Immediately an abrupt change of subject.
"I had to make the speech; three years ago. Nicolai Stiepanovich will remember. It was hot, close. My full uniform was tight under my arms, tight as death. I read for half an hour, an hour, an hour and a half, two hours. 'Well,' I thought, 'thank God I've only ten pages left.' And I had four pages of peroration that I needn't read at all. 'Only six pages then,' I thought. Imagine it. I just gave a glance in front of me and saw sitting next to each other in the front row a general with a broad ribbon and a bishop. The poor devils were bored stiff. They were staring about madly to stop themselves from going to sleep. For all that they are still trying to look attentive, to make some appearance of understanding what I'm reading, and look as though they like it. 'Well,' I thought, 'if you like it, then you shall have it. I'll spite you.' So I set to and read the four pages, every word."
When he speaks only his eyes and eyebrows smile as it is generally with the ironical. At such moments there is no hatred or malice in his eyes but a great deal of acuteness and that peculiar fox-cunning which you can catch only in very observant people. Further, about his eyes I have noticed one more peculiarity. When he takes his glass from Katy, or listens to her remarks, or follows her with a glance as she goes out of the room for a little while, then I catch in his look something humble, prayerful, pure....
The maid takes the samovar away and puts on the table a big piece of cheese, some fruit, and a bottle of Crimean champagne, a thoroughly bad wine which Katy got to like when she lived in the Crimea. Mikhail Fiodorovich takes two packs of cards from the shelves and sets them out for patience. If one may believe his assurances, some games of patience demand a great power of combination and concentration. Nevertheless while he sets out the cards he amuses himself by talking continually. Katy follows his cards carefully, helping him more by mimicry than words. In the whole evening she drinks no more than two small glasses of wine, I drink only a quarter of a glass, the remainder of the bottle falls to Mikhail Fiodorovich, who can drink any amount without ever getting drunk.
During patience we solve all kinds of questions, mostly of the lofty order, and our dearest love, science, comes off second best.
"Science, thank God, has had her day," says Mikhail Fiodorovich very slowly. "She has had her swan-song. Ye-es. Mankind has begun to feel the desire to replace her by something else. She was grown from the soil of prejudice, fed by prejudices, and is now the same quintessence of prejudices as were her bygone grandmothers: alchemy, metaphysics and philosophy. As between European scholars and the Chinese who have no sciences at all the difference is merely trifling, a matter only of externals. The Chinese had no scientific knowledge, but what have they lost by that?"
"Flies haven't any scientific knowledge either," I say; "but what does that prove?"
"It's no use getting angry, Nicolai Stiepanich. I say this only between ourselves. I'm more cautious than you think. I shan't proclaim it from the housetops, God forbid! The masses still keep alive a prejudice that science and art are superior to agriculture and commerce, superior to crafts. Our persuasion makes a living from this prejudice. It's not for you and me to destroy it. God forbid!"
During patience the younger generation also comes in for it.
"Our public is degenerate nowadays," Mikhail Fiodorovich sighs. "I don't speak of ideals and such things, I only ask that they should be able to work and think decently. 'Sadly I look at the men of our time'—it's quite true in this connection."