And the high passionate calm, the lofty beauty, the glamour and enchantment that are the spell of this thrice-haunted land, were in my soul as well—sufficiently for me to interpret his condition. I could not leave, yet having left I could not stay away. I yearned for the Egypt that he knew. No word I uttered; speech could not approach it. We wandered by the Nile together, and through the groves of palms that once were Memphis. The sandy wastes beyond the Pyramids knew our footsteps; the Mokattam Ridges, purple at evening and golden in the dawn, held our passing shadows as we silently went by. At no single dawn or sunset was he to be found indoors, and it became my habit to accompany him—the joy of worship in his soul was marvellous. The great, still skies of Egypt watched us, the hanging stars, the gigantic dome of blue; we felt together that burning southern wind; the golden sweetness of the sun lay in our blood as we saw the great boats take the northern breeze upstream. Immensity was everywhere and this golden magic of the sun....
But it was in the Desert especially, where only sun and wind observe the faint signalling of Time, where space is nothing because it is not divided, and where no detail reminds the heart that the world is called To-Day—it was in the desert this curtain hung most visibly between us, he on that side, I on this. It was transparent. He was with a multitude no man can number. Towering to the moon, yet spreading backwards towards his burning source of life, drawn out by the sun and by the crystal air into some vast interior magnitude, the spirit of George Isley hung beside me, close yet far away, in the haze of olden days.
And, sometimes, he moved. I was aware of gestures. His head was raised to listen. One arm swung shadowy across the sea of broken ridges. From leagues away a line of sand rose slowly. There was a rustling. Another—an enormous—arm emerged to meet his own, and two stupendous figures drew together. Poised above Time, yet throned upon the centuries, They knew eternity. So easily they remained possessors of the land. Facing the east, they waited for the dawn. And their marvellously forgotten singing poured across the world....
[WAYFARERS]
I missed the train at Evian, and, after infinite trouble, discovered a motor that would take me, ice-axe and all, to Geneva. By hurrying, the connection might be just possible. I telegraphed to Haddon to meet me at the station, and lay back comfortably, dreaming of the precipices of Haute Savoie. We made good time; the roads were excellent, traffic of the slightest, when—crash! There was an instant’s excruciating pain, the sun went out like a snuffed candle, and I fell into something as soft as a bed of flowers and as yielding to my weight as warm water....
It was very warm. There was a perfume of flowers. My eyes opened, focused vividly upon a detailed picture for a moment, then closed again. There was no context—at least, none that I could recall—for the scene, though familiar as home, brought nothing that I definitely remembered. Broken away from any sequence, unattached to any past, unaware even of my own identity, I simply saw this picture as a camera snaps it off from the world, a scene apart, with meaning only for those who knew the context:
The warm, soft thing I lay in was a bed—big, deep, comfortable; and the perfume came from flowers that stood beside it on a little table. It was in a stately, ancient chamber, with lofty ceiling and immense open fireplace of stone; old-fashioned pictures—familiar portraits and engravings I knew intimately—hung upon the walls; the floor was bare, with dignified, carved furniture of oak and mahogany, huge chairs and massive cupboards. And there were latticed windows set within deep embrasures of grey stone, where clambering roses patterned the sunshine that cast their moving shadows on the polished boards. With the perfume of the flowers there mingled, too, that delicate, elusive odour of age—of wood, of musty tapestries in spacious halls and corridors, and of chambers long unopened to the sun and air.
By the door that stood ajar far away at the end of the room—very far away it seemed—an old lady, wearing a little cap of silk embroidery, was whispering to a man of stern, uncompromising figure, who, as he listened, bent down to her with a grave and even solemn face. A wide stone corridor was just visible through the crack of the open door behind her.
The picture flashed, and vanished. The numerous details I took in because they were well known to me already. That I could not supply the context was merely a trick of the mind, the kind of trick that dreams play. Darkness swamped vision again. I sank back into the warm, soft, comfortable bed of delicious oblivion. There was not the slightest desire to know; sleep and soft forgetfulness were all I craved.