'No, not at all. The editor says that we must always have a slap at some of the iniquities of the times. He gave me three or four to choose from; there was the adulteration of food, and the want of education for the poor, and street music, and the miscellaneous sale of poisons.'
'And so you chose poisons and killed the knight?'
'Exactly; at least I didn't kill him, for he comes all right again after a bit. He had gone out to get something to do him good after a hard night, a Seidlitz powder, or something of that sort, and an apothecary's apprentice had given him prussic acid in mistake.'
'And how is it possible he should have come to life after taking prussic acid?'
'Why, there I have a double rap at the trade. The prussic acid is so bad of its kind, that it only puts him into a kind of torpor for a week. Then we have the trial of the apothecary's boy; that is an excellent episode, and gives me a grand hit at the absurdity of our criminal code.'
'Why, Charley, it seems to me that you are hitting at everything.'
'Oh! ah! right and left, that's the game for us authors. The press is the only censor morum going now—and who so fit? Set a thief to catch a thief, you know. Well, I have my hit at the criminal code, and then Sir Anthony comes out of his torpor.'
'But how did it come to pass that the Baron's sword was all bloody?'
'Ah, there was the difficulty; I saw that at once. It was necessary to bring in something to be killed, you know. I thought of a stray tiger out of Wombwell's menagerie; but the editor says that we must not trespass against the probabilities; so I have introduced a big dog. The Baron had come across a big dog, and seeing that the brute had a wooden log tied to his throat, thought he must be mad, and so he killed him.'
'And what's the end of it, Charley?'