Plate A

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TWO SONNETS FROM THE CAMBRIDGE MS.

The hand somewhat resembles that of Mary in early youth,
and that of Mary Beaton

The copyist is unknown

That the most fervent and hurried sonneteer should write eleven sonnets in such time and circumstances is hard to believe, but we must allow for Mary’s sleepless nights, which she may have beguiled by versifying. It is known that a distinguished historian is occupied with a critical edition of these Sonnets. We may await his decision as to their relations with the few surviving poems of the Queen. My own comparison of these does not convince me that the favoured rhymes are especially characteristic of Mary. The topics of the Casket Sonnets, the author’s inability to remove the suspicions of the jealous Bothwell; her protestations of submission; her record of her sacrifices for him; her rather mean jealousy of Lady Bothwell, are also the frequent topics of the Casket Letters. The very phrases are occasionally the same: so much so as to suggest the suspicion that the Letters may have been modelled on the Sonnets, or the Sonnets on the Letters. If there be anything in this, the Sonnets are probably the real originals. Nothing is less likely than that a forger would think of such a task as forging verses by Mary: nor do we know any one among her enemies who could have produced the verses even if he had the will. To suspect Buchanan is grotesque. On the theory of a literary contest between Mary and Lady Bothwell for Bothwell’s affections, something is to be said in the following chapter. Meanwhile, I am obliged to share the opinion of La Mothe Fénelon, that, as proof of Mary’s passion for Bothwell, the Sonnets are stronger evidence than the Letters, and much less open to suspicion than some parts of the Letters.

XVII