“Oh, yes, M. Andre. Oh, yes,” said all the girls in chorus.
Their neighbour was in the habit of writing for the stage, and no one here doubted of his success. Photography, in any case, promised fewer profits. Clients were very rare, passers-by little disposed to business. To keep his hand in and to save his new apparatus from rusting, M. Andre was accustomed to practise anew on the family of his friends on each succeeding Sunday. They lent themselves to his experiments with unequalled long-suffering; the prosperity of this suburban photographer’s business was for them all an affair of amour propre, and awakened, even in the girls, that touching confraternity of feeling which draws together the destinies of people as insignificant in importance as sparrows on a roof. Andre Maranne, with the inexhaustible resources of his great brow full of illusion, used to explain without bitterness the indifference of the public. Sometimes the season was unfavourable, or, again, people were complaining of the bad state of business generally, and he would always end with the same consoling reflection, “When Revolt is produced!” That was the title of his play.
“It is surprising all the same,” said the fourth of M. Joyeuse’s daughters, twelve years old, with her hair in a pigtail, “it is surprising that with such a good balcony so little business should result.”
“And, if he were established on the Boulevard des Italiens,” remarks M. Joyeuse thoughtfully, and he is launched forth!—riding his chimera till it is brought to the ground suddenly with a gesture and these words uttered sadly: “Closed on account of bankruptcy.” In the space of a moment the terrible visionary has just installed his friend in splendid quarters on the Boulevard, where he gains enormous sums of money, at the same time, however, increasing his expenditure to so disproportionate an extent that a fearful failure in a few months engulfs both photographer and his photography. They laugh heartily when he gives this explanation; but all agree that the Rue Saint-Ferdinand, although less brilliant, is much more to be depended upon than the Boulevard des Italiens. Besides, it happens to be quite near the Bois de Boulogne, and if once the fashionable world got into the way of passing through it—That exalted society which was so much sought by her mother, is Mlle. Henriette’s fixed idea, and she is astonished that the thought of receiving “le high-life” in his little apartment on the fifth floor makes their neighbour laugh. The other week, however, a carriage with livery had called on him. Only just now, too, he had a very “swell” visit.
“Oh, quite a great lady!” interrupts Bonne Maman. “We were at the window on the lookout for father. We saw her alight from her carriage and look at the show-frame; we made sure that her visit was for you.”
“It was for me,” said Andre, a little embarrassed.
“For a moment we were afraid that she was going to pass on like so many others, on account of your five flights of stairs. So all four of us tried to attract her without her knowing it, by the magnetism of our four staring pairs of eyes. We drew her gently by the feathers of her hat and the laces of her cape. ‘Come up then, madame, come up,’ and finally she entered. There is so much magnetism in eyes that are kindly disposed.”
Magnetism she certainly had, the dear creature, not only in her glances, indeterminate of colour, veiled or gay like the sky of her Paris, but in her voice, in the draping of her dress, in everything about her, even to the long curl, falling over the neck erect and delicate as a statue’s.
Tea having been served, while the gentlemen finished their cups and talked—old Joyeuse was always very long over everything he did, by reason of his sudden expeditions to the moon—the girls brought out their work, the table became covered with wicker baskets, embroideries, pretty wools that rejuvenated with their bright tints the faded flowers of the old carpet, and the group of the other evening gathered once more within the bright circle defined by the lamp-shade, to the great satisfaction of Paul de Gery. It was the first evening of the kind that he had spent in Paris; it recalled to him others of a like sort very far away, lulled by the same innocent laughter, the peaceful sound produced by scissors as they are put down on the table, by a needle as it pierces through linen, or the rustle of a page turned over, and dear faces, disappeared for ever, gathered also around the family lamp, alas! so abruptly extinguished.
Having been admitted to this charming intimacy, he remained in it, took his lessons in the presence of the girls and was encouraged to chat with them when the good old man closed his big book. Here everything rested him after the whirl of that life into which he was thrown by the luxurious social existence of the Nabob; he come to renew his strength in this atmosphere of honesty, of simplicity, tried, too, to find healing there for the wounds with which a hand more indifferent than cruel stabbed his heart mercilessly.