SAINT-AIGNAN FOLLOWS MALICORNE'S ADVICE.
The king most assiduously followed the progress which was made in La Valliere's portrait; and did so with a care and attention arising as much from a desire that it should resemble her as from the wish that the painter should prolong the period of its completion as much as possible. It was amusing to observe him following the artist's brush, awaiting the completion of a particular plan, or the result of a combination of colors, and suggesting various modifications to the painter, which the latter consented to adopt with the most respectful docility of disposition. And again, when the artist, following Malicorne's advice, was a little late in arriving, and when Saint-Aignan had been obliged to be absent for some time, it was interesting to observe, though no one witnessed them, those moments of silence full of deep expression, which united in one sigh two souls most disposed to understand each other, and who by no means objected to the quiet and meditation they enjoyed together.
The minutes fled rapidly by, as if on wings: and as the king drew closer to Louise and bent his burning gaze upon her, a noise was suddenly heard in the anteroom. It was the artist, who had just arrived: Saint-Aignan, too, had returned, full of apologies: and the king began to talk, and La Valliere to answer him very hurriedly, their eyes revealing to Saint-Aignan that they had enjoyed a century of happiness during his absence. In a word, Malicorne, philosopher that he was, though he knew it not, had learned how to inspire the king with an appetite in the midst of plenty, and with desire in the assurance of possession. La Valliere's fears of interruption had never been realized, and no one imagined she was absent from her apartment two or three hours every day. She pretended that her health was very uncertain: those who went to her room always knocked before entering, and Malicorne, the man of so many ingenious inventions, had constructed an acoustic piece of mechanism, by means of which La Valliere, when in Saint-Aignan's apartment, was always forewarned of any visits which were paid to the room she usually inhabited. In this manner, therefore, without leaving her own room, and having no confidante, she was able to return to her apartment, thus removing by her appearance, a little tardy perhaps, the suspicions of the most determined skeptics. Malicorne having asked Saint-Aignan the next morning what news he had to report, the latter had been obliged to confess that the quarter of an hour's liberty had made the king in most excellent humor.
"We must double the dose," replied Malicorne, "but insensibly so; wait until they seem to wish it."
They were so desirous for it, however, that on the evening of the fourth day, at the moment when the painter was packing up his painting implements, during Saint-Aignan's continued absence, Saint-Aignan on his return noticed upon La Valliere's face a shade of disappointment and vexation, which she could not conceal. The king was less reserved, and exhibited his annoyance by a very significant shrug of the shoulders, at which La Valliere could not help blushing.
"Very good!" thought Saint-Aignan to himself; "M. Malicorne will be delighted this evening;" as he, in fact, was when it was reported to him.
"It is very evident," he remarked to the comte, "that Mademoiselle de la Valliere hoped that you would be at least ten minutes later."
"And the king that I should be half an hour later, dear Monsieur Malicorne."
"You will be but very indifferently devoted to the king," replied the latter, "if you were to refuse his majesty that half hour's satisfaction."
"But the painter?" objected Saint-Aignan.