[XIV. 3. 16.] μὴ ... ὑπερήμερον Most of the editors insert οὐ before φθέγξαιτο, thus ruining the sense of this fine passage. Longinus has just said that a writer should always work with an eye to posterity. If (he adds) he thinks of nothing but the taste and judgment of his contemporaries, he will have no chance of “leaving something so written that the world will not willingly let it die.” A book, then, which is τοῦ ἰδίου βίου καὶ χρόνου ὑπερήμερος, is a book which is in advance of its own times. Such were the poems of Lucretius, of Milton, of Wordsworth.[N.3]
[XV. 5. 23.] ποκοειδεῖς καὶ ἀμαλάκτους, lit. “like raw, undressed wool.”
[XVII. 1. 25.] I construct the infinit. with ὕποπτον, though the ordinary interpretation joins τὸ διὰ σχημάτων πανουργεῖν: “proprium est verborum lenociniis suspicionem movere” (Weiske).
[2. 8.] παραληφθεῖσα. This word has given much trouble; but is it not simply a continuation of the metaphor implied in ἐπικουρία? παραλαμβάνειν τινα, in the sense of calling in an ally, is a common enough use. This would be clearer if we could read παραληφθεῖσι. I have omitted τοῦ πανουργεῖν in translating, as it seems to me to have evidently crept in from above (p. 33, l. 25). ἡ τοῦ πανουργεῖν τέχνη, “the art of playing the villain,” is surely, in Longinus’s own words, δεινὸν καὶ ἔκφυλον, “a startling novelty” of language.
[12.] τῷ φωτὶ αὐτῷ. The words may remind us of Shelley’s “Like a poet hidden in the light of thought.”
[XVIII. 1. 24.] The distinction between πεῦσις or πύσμα and ἐρότησις or ἐρώτημα is said to be that ἐρώτησις is a simple question, which can be answered yes or no; πεῦσις a fuller inquiry, requiring a fuller answer. Aquila Romanus in libro de figuris sententiarum et elocutionis, § 12 (Weiske).
[XXXI. 1. 11.] ἀναγκοφαγῆσαι, properly of the fixed diet of athletes, which seems to have been excessive in quantity, and sometimes nauseous in quality. I do not know what will be thought of my rendering here; it is certainly not elegant, but it was necessary to provide some sort of equivalent to the Greek. “Swallow,” which the other translators give, is quite inadequate. We require a threefold combination—(1) To swallow (2) something nasty (3) for the sake of prospective advantage.
[XXXII. 1. 3.] The text is in great confusion here. Following a hint in Vahlin’s critical note, I have transposed the words thus: ὁ καιρὸς δὲ τῆς χρείας ὁρός‧ ἔνθα τὰ πάθη χειμάρρου δίκην ἐλαύνεται, καὶ τὴν πολυπλήθειαν αὐτῶν ὡς ἀναγκαίαν ἐνταῦθα συνεφέλκεται‧ ὁ γὰρ Δ., ὁρὸς καὶ τῶν τοιούτων, ἄνθρωποι, φησίν, κ.τ.λ.
[8. 16.] Some words have probably been lost here. The sense of πλήν, and the absence of antithesis to οὗτος μέν, point in this direction. The original reading may have been something of this sort: πλὴν οὗτος μὲν ὑπὸ φιλονέικίας παρήγετο‧ ἀλλ᾽ οὐδὲ τὰ θέματα τίθησιν ὁμολογούμενα, the sense being that, though we may allow something to the partiality of Caecilius, yet this does not excuse him from arguing on premises which are unsound.
[XXXIV. 4. 10.] ὁ δὲ ἔνθεν ἑλών, κ.τ.λ. Probably the darkest place in the whole treatise. Toup cites a remarkable passage from Dionysius of Halicarnassus, from which we may perhaps conclude that Longinus is referring here to Thucydides, the traditional master of Demosthenes. De Thucyd. § 53, Ῥητόρων δὲ Δημοσθενὴς μόνος Θουκυδίδου ζηλωτὸς ἐγένετο κατὰ πολλά, καὶ προσέθηκε τοῖς πολιτικοῖς λόγοις, παρ᾽ ἐκείνου λαβών, ἃς οὔτε Ἀντιφῶν, οὔτε Λυσίας, οὔτε Ἰσοκράτης, οἱ πρωτεύσαντες τῶν τότε ῥητόρων, ἔσχον ἀρετάς, τὰ τάχη λέγω, καὶ τὰς συστροφάς, καὶ τοὺς τόνους, καὶ τὸ στρυφνόν, καὶ τὴν ἐξεγείρουσαν τὰ πάθη δεινότητα. So close a parallel can hardly be accidental.