnus:—“De Alchemia.” (About 1250.)
ANTIMONY.
Some of the old writers insisted that antimony (the native sulphide) was used as a medicine by Hippocrates who called it Tetragonon, which simply meant four-cornered, and of which we also know that it was made up with the milk of a woman. The reason which the iatro-chemists gave for believing that this compound was made from antimony was worthy of the age when it was the practice to apply enigmatic names to medicinal substances, a practice, however, quite foreign to Hippocrates. They understood the term to imply four natures or virtues, and they said antimony had four virtues, namely, sudorific, emetic, purgative, and cordial; therefore tetragonon meant antimony.
The Etymology of Antimony.
The name of this metal is one of the curiosities of philology. The old legend was that Basil Valentine, testing his medicine on some of his brother monks, killed a few of them. “Those who have ears for etymological sounds,” says Paris in “Pharmacologia,” “will instantly recognise the origin of the word antimonachos, or monks-bane.” Another version of the monk story is to the effect that after Basil Valentine had been experimenting with antimony in his laboratory he threw some of his compounds out of the window, and pigs came and ate them. He noticed that after the purgative action had passed off the pigs fattened. On this hint he administered the same antimonial preparation to certain monks who were emaciated by long fasts, and they died through the violence of the remedy.
These stories were probably the invention of some French punster, who worked them into shape out of the French name of the substance, antimoine, which, without the change of a letter, might mean bad for the monk. Littré entirely demolished any possibility of their truth by discovering the name in the writings of the Salernitan physician, Constantine, the African, who lived at the end of the eleventh century, three or four hundred years before the earliest dates suggested for Basil Valentine.
Other suggested derivations have been anti-monos, for the reason that the sulphide was never found alone; anti-menein, in reference to its tonic properties; and anti-minium, because it was used as an eye paint in the place of red lead. These are all guesses unsupported by evidence.
The modern philological theory is that the early Latin stibium and the late Latin antimonium have the same etymological origin. Stibium was the Latinised form of the Greek stimmi. Stimmi declined as stimmid—and this may have found its way into the Arabic through a conjectural isthimmid to the known Arabic name uthmud, which via athmud and athmoud became Latinised again into antimonium.