But when she reflected on this refusal, which her maternal pride could not understand, all the old calumnies which she had heard about the young girl and her guardian returned to her mind; and as she was in a disposition to believe them, she made no further doubt that they were true, and when she transmitted their beautiful neighbor's answer to Boniface, she said, to console him for this matrimonial disappointment, that it was very lucky that she had refused, since, if she had accepted, in consequence of what she had learned, she could not have allowed such a marriage to be concluded.

Madame Denis thought it unsuited to her dignity that after so humiliating a refusal her son should continue to inhabit the room opposite Bathilde's, so she gave him one on the ground floor, and announced that his old one was to let.

A week after, as M. Boniface, to revenge himself on Bathilde, was teasing Mirza, who was standing in the doorway, not thinking it fine enough to trust her little white feet out of doors, Mirza, whom the habit of being fed had made very petulant, darted out on M. Boniface, and bit him cruelly in the calf.

It was in consequence of this that the poor fellow, whose heart or leg was not very well healed, cautioned D'Harmental to beware of the coquetry of Bathilde, and to throw a sop to Mirza.

CHAPTER XVII.

FIRST LOVE.

M. Boniface's room remained vacant for three or four months, when one day Bathilde, who was accustomed to see the window closed, on raising her eyes found that it was open, and at the window she saw a strange face: it was that of D'Harmental. Few such faces as that of the chevalier were seen in the Rue du Temps-Perdu. Bathilde, admirably situated, behind her curtain, for seeing without being seen, was attracted involuntarily. There was in our hero's features a distinction and an elegance which could not escape Bathilde's eyes. The chevalier's dress, simple as it was, betrayed the elegance of the wearer: then Bathilde had heard him give some orders, and they had been given with that inflection of voice which indicates in him who possesses it the habit of command.

The young girl had discovered at the first glance that this man was very superior in all respects to him whom he succeeded in the possession of this little room, and with that instinct so natural to persons of good birth, she at once recognized him as being of high family. The same day the chevalier had tried his harpsichord. At the first sound of the instrument Bathilde had raised her head. The chevalier, though he did not know that he had a listener, or perhaps because he did not know it, went on with preludes and fantasies, which showed an amateur of no mean talents. At these sounds, which seemed to wake all the musical chords of her own organization, Bathilde had risen and approached the window that she might not lose a note, for such an amusement was unheard of in the Rue du Temps-Perdu. Then it was that D'Harmental had seen against the window the charming little fingers of his neighbor, and had driven them away by turning round so quickly that Bathilde could not doubt she had been seen.

The next day Bathilde thought it was a long time since she had played, and sat down to her instrument. She began nervously, she knew not why; but as she was an excellent musician, her fear soon passed away, and it was then that she executed so brilliantly that piece from Armida, which had been heard with so much astonishment by the chevalier and the Abbe Brigaud.

We have said how the following morning the chevalier had seen Buvat, and become acquainted with Bathilde's name. The appearance of the young girl had made the deeper impression on the chevalier from its being so unexpected in such a place; and he was still under the influence of the charm when Roquefinette entered, and gave a new direction to his thoughts, which, however, soon returned to Bathilde. The next day, Bathilde, who, profiting by the first ray of the spring sun, was early at her window, noticed in her turn that the eyes of the chevalier were ardently fixed upon her. She had noticed his face, young and handsome, but to which the thought of the responsibility he had taken gave a certain air of sadness; but sadness and youth go so badly together, that this anomaly had struck her—this handsome young man had something to annoy him—perhaps he was unhappy. What could it be? Thus, from the second time she had seen him, Bathilde had very naturally meditated about the chevalier. This had not prevented Bathilde from shutting her window, but, from behind her window, she still saw the outline of the chevalier's sad face. She felt that D'Harmental was sad, and when she sat down to her harpsichord, was it not from a secret feeling that music is the consoler of troubled hearts?