This figure does not occur on any known Ruthven seal. It is not on that of the first Earl of Gowrie, affixed to a deed of February 1583–1584. It is not on a seal used
in 1597, by John, third Earl, given in Henry Laing’s ‘Catalogue of Scottish Seals’ (vol. i. under ‘Ruthven’). But, in Crawford’s ‘Peerage of Scotland’ (1716), p. 166, the writer gives the arms of the third Earl (John, the victim of August 5, 1600). In place of the traditional Scottish motto Deid Schaw, is the Latin translation, Facta Probant. The writer says (Note C), ‘This from an authentic copy of his arms, richly illuminated in the year 1597, with his name and titles, viz. “Joannes Ruthven, Comes de Gowry, Dominus de Ruthven,” &c., in my hands.’
In 1597, as the archives of the Faculty of Law, in the University of Padua, show, Gowrie was a student of Padua. It is also probable that, in 1597, he attained his majority. He certainly had his arms richly illuminated, and he added to his ancestral bearings what Crawfurd describes thus: ‘On the dexter a chivaleer, garnish’d with the Earl’s coat of arms, pointing with a sword upward to an imperial crown, with this device, Tibi Soli.’
In Workman’s MS., the figure points to the crown with the open right hand, and the left hand is on the sword-hilt. The illuminated copy of 1597, once in the possession of Crawfurd, must be the more authentic; the figure here points the sword at a crown, which is Tibi Soli, ‘For thee’ (Gowrie?) ‘alone.’
Now on no known Ruthven seal, as we saw, does this figure appear, not even on a seal of Gowrie himself, used in 1597. Thus it is perhaps not too daring to suppose that Gowrie, when in Italy in 1597, added this emblematic figure to his ancestral bearings. What does the figure symbolise?
On this point we have a very curious piece of evidence. On June 22, 1609, Ottavio Baldi wrote, from Venice, to James, now King of England. His letter was forwarded by Sir Henry Wotton. Baldi says that he has received from Sir Robert Douglas, and is sending to the King by
his nephew—a Cambridge student—‘a strange relique out of this country.’ He obtained it thus: Sir Robert Douglas, while at home in Scotland, had ‘heard speech’ of ‘a certain emblem or impresa,’ left by Gowrie in Padua. Meeting a Scot in Padua, Douglas asked where this emblem now was, and he was directed to the school of a teacher of dancing. There the emblem hung, ‘among other devices and remembrances of his scholars.’ Douglas had a copy of the emblem made; and immediately ‘acquainted me with the quality of the thing,’ says Baldi. ‘We agreed together, that it should be fit, if possible, to obtain the very original itself, and to leave in the room thereof the copy that he had already taken, which he did effect by well handling the matter.
‘Thus hath your Majesty now a view, in umbra, of those detestable thoughts which afterwards appeared in facto, according to the said Earl’s own mot. For what other sense or allusion can the reaching at a crown with a sword in a stretched posture, and the impersonating of his device in a blackamore, yield to any intelligent and honest beholder?’ [247]
From Baldi’s letter we learn that, in the device left by Gowrie at Padua, the figure pointing a sword at the crown was a negro, thus varying from the figure in Workman’s MS., and that in the illuminated copy emblazoned in 1597, and possessed in 1716 by Crawfurd. Next, we learn that Sir Robert Douglas had heard talk of this emblem in Scotland, before he left for Italy. Lastly, a mot on the subject by the Earl himself was reported, to the effect that the device set forth ‘in a shadow,’ what was intended to be executed ‘in very deed.’
Now how could Sir Robert Douglas, in Scotland, hear talk of what had been done and said years ago by Gowrie in Padua? Sir Robert Douglas was descended from