[15] The Academy, 30th May 1891, No. 995, p. 519; also Journal of the Cambridge Ant. Soc., vii., p. 293.
[16] The Decorative Art of British New Guinea, 1894, p. 256.
[17] See, for example, Plate [VII.], Figs. 2, 5.
[18] From τὰ σκεύε, implements, utensils, tools, baggage, tackle, dresses.
[19] G. Semper, Der Stil in den technischen und tektonischen Künsten oder praktische Aesthetik. Munich, 1860-63, 2 vols. (Second Edition, 1878-79.)
[20] G. Perrot and C. Chipiez, A History of Art in Ancient Egypt, ii. p. 356, 1883.
[21] The Western Pacific and New Guinea, 1886, p. 138.
[22] Chalmers and Gill, Work and Adventure in New Guinea, 1885, p. 334.
[23] H. Stolpe, “Utvecklingsföreteelser i Naturfolkens Ornamentik” (Ymer 1890), translated by Mrs. H. C. March, “Evolution in the Ornamental Art of Savage Peoples,” Trans. Rochdale Lit. and Sci. Soc., 1891.
[24] “Polynesian Ornament a Mythography; or a Symbolism of Origin and Descent,” Journ. Anth. Inst., xxii., 1893, p. 307.