History of Free Thought in Reference to The Christian Religion

by Adam Storey Farrar

It will be remembered that we brought down the [pg 195] history of it as far as Hume.[620] We paused there, because deism then ends as a literary movement. Politics and new forms of literature absorbed the mind. Free thought continued to exist; but it was less frequently expressed in literature, and was considerably modified by foreign influences. In Gibbon, about 1776, the ancient spirit of deism, the spirit of Bolingbroke, speaks, but the form is changed. Instead of denying Christianity on à priori moral considerations, he feels bound to explain facts. The attack is not so much moral as historic. The inquiry into historical origines as well as logical causes has commenced. The mode of attack too has changed, as well as the point from which it is made. The French influence is visible in the satire and irony prevalent. There is no longer the bitter moral indignation of the early English deists, but the sneer that marks the spirit of contempt. Fear and hatred of Christianity have given way to philosophical contempt. ([25])

In Thomas Paine, who wrote in France in the midst of the meeting of the French Convention, we meet a nearer reproduction of the spirit of early English deism, but he has even more than Gibbon caught the spirit of the French movement. Gibbon's scepticism is that of high life; Paine's of low. The one writer sneers, the other hates. The one is a philosopher, the other a politician. Paine represents the infidel movement of England when it had spread itself among the lower orders, and mingled itself with the political dissatisfaction for which unhappily there was supposed to be some ground. Paine's spirit is that of English deism animated by the political exasperation which had characterised the French. His doctrines come from English deism; his bitterness from Voltaire; his politics from Rousseau.

Within the limits of the present century two other traces are found of the influence of the French school of infidelity, which therefore ought logically to be comprised with it. The one is political, the other literary; [pg 196] viz. the socialist schemes of Owen, which in some respects seem to be derived by direct lineage from Paine, and the expression of unbelief in the poetry of Byron and Shelley.

We must briefly notice these writers in succession. The first in the series is Gibbon.[621] Though he has left an autobiography, he has not fully unveiled the causes which shook his faith, and made him turn deist. We can however collect that the reaction from the doubts suggested by the perusal of Middleton's work on the subject of the cessation of miracles, then recently brought into notoriety, ([26]) turned him to the church of Rome; and that his residence abroad and familiarity with French literature caused him to drift afterwards into the opposite extreme of scepticism. He did not become an atheist, like some of the French writers whom we have been studying: but he seems to have given up the belief in the divine origin of Christianity; and he manifested the spirit of dislike and insinuation common in the unbelief of the time.

He did not write expressly against Christianity; but the subject came across his path in travelling over the vast space of time which he embraced in his magnificent History of the Decline and Fall of the Roman Empire. It is a subject of regret to be compelled to direct hostile remarks against one who has deserved so well of the world. That work, though in the pageantry of its style[622] it in some sense reflects the art and taste of the age in which it was written, yet in its love of solid information and deep research is the noblest work of history in the English tongue. Grand alike in its subject, its composition, and its perspective, it has a right to a place among the highest works of human conception; and sustains the relation to history which the works of Michael Angelo bear to art. In the fifteenth [pg 197] and sixteenth chapters of this work, Gibbon had occasion to discuss the origin of Christianity, and assigned five causes for its spread; viz. its internal doctrine, and organization, miracles, Jewish zeal, and excellence of Christian morals. The chapters were received with denunciations. Yet those[623] who in later times have re-examined Gibbon's statements candidly admit that they can find hardly any errors of fact or intentional mis-statement of circumstances.

The great mistake which he commits is obvious, and the cause hardly less so. The mistake is twofold: first, he attributes to the earliest period of Christianity that which was only true of a later; and secondly, he confounds the circumstances of the spread of Christianity with the cause which gave it force.[624] The powerful influence of the causes which he specifies cannot be doubted;[625] and we may hold it to be not derogatory to our religion that it admits of union with every class of efficient causes; and adapts itself so fully to man's wants, as to accept the support of ordinary sources of influence. But the causes which he alleges operated far less strongly, and some of them not at all, in the primitive age of Christianity. The discussion of this period lay beyond Gibbon's purpose; and as he dwelt wholly on the aspects of a later age, he has left the impression that the earliest age partook of the same characteristics. Nor is he correct in regarding the five causes as solely efficient. There is a subtler force at work, of the operation of which they exhibit only the conditions. They reveal the mechanism, but do not explain the principle. Without judging him as a theologian in omitting the theological cause for an alleged supernatural power, he must be censured as a historian in failing to appreciate the spiritual movement at work in Christianity, the deep excitement of the spiritual faculty, the yearning of the [pg 198] mind after truth and holiness. The same fault is observable in his appreciation of religion generally, and not merely of Christianity. With the want of spiritual perception common to his age, he had not the ethical sensibility to appreciate the internal part of a religious system; and hence he regards unworldly phenomena in the tone of the political world of his time.

In pointing out his errors, we have hinted at their causes. The coldness which scepticism and sensational philosophy[626] had induced in his mind, which could kindle into warmth in describing the greatness either of men or of events, but not in depicting the moral excellence of Christianity, was but the reflection of the cold hatred of religious enthusiasm common in his day. Nor would the historic views of primitive Christianity commonly entertained in his time tend to dissipate his error. For it was usual in that age of evidences to regard the early converts as cold and cautious inquirers, accustomed to weigh evidences and suggest doubts. In attempting to discover the doctrines and discipline of the English church in apostolic times, there was a danger of transferring the notions of modern decorum to the marvellous outburst of enthusiastic piety and supernatural mystery which attended the communication of the heaven-sent message; and therefore it is some palliation for Gibbon that he too failed to perceive that those were times of excitement, when new ideas fell on untried minds and yearning hearts. And it is a remarkable proof of the improved general conception which men now entertain of Christianity, that no apprehension of danger is now felt from Gibbon's views. The youngest student has imbibed a religious spirit so much deeper, that he cannot fail instinctively to perceive their insufficiency as an explanation of the phenomena.[627]

One of our great poets has celebrated the two literary exiles of the Leman lake.[628] But how different are our feelings in respect of them in relation to this subject! Both were deists; but the one dedicated his life to a crusade against Christianity, the other only insinuated a few slight hints: the one derived his faults from himself, the other from his age: the one, the type of subtlety, acted by his pen on the world political; the other, the type of industry, sought to instruct the student. The writings of Voltaire remain as works of power, but not of information: Gibbon's history will endure as long as the English tongue.

Paine is a character of a very different kind from the freethinker last named.[629] Instead of the polished scholar, the polite man of letters, and the historian, like Gibbon, we see in him an active man of the world, educated by men rather than books, of low tastes and vulgar tone, the apostle alike of political revolution and infidelity. Though a native of England, his earliest life was spent in America at the time of the war of independence. Returning to England with the strong feelings of liberty and freedom which had marked the revolt of the colonies, he wrote at the time of the outbreak of the French revolution a work called the Rights of Man, in reply to Burke's criticism on that event. Prosecuted for this work, he fled to France, and was distinguished by being the only foreigner save one[630] elected to the French Convention. During its session he composed the infidel work called the Age of Reason, by which his name has gained an unenviable notoriety; and after the alteration of political circumstances in France, he returned to America, and there dragged out a miserable existence, indebted in his last [pg 200] illness for acts of charity to disciples of the very religion that he had opposed.

The two works, the Rights of Man, and the Age of Reason, being circulated widely in England by the democratic societies of that period, contributed probably more than any other books to stimulate revolutionary feeling in politics and religion.[631] This popularity is owing partly to the character of the language and ideas, partly to the state of public feeling. Manifesting much plebeian simplicity of speech and earnestness of conviction, they gave expression in coarse Saxon words to thoughts which were then passing through many hearts. They were like the address of a mob-orator in writing, and fell upon ground prepared. Political reforms had been steadily resisted; and accordingly, when the success of foreign revolution had raised men's spirits to the highest point of impatience, the middle classes, which wanted a moderate reform, were unfortunately thrown on the side of the wild and anarchical spirits that wished for utter revolution. The church, by holding with the state, was partly involved in the same obloquy. Paine's works, resembling Rousseau's in purpose, though quite opposite in style, were as much adapted to the lower classes of England as his to the polished upper classes of France.