Aetas parentum pejor avis tulit
Nos nequiores, mox daturos
Progeniem vitiosiorem,
but the “Delicta majorum immeritus lues” of the same poet remains a fearful reality in the daily administration of the world, which no serious-thinking man can afford to disregard. In the ancient law of Moses, as in the most famous systems of Christian theology, this principle plays a prominent part; and awful as its operation is, often sweeping whole generations into ruin, and smiting whole nations with a chronic leprosy, for the folly or extravagance of an ephemeral individual, we shall not be surprised to find it equally conspicuous in the literature of so subtle a people as the Greeks. The Hellenic mind, no doubt, was too sunny and too healthy to allow itself to be encased and imprisoned with this idea, as with an iron mail; but as a mysterious dark background of moral existence it was recognised in its highest power; and nowhere so distinctly, and with such terrible iteration, as in those lyrical exhibitions of solemn, religious, and legendary faith, which we call tragedy.
Among the other serious ethico-religious legends with which the scanty remains of the rich Greek tragedy have made us more familiar, the dark fates of two famous families—the Pelopidae and the Labdacidae—force themselves upon our attention with a marked distinctness. How the evil genius (ἀλάστωρ) of inherited guilt revealed itself in the blood-stained track of the descendants of Tantalus we have seen on the large scale of a complete trilogy; the play to which we now introduce the reader is an exhibition of the same stern law of moral concatenation, in one of the scenes of the dark story of the Theban family of the Labdacidae. Labdacus, the father of this unfortunate race, is traced back in the legendary genealogy to the famous Phœnician settler, Cadmus, being removed from him by only one generation.[f1] This head of the family appears tainted with no moral guilt of an extraordinary kind; but his son Laius figures in the legend, not like Pelops in the Pelopidan story, as a murderer, but as a licentious and a lustful character. Yielding to the violent impulses of unnatural passion,[f2] he is said to have carried off from Elis, Chrysippus, the son of Pelops; whereupon the injured father pronounced against the unholy ravisher the appropriate curse that he should die childless, or, if he did beget children, that himself should lose his life by the hands of those to whom he had been the means of giving it. We see here exemplified that grand principle of retaliation (lex talionis), “An eye for an eye and a tooth for a tooth,” which stands out so prominently in the laws of Moses, and is so agreeable to the moral instincts of the human heart. Laius was to perish by his own progeny, because, in the irregular gratification of the procreative instinct, he had sinned against Nature. The curse spoken against him by Pelops was the wrathful expression of one of Nature’s greatest laws; in whatever way we seek violently to obtain happiness contrary to the sober course of the divine arrangements, in that way we are sure with our own hands to work our own destruction. This is inevitable. Accordingly, that the direct sanction of the gods might be added to the utterance of an aggrieved human heart, the legend represents the lustful offender as consulting the oracle of Delphi, whether he might not with safety disregard the imprecation of Pelops, and beget children by his wife Iocaste (called Epicaste in Homer, Od. XI. 271); and receiving the ominous answer—
Sow not the seed of children, in despite
Of the gods: for if thou shalt beget a son,
Him who begat shall the begotten slay,
And all thy house in bloody ruin perish.[f3]
But the divine oracle, as was to have been expected from the character of the questioner, was given in vain. Laius had consulted the oracle not that he might know and obey the divine will, but that he might, if possible, escape from the terrible consequences of the curse of Pelops, and yet gratify his natural desire of having offspring. The result was natural. In a moment of forgetfulness, induced by the free use of that mother of many evils, wine, he neglected the divine warning; and, from his fatal embrace, a child was born, destined in the course of the accomplishment of the ancient curse, both to suffer many monstrous misfortunes in his own person, and to transmit guilt and misery to another generation. This child was Oedipus,[f4] so named from the piercing of his feet by nails, and subsequent exposure on Mount Cithaeron, a device contrived by his father, in order to escape the fulfilment of the divine oracle. But it is not possible, as Homer frequently inculcates, to deceive the mind of the gods. The helpless infant, the child of destiny, is found (like Romulus), by some shepherds, and by them taken to Polybus king of Corinth. Here the foundling is brought up as the son of that monarch; but, on one occasion, being taunted by some of his youthful comrades with the reproach that he is not really the son of Polybus, but a fatherless foundling, he goes forth to the oracle of Delphi, and to the wide world, to clear up what had been more wisely left in the dark; and here his god-sent misfortunes overtake him, and the evil genius of his father drives the innocent son blindfold into inevitable woe. The Pythoness, according to her wont, returned an answer more doubtful than the question. Oedipus was told not who his father was, but that a dark destiny hung over him, to kill his father, and to commit incest with his mother. Knowing no parents but those whom he had left at Corinth, he proceeded on his wanderings, in a direction the opposite of that by which he had come; and, on the road between Delphi and Daulis,[f5] met a person of consequence, with a charioteer and an attendant, in a car. The charioteer immediately ordered the foot traveller, somewhat insolently, after the manner of aristocratic satellites, to get out of the way; which rudeness the hot youth resenting, a scuffle ensued, in which the charioteer and his master were slain, while the attendant fled. The murdered prince was Laius; and Oedipus, unwittingly, nay, doing everything he could to elude the fate, had slain his own father. But the ancient Fury, for a season, concealed her vengeance, and allowed a brief glory to be shed round her victim, that he might thereafter be plunged in more terrible darkness. The Sphynx, a monstrous creature, of Egyptian birth, half virgin, half lion, had been sent by wrathful Mars, to desolate the Theban country, devouring, with her bloody jaws, whosoever could not solve her famous riddle. When depopulation proceeded at a fearful rate from this cause, the Thebans promised Iocaste, the widow of Laius, and queen of the country, in marriage, to him who should succeed in explaining the enigma. Oedipus was successful; and, becoming king of Thebes, was married, in ignorance, to his own mother. Thus the net of destiny was drawn closer and closer round its victim; but the hour of doom was not yet come. Joined in this unnatural wedlock, the unfortunate son of Laius became the father of two sons, Eteocles and Polynices, and of two daughters, Antigone and Ismene. Circumstances (which Sophocles narrates in his Oedipus Tyrannus) afterwards bringing the story of Oedipus’ life and the nature of his connection with Iocaste to light, the unfortunate old king looking upon himself as an object of hatred to the gods, and unworthy to look upon the day, tore out his eyes, and was confined by his sons—whether from cruelty or superstition—in a separate house, and treated otherwise in a manner that appeared to him disrespectful and unkind.[f6] Enraged at this treatment, he pronounced an imprecation against them, that they should one day divide their inherited land by steel; whereupon they, to render any hostile collision impossible, made an agreement to exercise kingly authority over the whole Theban territory, each for a year at a time, while the other should leave the country. Eteocles, as the elder, reigned first; but when the appointed term came round, like other holders of power, he showed himself loath to quit; and Polynices, fleeing to Argos, sought assistance from Adrastus, king of that country. This prince, along with the Ætolian Tydeus, the father of Diomede, and other chiefs, marched against Thebes with a great armament, in order to force Eteocles to yield the yearly tenure of the throne to his brother, according to agreement. The appearance of this armament before the gates of the Cadmean city, and its sad issue, in the death, by their own hands, of the two hostile brothers, form the subject of the present play.