She continued thoughtfully: "There must be. I am a little bit kind. Americans are, you know. If anyone runs for the doctor in the middle of the night at a Continental hotel it always turns out to be an American. The English think they are officious and we Italians think they are too stupid to know when they are imposed upon, but it isn't either. It's kindness. The English are just, and the French are clear-sighted, but Americans are kind. You know I can't bear to think of that young creature loving tapestries and not being able ever to see yours."
"My dear child, if you feel like that!" The contessa touched the bell, and when in due time Luigi appeared, she gave orders that the lady waiting below was to be allowed to see the tapestries in the dining room and the salas. "But not in here, Luigi; no matter how much she gives you—not in here—and let her know that these are much the best ones. So, like that we are all satisfied."
An evening or so after this the two women met again; this time at a musicale given by a lady as international as the socialist party. Charlotte, still in spotless white and pearls, came quickly across the room to thank the princess, whom she recognized immediately. She said quite the right things about the tapestries, about Venice, about Italy; and the princess, who was susceptible to praise of the country which had become her own, was pleased with Charlotte.
"One is so starved for beauty in America," Mrs. Haines complained. "I'm like a greedy child for it when I come here; you can form no idea how terrible New York is." The princess dimly remembered rows of chocolate-colored houses—the New York of the early '90's. She was ready to sympathize with Charlotte.
"Why don't you come here and live—such beautiful old palaces to be had for nothing—for what Americans consider nothing," she suggested.
Charlotte rolled her large brown eyes. "If only I could; but my husband wouldn't hear of it. He actually likes America. Italy means nothing to him."
Lisa was destined to hear more of Charlotte's husband before she took in the fact that he was the president of the Haines Heating Corporations. It made a difference. It wasn't that she didn't really like Charlotte—Lisa would never have been nice to her if she hadn't really liked her; but neither would she have been so extremely nice to her if Haines had not been at the head of such a hopeful company. It was a wonderfully lucky combination of circumstances.
And to no one did it appear more lucky than to Charlotte, to whom the princess seemed so well-bred, so civilized, so expert and so wise—the living embodiment of all that Charlotte herself wished to become.
And then she knew Venice so wonderfully; she was better than any guidebook. She knew of gardens and palaces that no one else had heard of. She knew of old wellheads and courtyards. A few people went to see the Giorgione in the Seminario, but only the princess insisted on Charlotte's seeing the library, with its row of windows on the Canal, and its beautiful old books going up to the ceiling, and the painted panel that looked like books until, sliding it, you found it was the stairway to the gallery—all these delights Charlotte owed to her new friend.
And as the moon grew larger—on the evenings when Charlotte wasn't dining with Americans at the Lido or at that delightful new restaurant on the other side of the Canal, where you sat in the open air and ate at bare tables in such a primitive way—the two women would go out in Charlotte's gondola—sometimes through the labyrinth of the little canals, but more often the other way—past some tall, empty, ocean-going steamer anchored off the steps of the church of the Redentore—out to the Giudecca, where they could see the lighthouse at the entrance to the port, past a huge dredge which looked in the misty moonlight, as Charlotte said, like a dragon with its mouth open; on and on with their two gondoliers, to where everything was marsh and moonlight.