Yellow Ochre, Rose Madder, and Cobalt. Being made up of the three primaries, are duller or greyer, but will produce a greater variety. Of use in distances, middle distance, etc.
Vandyke Brown and Cobalt, Brown Madder and Cobalt. Of use in the same cases as the last. Good for middle distance foliage.
Yellow Ochre and Orange Vermilion. Of great use in obtaining warm, sunny effects in distances, skies, clouds, and for brilliant tints in foregrounds. Will give beautiful flesh tints with Chinese white.
Yellow Ochre and Prussian Blue. Pleasant, cool, greyish-greens may be produced with these colors; especially useful in middle distance trees. May be saddened with black or Vandyke brown.
Rose Madder and Prussian Blue. A variety of useful and permanent sober greys and purples may be thus obtained. Of great use in cloudy skies and distances, etc.
Vandyke Brown and Prussian Blue. Useful in the same cases as yellow ochre and Prussian blue.
Vandyke Brown and Yellow Ochre. Gives good tints for earth, etc., in foregrounds.
Vandyke Brown and Gamboge, Vandyke Brown, Gamboge, and Prussian Blue. Give colors of the greatest use for foreground and middle distance foliage.
Burnt Sienna and Carmine, Gamboge and Burnt Sienna. Warm, rich, transparent colors. Of use in autumnal foliage, and for bright tints in foregrounds, such as the shading of draperies, etc., and cattle, birds, and flowers; in fact, in all cases where very rich transparent color is required.
Burnt Sienna, Gamboge, and Prussian Blue. Of the greatest use for foreground and middle distance foliage.