“Via ... kmm! Via-a-a! Alleluia, alleluia. ... Oba-che ... kmm.... Ma-ma....”

“There’s no sound in my voice,” he said to himself. “Vla-di-ko bla-go-slo-ve-e-e.... Km....”

Like all famous singers, he was given to be anxious about his voice. It is well known that actors grow pale and cross themselves before they go on to the stage. And Father Olympus suffered from this vice of fear. Yet he was the only man in the town, and possibly in all Russia, who could make his voice resound in the old dark cathedral church, gleaming with ancient gold and mosaic.

He alone could fill all the corners of the old building with his powerful voice, and when he intoned the funeral service every crystal lustre in the candelabras trembled and jingled with the sound.

His prim wife brought him in a glass of weak tea with lemon in it, and, as usual on Sunday mornings, a glass of vodka. Olympus tried his voice once more: “Mi ... mi ... fa.... Mi-ro-no-citsi.... Here, mother,” called he to his wife, “give me re on the harmonium.”

His wife sounded a long melancholy note. “Km ... km.... Pharaoh and his chariots.... No, no, I can’t do it, my voice has gone. The devil must have got into me from that writer, what’s his name?...”

Father Olympus was very fond of reading; he read much and indiscriminately, but paid very little attention to the names of the authors. His seminary education, based chiefly on learning by heart, on reading “rubrics,” on learning indispensable quotations from the fathers of the Church, had developed his memory to an unusual degree. In order to get by heart a whole page of complicated casuistical reasoning, such as that of St. Augustine, Tertullian, Origen, Basil the Great or St. John Chrysostom, it was quite sufficient for him to run his eye over the lines, and he would remember them. It was a student from the Bethany Academy who brought him books to read, and only the evening before he had given him a delightful romance, a picture of life in the Caucasus, of soldiers, Cossacks, Tchetchenians, and how they lived there and fought one another, drank wine, married, hunted.

The reading of this tale had disturbed the elementary soul of the deacon. He had read it three times over, and often during the reading had laughed and wept emotionally, clenching his fists and turning his huge body from one side to the other in his chair. He continually asked himself, “Would it not have been better to have been a hunter, a trapper, a fisherman, a horseman, anything rather than a clergyman?”


He was always a little later in coming into the cathedral than he ought to have been. Just like a famous baritone at a theatre. As he came through the south door into the sanctuary, on this Sunday morning, he tried his voice for the last time. “Km ... km.... I can sing re,” he thought. “But that scoundrel will certainly give me the tone on doh. Never mind, I must change it to my note, and the choir will be obliged to follow.”