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[ The forest of Broceliande is in Brittany, and in it Chrétien places the marvellous spring of Barenton, of which we read in the sequel. In his version the poet forgets that the sea separates the court at Carduel from the forest of Broceliande. His readers, however, probably passed over this "lapsus". The most famous passage relating to this forest and its spring is found in Wace, "Le Roman de Rou et des dues de Normandie", vv. 6395-6420, 2 vols. (Heilbronn, 1877-79). Cf. further the informing note by W.L. Holland, "Chrétien von Troies", p. 152 f. (Tubingen, 1854).]
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[ This grotesque portrait of the "vilain" is perfectly conventional in aristocratic poetry, and is also applied to some Saracens in the epic poems. Cf. W.W. Comfort in "Pub. of the Modern Language Association of America", xxi. 494 f., and in "The Dublin Review", July 1911.]
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[ For the description of the magic fountain, cf. W.A. Nitze, "The Fountain Defended" in "Modern Philology", vii. 145-164; G.L. Hamilton, "Storm-making Springs", etc., in "Romantic Review", ii. 355-375; A.F. Grimme in "Germania", xxxiii. 38; O.M. Johnston in "Transactions and Proceedings of the American Philological Association", xxxiii., p. lxxxiii. f.]
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[ Eugen Kolbing, "Christian von Troyes Yvain und die Brandanuslegende" in "Ztsch. fur vergleichende Literaturgeschichte" (Neue Folge, xi. Brand, 1897), pp. 442-448, has pointed out other striking allusions in the Latin "Navigatio S. Brandans" (ed. Wahlund, Upsala, 1900) and elsewhere in Celtic legend to trees teeming with singing birds, in which the souls of the blessed are incorporated. A more general reference to trees, animated by the souls of the dead, is found in J.G. Frazer, "The Golden Bough" (2nd ed. 1900), vol. I., p. 178 f.]
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[ Cf. A. Tobler in "Ztsch. fur romanische Philologie", iv. 80-85, who gives many other instances of boasting after meals. See next note.]