'Nothing as you have any right to object to, Mr. Tudor. You may be sure I wouldn't allow of that, nor yet wouldn't Norah demean herself to it.'

'Then how did she get talking to him?'

'She didn't get talking to him. But he has eyes in his head, and you don't suppose but what he can see with them. If a girl is in the public line, of course any man is free to speak to her. If you don't like it, it is for you to take her out of it. Not but what, for a girl that is in the public line, Norah Geraghty keeps herself to herself as much as any girl you ever set eyes on.'

'What the d—— has she to do with this fellow then?'

'Why, he's a widower, and has three young children; and he's looking out for a mother for them; and he thinks Norah will suit. There, now you have the truth, and the whole truth.'

'D—— his impudence!' said Charley.

'Well, I don't see that there's any impudence. He has a house of his own and the means to keep it. Now I'll tell you what it is. Norah can't abide him—'

Charley looked a little better satisfied when he heard this declaration.

'Norah can't abide the sight of him; nor won't of any man as long as you are hanging after her. She's as true as steel, and proud you ought to be of her.' Proud, thought Charley, as he again muttered to himself, 'Excelsior!'—'But, Mr. Tudor, I won't see her put upon; that's the long and the short of it. If you like to take her, there she is. I don't say she's just your equal as to breeding, though she's come of decent people too; but she's good as gold. She'll make a shilling go as far as any young woman I know; and if £100 or £150 are wanting for furniture or the like of that, why, I've that regard for her, that that shan't stand in the way. Now, Mr. Tudor, I've spoke honest; and if you're the gentleman as I takes you to be, you'll do the same.'

To do Mrs. Davis justice, it must be acknowledged that in her way she had spoken honestly. Of course she knew that such a marriage would be a dreadful misalliance for young Tudor; of course she knew that all his friends would be heart-broken when they heard of it. But what had she to do with his friends? Her sympathies, her good wishes, were for her friend. Had Norah fallen a victim to Charley's admiration, and then been cast off to eat the bitterest bread to which any human being is ever doomed, what then would Charley's friends have cared for her? There was a fair fight between them. If Norah Geraghty, as a reward for her prudence, could get a husband in a rank of life above her, instead of falling into utter destruction as might so easily have been the case, who could do other than praise her—praise her and her clever friend who had so assisted her in her struggle?