The Age of Reason, was a pamphlet admitting of quick perusal. It was afterwards followed by a second part, in which a defence was offered against the replies made to the former part. The object of the two is to state reasons for rejecting the Bible,[632] and to explain the nature of the religion of deism,[633] which was proposed as a substitute. A portion is devoted to an attack [pg 201] on the external evidence of revelation, or, as the author blasphemously calls it,[634] “the three principal means of imposture,” prophecy, miracles, and mystery; the latter of which he asserts may exist in the physical, but not by the nature of things in the moral world. A larger portion is devoted to a collection of the various internal difficulties of the books of the Old and New Testament, and of the schemes of religion, Jewish and Christian.[635] The great mass of these objections are those which had been suggested by English or French deists, but are stated with extreme bitterness. The most novel part of this work is the use which Paine makes of the discoveries of astronomy[636] in revealing the vastness of the universe and a plurality of globes, to discredit the idea of interference on behalf of this insignificant planet,—an argument which he wields especially against the doctrine of incarnation. But no part of his work manifests such bitterness, and at the same time such a specious mode of argument, as his attack on the doctrine of redemption and substitutional atonement.[637] The work, in its satire and its blasphemous ribaldry, is a fit parallel to those of Voltaire. Every line is fresh from the writer's mind, and written with an acrimony which accounts for much of its influence. The religion which Paine substituted for Christianity was the belief in one God as revealed by science, in immortality as the continuance of conscious existence, in the natural equality of man, and in the obligation of justice and mercy to one's neighbour.[638]
The influence of the spirit of Paine lingered in some strata of our population far into the present century: by means of the views of Owen,[639] the founder of English [pg 202] socialism, which essentially reproduce the visionary political reforms which belonged to the philosophy and to the doubt of the last century.
Being desirous to improve the condition of the industrial classes, Owen speculated on the causes of evil; and, approaching the subject from the extreme sensational point of view, regarded the power of circumstances to be so great, that he was led to regard action as the obedience to the strongest motive. He thus introduced the idea of physical causation into the human will; and made the rule of right to be each one's own pleasures and pains. Founding political inferences on this ethical theory of circumstantial fatalism, he proposed the system called socialism, which aimed at modifying temptations and removing two great classes of temptations, by facilitating divorce, and proposing equality of property. The system is now obsolete both in idea and in history, yet it has an interest from the circumstance that until recently it deceived the minds and corrupted the religious faith of many of the manufacturing population.
The history of the influence of French infidelity on the course of English thought closes with names of greater note.[640] If Owen, though belonging to the present century, represents the political tone of the past, [pg 203] we must also refer to the same period, morally though not chronologically, the spirit of unbelief which animated literature in the poetry of Byron and Shelley.
Saddened by blighted hopes, political and personal, Byron affords a type of the unbelief which is marked by despair.[641] If compared with the two exiles of the Leman lake, whom the sympathy of a common scepticism and common exile commended to his meditation, he stands in many respects widely contrasted with them in tone and spirit. Allied rather to Gibbon in seriousness, he nevertheless wholly lacked his moral purpose and resolute spirit of perseverance. More nearly resembling Voltaire in the nature of his unbelief, he nevertheless differed in the features of gloom by which his mind was characterized. His unbelief was a remnant of the philosophic atheism of France; but it received a tinge in passing through the wounded mind of the poet.
His brother poet, of a still loftier genius, is more widely contrasted with him in mental qualities, than united by similarity in the character of his unbelief. Both were weary of the world; but the one was drawn down by unbelief to earth, the other soared into the ideal: the one was driven to the gloom of despair, the other was excited by the imagination to the madness of enthusiasm: the one was made sad by disappointment, the other was goaded by it into frenzy.
Shelley merits more than a passing notice, both because his poetry is a proof of our main position concerning the influence of certain forms of philosophy in producing unbelief, and because his mental history, as learned by means of his works and memoirs, is a psychological study of the highest value. The infidelity which shows itself in him is an idolum specûs, as well as an idolum theatri.[642]
His life, his natural character, and his philosophy, all contributed to form his scepticism.[643] His life is a tale of sorrow and ruined hopes, of genius without wisdom: one of the sad stories which will ever excite the sympathy of the heart. Early sent to this university, he seems like Gibbon to have lived alone; and in the solitude of that impulsive and recluse spirit which formed his life-long peculiarity, to have nursed a spirit of atheism and wild schemes of reform. Charged by the authorities of his college with the authorship of an atheistical pamphlet,[644] he was expelled the university. An outcast from his family, he went forth to suffer poverty, to gather his livelihood as he could by the wonderful genius which nature had given him. Wronged as he thought by his university and his country, his wounded spirit imputed the supposed unkindness which he received to the religion which his enemies professed. In a foreign land, brooding over his wrongs, he cherished the bitter antipathy to priestcraft and to monarchy which finds such terrific expression in his poems.[645] His end was a fit close of a tragic life. A friendly hand paid the last office of friendship to his remains; and the urn which contains the ashes of his pyre rests in the solemn and beautiful cemetery of the eternal city, which he himself had described so strikingly in his affecting memorial of his friend, the poet Keats.[646]
His natural character contributed to produce his [pg 205] scepticism not less than his life to increase it. He has left us a clear delineation of himself in his writings. If considered on the emotional side, he was a creature of impulses. His predominant passion was an enthusiastic desire to reform the world. Filled with the wildest ideas of the French revolution, his impulsiveness hurried him on to give expression to them. His intellectual nature was analogous to the moral, and itself received a stimulus from it. His mental peculiarity was his power of sustained abstraction. His poems are not lyrics of life, but of an ideal world. His tendency was to insulate qualities or feelings, and hold them up to the mental vision as personalities. The words which he has addressed to his own skylark fitly describe his mind as it soared in the solitude of its abstraction:
Higher still and higher