Oil of Turpentine.

These must be melted over a fire in the following manner, and the vessel in which it is made should be capable of holding three times the quantity required, to allow room for boiling up. An earthenware pipkin with a handle is the best thing for the purpose, and a lid must be made of tin to fit it. The luting will be rendered more or less brittle, or elastic, as the red ochre prevails:

The wax is first melted, and then the resin; the ochre is then added in small quantities, and stirred quickly with a spatula each time. When all the ochre has been added, it must be allowed to boil six or eight minutes; the turpentine is then added, and briskly stirred with the spatula, and continue to boil it. There is considerable risk of the mixture taking fire, and should it do so, the lid must immediately be put on the vessel to extinguish it.

To ascertain the consistence of the luting, a little must be, from time to time, dropped on a cool plate, or flat piece of iron. If it is too soft, more of the ochre must be added to it; and if too hard, additional wax and turpentine.

TOW AND FLAX SLIVERS.

These are fillets of prepared tow and flax, of from one to three inches in breadth. They are extremely uniform in their thickness, being made to weight, and can easily be procured from any flax-spinning mill, at a moderate price per pound weight.

METHOD OF MAKING ENAMEL-EYES FOR ANIMALS.

Much of the character and expression of animals depends upon their eyes; it will, therefore, be evident that great attention is necessary in the artificial imitation of these.

In this operation, a pipe of baked earth is used, or a tube of glass six or seven inches in length, at the end of which a little white enamel is placed. This is placed to the flame, so that it may be blown. This enamel forms a globe, whose dimensions depend upon the quantity of air introduced. When this globe is of the size wished, we place in the middle, and perpendicularly to the point of the pipe, the quantity of enamel necessary to form the enamel. The second enamel is then incorporated with the first by presenting it to the flame, while attention is paid to turn the pipe gradually round, so that the enamel may diffuse itself equally, and the iris be exactly circular. If it is required that this iris should be of various colors, like that of man, for example, small filaments of enamel are distributed in diverging rays of the suitable color; the eye is then placed in the flame, until these have incorporated with the iris, after which the pupil is placed as before directed, and the glass applied as before directed.

During this operation, the globe is almost certain of sinking down, partly from the air escaping, partly from the heat, and from the pressure which is used in applying the different substances; air must again be supplied from time to time to prevent it from losing its form. This becomes particularly necessary when glass is applied, and when it is extended over the whole surface of the iris.