This dramatic dance will require to be rehearsed and the details planned by the dancers, so that a clear picture may be brought out and also the native poetic thought embodied in the Ritual Song from which it is taken. A few hints can be given, but much of the action must depend upon the imagination and dramatic feeling of the dancers.
As the first line, "A call I hear!" is sung some one should raise the hand toward the ear, another raise it as a warning to keep quiet. The line "Hark! soft the tones and weak" is an address to one another in the groups. Then comes another sudden arrest, "Again the call!" These three lines should be sung without any change of position either by the groups or by the individuals. Action should be confined to the hands and the head. When singing the fourth line all should begin to stir, to adjust their pouches, tighten their hold on the wooden hoes and, as if moved by a common impulse, should prepare to go and seek the source of the call. In their going the groups should not fall into one line but each group move by itself. During the refrain the dancers should act as if in doubt which way to go. At the line "Again the call!" all should stop as if arrested, and then move off again when the refrain is taken up. All the groups should keep the rhythm of the music. There should be a good deal of by-play and the action should indicate bewilderment, both as to the meaning of the call and the locality whence it comes. It should appear as though some of the groups are baffled in their attempt to locate the call.
2
A call I hear!
Hark! it is near at hand,
The call! The call!
Floats to us where we now stand.
Refrain: Hey hey they,
Ah hey hey they,
Ah hey hey they,
Again the call!
Ah hey hey they,
Ah hey hey they,
Ah hey hey they,
Ah hey they.
The action of this stanza shows the dancers being led by the call to the "field," where the call seems to become clearer and at last is there located. The dancers should scatter in groups, while different individuals should look about searchingly but without breaking the groups. These should move here and there seeking for the "footprints" that had been left on the smooth tops of the little hills, and so lead to the action required for the next stanza. Whenever in the song the line "The call! The call!" occurs, there should be an apparent arrest of movement among the dancers as if to listen.
3
Again the call!
Forth to the light of day
They come! They come!
Come pushing upward their way.
Refrain: Hey hey they,
Ah hey hey they,
Ah hey hey they,
They call! They come!
Ah hey hey they,
Ah hey hey they,
Ah hey hey they,
Ah hey they.
"Day" is the symbol of life; the kernels are coming "into the light of day" in the original Ritual Song, meaning they are entering into life. They call as they come, struggling and pushing their way through the breaking earth. This life movement should be indicated by the motions of the dancers as they pass in groups with rhythmic steps from one little hill to another. Directions as to how these motions should be made would hardly be helpful; the dancers can best plan this pantomime.