bundles come filing in, with the animals that bear them invisible, except their legs. These pack-mules are more used than wagons, on account of the narrow streets, the danger in passing being less than with loaded vehicles. The amount sold to each purchaser appears small: a piece of meat wrapped in a paper, and a little fruit tied up in a handkerchief, is all. When a purchase is made a present is expected, which they call cuntra. In proceeding to the cathedral we pass the stores and shops, all of which are open. The tailor sits, with his legs crossed, sewing as earnestly as though he was repeating his Paternoster. They are all Roman Catholics, who have already been to receive the supposed requisite supply of grace for the week, and have now returned to their business vocations. The drinking-saloons are open, with their patrons in full view, seated at the marble-topped tables, chatting with their friends, their favorite beverages in front of them, while the blind beggar, with his wife, stands outside singing Spanish ballads. The drays and wagons are not running, which is all the contrast between work-days and Sunday in Havana. The proximity between wealth and misery here is close, and the contrast so visibly marked that the impression received is more lasting than in America. Beggars expostulate and importune us until our hearts sicken with the sight of our surroundings. “Lottera!” is cried on every side by miserable-looking men and women selling tickets, which may be blanks or prizes, to be tested in the great Havana Lottery.
The cathedral occupies a fine position in the city, being located in the Calle del Ignacio. It has stood so long, and withstood so much, that it has become an historic record, uniting the past and present. Here happy hearts have plighted their vows, and many times the last tribute of tenderness rendered to loved ones. Here the faithful follower of this religion has counted her beads, while the penitent knelt, confessing his crimes, and tarried for absolution. It contains numerous altars devoted to different saints. In rear of the cathedral is a monastery for the Padres. The cathedral, with its mystical scenes, causes our thoughts to revert to the times of Aaron, when, with his priestly vestments trimmed with tinkling bells and pomegranates, he stood before the altar and burned incense as an oblation for the sins of the people. The plate and ornaments of the main altar are silver and gold. The candelabra are of the most curious workmanship—some of them weighing nearly a hundred pounds. The bishop, assisted by twenty-four fathers and acolytes, conducted the service. Mass was read in Latin, the acolytes composed the choir, the members responding audibly. Worship, like other things in Cuba, is conducted with a zest. The number of worshipers in attendance was small. Those who came assumed the most devotional of attitudes, kneeling, during the entire service, in a promiscuous manner, on the hard tiles, if they had not provided themselves with soft rugs for the occasion. I could not determine where the line of distinction in color was drawn—white and black all supplicating together. The most elaborately-dressed señoras and señoritas bend before the confessional. A poorly-dressed Cuban woman, among the number, kept prostrating herself lower and lower until she kissed the marble tiling, when she rose with a look of satisfaction, as though the act of humiliation had unburdened her soul. The organ sent forth its thundering tones from behind the colossal pillars, playing the “Te Deum” and “Miserere”—thus enabling us to comprehend, to a certain extent, the grandeur of the music at St. Peter’s Church in Rome.
On the right of the main altar is a tablet, on which is engraved the following inscription: “O restos è y imagen del grande Colon! Mil siglos duraran guardados en la urna y en la remembranza de nuestra nacion.” “O ashes and image of the great Columbus! You will be guarded for a thousand centuries in the tomb and in the heart of our nation.” The great injustice done him while living cannot be atoned for now when dead by dragging his remains about the world. He died in Valladolid, Spain, where he was buried. His body was exhumed and taken to Seville, then to Santo Domingo—afterward, with great ceremony, to Cuba, and deposited in the cathedral, where it will, no doubt, be kept until some other idea seizes the minds of his impulsive countrymen. The cathedral walls are hung with the choicest of peaceful, benign portraits, of their glorified saints, looking with calmness upon us. Among the number is a life-size, finely-executed painting of St. Christopher, or Santo Christobal, who flourished during the third century A.D., and is the guardian saint of Havana. Immense statues of St. Christopher are still to be seen in many cathedrals. He is always represented as girded, with staff in hand, for a journey, which gives expression to his allegoric wanderings through the sea of tribulation, by which the faithful intended to signify the many sufferings passed before he arrived at the Eternal Gate.
This saint was formerly implored against pestilential misfortunes or distempers. He adopted the name of St. Christopher as an inestimable treasure. His martyrdom is commemorated on the 9th of May. Many paradoxical things are related of him: “That he was a giant with a dog’s head, and devoured men, but a transformation occurred when he believed on Christ. He is said to have been instructed from heaven in the way of right; that he was baptized by the moisture in a cloud which came from the sky, an invisible voice uttering the sacramental words.” He is related as having had numerous contentions with Satan—his majesty’s presence only being kept at bay by crossing himself. He was advised by a hermit, as an act of penance, to pray. “That I cannot do,” he replied. “Then you must carry travelers over deep rivers.” While performing his assigned tasks a child applied to him, to whom, when seated, he said, “You seem heavy as the whole world.” The child replied, “I created the world, I redeemed the world, I bear the sins of the world.” Then Christopher saw that he had borne Christ over the river, and for this reason he is always represented with the infant Jesus on his shoulders. It was common, during the Middle Ages, to place effigies of him in statuary outside the gates of a city, as he who looked on this figure of St. Christopher was safe from sudden death that day. The following inscription accompanies the figure of St. Christopher:
Christophori sancti faciem quicumque tuetur.
Illa nempe die non morte male morietur.
Monday morning I ordered a coach for the purpose of visiting Cemetario de Espeda, named for an ancient bishop in Havana. The entrance to this cemetery is through a fine rock archway, designed only for pedestrians, and not carriages. The office has to be passed, and money handed in, before any corpse has a Christian burial in these consecrated grounds. Whatever might have been their virtues while living, the dead one here is to have wealth to take the body into a vault and the soul through purgatory. This cemetery contains not less than fifty acres of ground, around which is built a rock wall eight feet in height and about the same thickness. These walls are made of well-dressed rock, in which are vaults for interment. Inside the main inclosure are built other high walls for the same purpose. Paved walks cross each other through the grounds, covered with square-cut rock, which give a hollow echo when stepped upon, and, no doubt, contain other tombs. Vaults of sufficient size to admit a coffin are made in all these walls, which are afterward sealed, then a tablet of marble is fitted in, being secured with mortar, on which is placed the inscription, chiseled in Spanish. This tablet is arranged in accordance with the taste of the friends of those deceased who survive them. Some contain glass cases, with pictures of the Virgin; others, wreaths of black beads strung on wire, hung over the tomb. In one I saw a chameleon cozily ensconced, as though the wreath was made for him. Lizards were crawling in all directions; harmless little creatures, they liked the retirement of death’s victims! The inscriptions were mostly very simple. Here are two of them: “A NUESTRO QUERIDO, HIJO TOM.” “To our beloved son Thomas.” “HIJA, MIA.” “My beloved daughter.” No mounds of earth mark the resting-place of any. Many birds of varied plumage were singing their songs among the roses, cape jasmines, pride of China, and mimosa trees.
As we alighted, two bodies had just preceded us into the cemetery for deposit—a rich and a poor man, distinguishable by distinctions in death as in life. The rich man was in a fine casket, with his name engraved on the lid, and six silver handles, borne by liveried attendants, dressed in black clothes, trimmed with wide white stripes. No women were present, but a large number of dignified-looking Spanish gentlemen. The casket was placed in a vault, after which workmen, with brick and mortar, commenced closing up the orifice, which was witnessed by those in attendance until it was finished, when they retired with the same manifestations of grief as though a dead leaf had dropped from a tree. The poor man was borne on the shoulders of four rough-looking fellows, who grunted as though the body might have weighed a ton. They trotted away into a corner with the bones, and no mourners, as if it were a log, instead of a human being, where once dwelt the breath and likeness of the Eternal God.
A hundred dollars is considered a remuneration for the use of a vault twenty years—at the expiration of which time, if there is no renewal of funds, the remains are taken out and thrown into a common pit, or potter’s-field, where the poor are buried without coffins. The corpse of a pretty little girl, dressed in white, her head wreathed in flowers, was brought in a coffin with no cover, accompanied by a few poor, sad friends, when a rock tablet was raised by means of ropes drawn through iron rings, and the child’s body thrown into a deep pit—the coffin being taken away, which could be used again in bringing many more poor children for burial. Protestants are not permitted sepulture here, on any consideration, if the fact is known to those in charge. We retired from this “garden of slumberers” to the entrance, where sat the Padres, one of whom smiled and called el coche with a peculiar p-s-t-s-c-h, which sound goes whizzing through the air like a rocket.
There are persons with whom we meet in life whose smile means mischief, whose friendly grasp is a covering for treachery, which fact is, alas! true in regard to the Cubans, for they rarely mean what they say to you. Ah! it was only a promise. Then there is so little manifestation of repentance with them, if you are disappointed. They pile up excuses for all untoward acts until you are led to believe it was not a reality—only a mistaken idea of your imagination.
It is thus in Havana. Orders are given to be called in time for the early train. Soon after retiring, peaceful slumbers possess your body and pleasant dreams your mind, until finally, on awakening, you come to realize the facts that too much time has passed, the train gone, and a day longer before you, where the thought of remaining had not crossed your mind. It appears to be a preconcerted plan, on the part of landlords, to retain paying patrons. Persons having a large amount of patience will find frequent exercise for it while traveling in Cuba.