i thing the place of the hypewriter in ART is inshufficiently apreciated. Modern art i understand is chiefly sumbolical expression and straigt lines. a typwriter can do strait lines with the under lining mark) and there are few more atractive symbols thaN the symbols i have used in this articel; i merely thro out the sugestion
I dont tink i shal do many more articles like this it is tooo much like work? but I am glad I have got out of that £ habit;
A. P. £.
The Art of Poetry
I
MANY people have said to me, “I wish I could write poems. I often try, but——” They mean, I gather, that the impulse, the creative itch, is in them, but they don’t know how to satisfy it. My own position is that I know how to write poetry, but I can’t be bothered. I have not got the itch. The least I can do, however, is to try to help those who have.
A mistake commonly committed by novices is to make up their minds what it is they are going to say before they begin. This is superfluous effort, tending to cramp the style. It is permissible, if not essential, to select a subject—say, MUD—but any detailed argument or plan which may restrict the free development of metre and rhyme (if any) is to be discouraged.
With that understanding, let us now write a poem about MUD.
I should begin in this sort of way:—
Mud, mud,