The Japanese have learned more things from the visits of foreigners than a change of costume and the art of war. Perhaps the spirit of trickery is inborn, but the numerous signs we saw of this were of an order that would do credit to the shrewdest Yankee. One of our party was always a little sensitive to any reference to ducks, and I myself had an experience with certain artistic representations of dragons of which I was frequently reminded by my friends. Our companion, while taking an evening walk in Kioto, had been attracted by a certain individual carrying, by means of shoulder straps, a miniature pond, in which there were very dainty images of ducks swimming around as naturally as you could wish. He paused to watch the proceeding, and became deeply interested. His enthusiasm reached its height when he saw the fowls occasionally dive under the water and reappear, apparently greatly refreshed by the plunge. My friend excitedly asked the price of these phenomenal birds, paid down a large sum with great willingness, received a paper with instructions as to the way to produce the desired effect, and started for the hotel. Arriving there, he began to read the paper in order to prepare for the first exhibition. He was somewhat chagrined by being advised therein to buy a few sprightly gold fish, attach them to the ducks, place both on the water, and await developments.

And now, I suppose, it would be only fair to tell you how I was victimised by a similar piece of roguery. I had not been in Japan long enough to distinguish the good shops from the bad, nor to know the proper methods of collecting curios. I was attracted one morning by a graphic representation of a woman sitting on a dragon, the whole evidently the work of a Japanese sculptor. The colour of the image, a rich dark brown, was what particularly struck my fancy. The keeper of the shop informed me that it was a rare piece of art, that it was made of a certain sacred wood, and that the price was thirty dollars. I did not buy that morning. In the evening we took a walk through one of the busy streets, and lo! here was an itinerant merchant with my dragon at his side, anxiously looking for a customer. I quickly stepped up to him, and listened to the same tale I had heard in the morning, with one important exception,—the price was now eighty-five cents. Perhaps because I thought I was getting a bargain, perhaps out of curiosity, I purchased the statue, had it done up in paper, and departed with my treasure. Before I showed it to my friends I thought I would wash it a little, as it had a very dusty look, and would be improved by a bath. I was somewhat startled to see the rich dark brown colour fade away and leave me a pure white dragon of a cheap Japanese material resembling plaster-of-paris. I called in the guide, who gave a broad grin as he surveyed the melancholy object before me. He kindly told me that it had been “dipped in medicine,” and I made him a present of the curiosity for his information. He bore it away with a satisfied air, and that was the last I saw of my dark brown dragon,—though by no means the last I heard of it.

These are only a few of the ways in which the influence of the West can be traced in Japan. It will be interesting to watch what the next few years will bring about; whether the kimono will triumph over the trousers, the tea over the beer, or whether there will be a gradual mingling into a new type. The whole thing may be but a temporary mania, a passing aberration of a quickly assimilative people; and perhaps in a few years the progressive Japanese will see the folly of his ways, and learn that he can best advance after a manner of his own.

CHO AND EBA.

They were surely not the most distinguished friends we made while we were in Japan. As far as worldly considerations went, they were very humble indeed; but they possessed other qualifications which entitled them to our favour, and the youthful Eba particularly has left a lasting impression on our minds. Throughout our stay they were our companions; we could never visit a temple without their aid, nor climb a mountain without their words of advice and encouragement. On many a shopping expedition did they faithfully act as our guides, and many a quiet hint would they give us as to the commercial wiles of their countrymen.

Cho and Eba belonged to the most insignificant class of oriental society. In a land where caste is of such importance, I know that any of our aristocratic Japanese friends would be horrified to learn that we entertain so kindly a remembrance of these paltry creatures, to whom the haughty noblemen of the East would hardly deign to give a passing glance. Perhaps it was because we treated them differently that they repaid us with such tender regard and would apparently sacrifice any happiness of their own to give us a momentary satisfaction. For our humble friends were jinrikisha men, and, more than that, they belonged to the despised class of the coolies. Before you have travelled long in Japan you will become very familiar with the two-wheeled conveyance which has become an institution of the country, and will take a patriotic interest in it, for it is reported to be the invention of an American. It is a low carriage with shafts, in which a toiling coolie acceptably fills the place of a horse, and it is preferred by the Japanese to the most elaborate coach-and-four of the West. It was for this position in the world that Cho and Eba were born, and in this capacity they proved indispensable to us.