“Why,” he said, “have we met before?”

The Prince smiled happily.

“Oh yes,” he said; “don't you remember that day on the Strand when you were on the top of a bus and I was heading a procession and you had on your new overcoat with flap-pockets?”—[See chap. clxiii, “A Letter to the Queen of England.”]

It was the highest compliment he could have paid, for it showed that he had read, and had remembered all those years. Clemens expressed to Twichell regret that he had forgotten to mention his visit to the Prince's sister, Louise, in Ottawa, but he had his opportunity at a dinner next day. Later the Prince had him to supper and they passed an entire evening together.

There was a certain uneasiness in the Nauheim atmosphere that year, for the cholera had broken out at Hamburg, and its victims were dying at a terrific rate. It was almost impossible to get authentic news as to the spread of the epidemic, for the German papers were curiously conservative in their reports. Clemens wrote an article on the subject but concluded not to print it. A paragraph will convey its tenor.

What I am trying to make the reader understand is the strangeness of
the situation here—a mighty tragedy being played upon a stage that
is close to us, & yet we are as ignorant of its details as we should
be if the stage were in China. We sit “in front,” & the audience is
in fact the world; but the curtain is down, & from behind it we hear
only an inarticulate murmur. The Hamburg disaster must go into
history as the disaster without a history.

He closes with an item from a physician's letter—an item which he says “gives you a sudden and terrific sense of the situation there.”

For in a line it flashes before you—this ghastly picture—a thing
seen by the physician: a wagon going along the street with five sick
people in it, and with them four dead ones.

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CLXXXII. THE VILLA VIVIANI.