"I will take care of him," said Malicorne, "only I must study faces and circumstances a little before I act; those are my magical inventions and contrivances: and while sorcerers are enabled by means of their astrolabe to take the altitude of the sun, moon, and stars, I am satisfied merely by looking into people's faces, in order to see if their eyes are encircled with dark lines, and if the mouth describes a convex or concave arc."
And the cunning Malicorne had every opportunity of watching narrowly and closely, for the very same evening the king accompanied the queen to Madame's apartments, and made himself so remarked by his serious face and his deep sighs, and looked at La Valliere with such a languishing expression, that Malicorne said to Montalais during the evening: "To-morrow." And he went off to the painter's house in the street of the Jardins Saint-Paul to beg him to postpone the next sitting for a couple of days. Saint-Aignan was not within, when La Valliere, who was now quite familiar with the lower story, lifted up the trap-door and descended. The king, as usual, was waiting for her on the staircase, and held a bouquet in his hand; as soon as he saw her, he clasped her tenderly in his arms. La Valliere, much moved at the action, looked around the room, but as she saw the king was alone, she did not complain of it. They sat down, the king reclining near the cushions on which Louise was seated, with his head supported by her knees, placed there as in an asylum whence no one could banish him; he gazed ardently upon her, and as if the moment had arrived when nothing could interpose between their two hearts; she, too, gazed with similar passion upon him, and from her eyes, so soft and pure, there emanated a flame, whose rays first kindled and then inflamed the heart of the king, who, trembling with happiness as Louise's hand rested on his head, grew giddy from excess of joy, and momentarily awaited either the painter's or Saint-Aignan's return to break the sweet illusion. But the door remained closed, and neither Saint-Aignan nor the painter appeared, nor did the hangings even move. A deep mysterious silence reigned in the room—a silence which seemed to influence even the birds in their gilded prison. The king, completely overcome, turned round his head and buried his burning lips in La Valliere's hands, who, herself, faint with excess of emotion, pressed her trembling hands against her lover's lips. Louis threw himself upon his knees, and as La Valliere did not move her head, the king's forehead being within reach of her lips, she furtively passed her lips across the perfumed locks which caressed her cheeks. The king seized her in his arms, and, unable to resist the temptation, they exchanged their first kiss—that burning kiss, which changes love into a delirium. Suddenly, a noise upon the upper floor was heard, which had, in fact, continued, though it had remained unnoticed, for some time; it had at last aroused La Valliere's attention, though but slowly so. As the noise, however, continued, as it forced itself upon the attention, and recalled the poor girl from her dreams of happiness to the sad reality of life, she arose in a state of utter bewilderment, though beautiful in her disorder, saying: "Some one is waiting, for above—Louis, Louis, do you not hear?"
"Well! and am I not waiting for you, also?" said the king, with infinite tenderness of tone. "Let others henceforth wait for you."
But she gently shook her head, as she replied, "Concealed happiness ... concealed power ... my pride should be silent as my heart."
The noise was again resumed.
"I hear Montalais's voice," she said, and she hurried up the staircase; the king followed her, unable to let her leave his sight, and covering her hand with his kisses. "Yes, yes," repeated La Valliere, who had passed half-way through the opening, "Yes, it is Montalais who is calling me; something important must have happened."
"Go, then, dearest love," said the king, "but return quickly."
"No, no, not to-day, sire! Adieu, adieu!" she said, as she stooped down once more to embrace her lover, and then escaped. Montalais was, in fact, waiting for her, very pale and agitated.
"Quick, quick! he is coming!" she said.
"Who—who is coming?"