There awoke in him that pride which always slumbers in the breast of a public favourite, for he was spoilt by the whole town; even the street-boys used to collect together to stare at him with a similar veneration to that with which they gazed into the immense mouth of the brass helicon in the military band on the boulevard.
The bishop entered and was solemnly installed in his seat. He wore his mitre a little on one side. Two sub-deacons stood beside him with censers, swinging them harmoniously. The clergy, in bright festival robes, stood around. Two priests brought forward from the altar the ikons of the Saviour and the Virgin-Mother, and placed them on a stand before the people.
The cathedral was an ancient building, and had a pulpit of carved oak like that of a Catholic church. It stood close up to the wall, and was reached by a winding staircase. This was the deacon’s place.
Slowly, trying each step as he went, and carefully resting his hands on the balustrade—he was always afraid of breaking something accidentally—the deacon went up into the pulpit. Then, clearing his throat and nose and expectorating, he struck the tuning-fork, passed deliberately from doh to re, and began:
“Bless us, most reverend Father.”
“Now, you scoundrel,” he thought to himself, apostrophising the leader of the choir; “you won’t dare to change the tone in the presence of the bishop.” At that moment he felt, with pleasure, that his voice sounded much better than usual; it was quite easy to pass from one note to another, and its soft depth of tone caused all the air in the cathedral to vibrate.
It was the Orthodox service for the first week in Lent, and, at first, Father Olympus had not much work. The reader trumpeted out the psalms indistinctly; he was a deacon from the academy, a future professor of homiletics, and he snuffled.
Father Olympus roared out from time to time, “Let us pray.” He stood there on his raised platform, immense, in his stiff vestment of gilt brocade, his mane of grey-black hair hanging on his shoulders, and every now and then he tried his voice quietly. The church was full to the doors with sentimental old peasant women and sturdy grey-bearded peasants.
“Strange,” thought Olympus to himself suddenly, “but every one of these women’s heads, if I look at it from the side, reminds me inevitably either of the head of a fish or of a hen’s head. Even the deaconess, my wife....”
His attention, however, was not diverted from the service. He followed it all along in his seventeenth-century missal. The prayers came to an end: “Almighty God, Master and Creator of all living.” And at last, “Amen.”