Suddenly the door of the ducal tomb shut with a clash of all its metallic weight. Thenceforth the late Minister of State was to remain alone, utterly alone, in the shadow of its night, deeper than that which then was creeping up from the bottom of the garden, invading the winding paths, the stone stairways, the bases of the columns, pyramids and tombs of every kind, whose summits were reached more slowly by the shroud. Navvies, all white with that chalky whiteness of dried bones, were passing by, carrying their tools and wallets. Furtive mourners, dragging themselves away regretfully from tears and prayer, glided along the margins of the clumps of trees, seeming to skirt them as with the silent flight of night-birds, while from the extremities of Pere Lachaise voices rose—melancholy calls announcing the closing time. The day of the cemetery was at its end. The city of the dead, handed over once more to Nature, was becoming an immense wood with open spaces marked by crosses. Down in a valley, the window-panes of a custodian’s house were lighted up. A shudder seemed to run through the air, losing itself in murmurings along the dim paths.
“Let us go,” the two old comrades said to each other, gradually coming to feel the impression of that twilight, which seemed colder than elsewhere; but before moving off, Hemerlingue, pursuing his train of thought, pointed to the monument winged at the four corners by the draperies and the outstretched hands of its sculptured figures.
“Look here,” said he. “That was the man who understood the art of keeping up appearances.”
Jansoulet took his arm to aid him in the descent.
“Ah, yes, he was clever. But you are the most clever of all,” he answered with his terrible Gascon intonation.
Hemerlingue made no protest.
“It is to my wife that I owe it. So I strongly recommend you to make your peace with her, because unless you do——”
“Oh, don’t be afraid. We shall come on Saturday. But you will take me to see Le Merquier.”
And while the two silhouettes, the one tall and square, the other massive and short, were passing out of sight among the twinings of the great labyrinth, while the voice of Jansoulet guiding his friend, “This way, old fellow—lean hard on my arm,” died away by insensible degrees, a stray beam of the setting sun fell upon and illuminated behind them in the little plateau, an expressive and colossal bust, with great brow beneath long swept-back hair, and powerful and ironic lip—the bust of Balzac watching them.