The conspirators; or, The chevalier d'Harmental

by Alexandre Dumas; Auguste Maquet

That evening it was D'Harmental who played, and Bathilde listened with all her soul to the melodious voice which spoke of love in the dead of night. Unluckily for the chevalier, who, seeing the shadow of the young girl behind the drapery, began to think that he was making a favorable impression on the other side of the street, he had been interrupted in his concert by the lodger on the third floor; but the most important thing was accomplished—there was already a point of sympathy between the two young people, and they already spoke that language of the heart, the most dangerous of all.

Moreover, Bathilde, who had dreamed all night about music, and a little about the musician, felt that something strange and unknown to her was going on, and, attracted as she was toward the window, she kept it scrupulously closed; from this resulted the movement of impatience, under the influence of which the chevalier had gone to breakfast with Madame Denis.

There he had learned one important piece of news, which was, that Bathilde was neither the daughter, the wife, nor the niece of Buvat; thus he went upstairs joyfully, and, finding the window open, he had put himself—in spite of the friendly advice of Boniface—in communication with Mirza, by means of bribing her with sugar. The unexpected return of Bathilde had interrupted this amusement; the chevalier, in his egotistical delicacy, had shut his window; but, before the window had been shut, a salute had been exchanged between the two young people. This was more than Bathilde had ever accorded to any man, not that she had not from time to time exchanged salutes with some acquaintance of Buvat's, but this was the first time she had blushed as she did so.

The next day Bathilde had seen the chevalier at his window, and, without being able to understand the action, had seen him nail a crimson ribbon to the outer wall; but what she had particularly remarked was the extraordinary animation visible on the face of the young man. Half an hour afterward she had seen with the chevalier a man perfectly unknown to her, but whose appearance was not re-assuring; this was Captain Roquefinette. Bathilde had also remarked, with a vague uneasiness, that, as soon as the man with the long sword had entered, the chevalier had fastened the door.

The chevalier, as is easy to understand, had a long conference with the captain; for they had to arrange all the preparations for the evening's expedition. The chevalier's window remained thus so long closed that Bathilde, thinking that he had gone out, had thought she might as well open hers.

Hardly was it open, however, when her neighbor's, which had seemed only to wait the moment to put itself in communication with her, opened in turn. Luckily for Bathilde, who would have been much embarrassed by this circumstance, she was in that part of the room where the chevalier could not see her. She determined, therefore, to remain where she was, and sat down near the second half of the window, which was still shut.

Mirza, however, who had not the same scruples as her mistress, hardly saw the chevalier before she ran to the window, placed her front paws on the sill, and began dancing on her hind ones. These attentions were rewarded, as she expected, by a first, then a second, then a third, lump of sugar; but this third bit, to the no small astonishment of Bathilde, was wrapped up in a piece of paper.

This piece of paper troubled Bathilde a great deal more than it did Mirza, who, accustomed to crackers and sucre de pomme, soon got the sugar out of its envelope by means of her paws; and, as she thought very much of the inside, and very little of the wrapper, she ate the sugar, and, leaving the paper, ran to the window; but the chevalier was gone; satisfied, no doubt, of Mirza's skill, he had retired into his room.

Bathilde was very much embarrassed; she had seen, at the first glance, that the paper contained three or four lines of writing; but, in spite of the sudden friendship which her neighbor seemed to have acquired for Mirza, it was evidently not to Mirza that he was writing letters—it must, therefore, be to her. What should she do? Go and tear it up? That would be noble and proper; but, even if it were possible to do such a thing, the paper in which the sugar had been wrapped might have been written on some time, and then the action would be ridiculous in the highest degree, and it would show, at any rate, that she thought about the letter. Bathilde resolved then, to leave things as they were. The chevalier could not know that she was at home, since he had not seen her; he could not, therefore, draw any deduction from the fact that the paper remained on the floor. She therefore continued to work, or rather to reflect, hidden behind her curtain, as the chevalier, probably, was behind his.

In about an hour, of which it must be confessed Bathilde passed three-quarters with her eyes fixed on the paper, Nanette entered. Bathilde, without moving, told her to shut the window—Nanette obeyed; but in returning she saw the paper.