“The madam requests you. They apologize very much that they will receive you not fully dressed.”
She escorted Tamara, opened a door before her and quietly shut it.
The great artiste was lying upon an enormous ottoman, covered with a beautiful Tekin rug and a multitude of little silk pillows, and soft cylindrical bolsters of tapestry. Her feet were wrapped up in silvery, soft fur. Her fingers, as usual, were adorned by a multiplicity of rings with emeralds, attracting the eyes by their deep and tender green.
The artiste was having one of her evil, black days to-day. Yesterday morning some misunderstandings with the management had arisen; while in the evening the public had received her not as triumphantly as she would have desired, or, perhaps, this had simply appeared so to her; while to-day in the newspaper the fool of a reviewer, who understood just as much of art as a cow does of astronomy, had praised up her rival, Titanova, in a big article. And so Ellena Victorovna had persuaded herself that her head was aching; that there was a nervous tic in her temples; and that her heart, time and again, seemed suddenly to fall through somewheres.
“How do you do, my dear!” she said, a trifle nasally, in a weak, wan voice, with pauses, as heroines on the stage speak when dying from love and from consumption. “Sit down here ... I am glad to see you ... Only don’t be angry—I am almost dying from migraine, and from my miserable heart. Pardon my speaking with difficulty. I think I sang too much and tired my voice ...”
Rovinskaya, of course, had recalled both the mad escapade of that evening; and the striking, unforgettable face of Tamara; but now, in a bad mood, in the wearisome, prosaic light of an autumn day, this adventure appeared to her as unnecessary bravado; something artificial, imagined, and poignantly shameful. But she was equally sincere on that strange, night-marish evening when she, through the might of talent, had prostrated the proud Jennka at her feet, as well as now, when she recalled it with fatigue, indolence, and artistic disdain. She, as well as many distinguished artists, was always playing a role; was always not her own self, and always regarded her words, movements, actions, as though looking at herself from a distance with the eyes and feelings of the spectators.
She languidly raised from the pillow her narrow, slender, beautiful hand, and applied it to her forehead; and the mysterious, deep emeralds stirred as though alive and began to flash with a warm, deep sparkle.
“I just read in your note that this poor ... pardon me, her name has vanished out of my head...”
“Jennie.”
“Yes, yes, thank you! I recall it now. She died? But from what?”