"Yes, they're frightfully degenerate," Katy agrees. "Tell me, had you one single eminent person under you during the last five or ten years?"
"I don't know how it is with the other professors,—but somehow I don't recollect that it ever happened to me."
"In my lifetime I've seen a great many of your students and young scholars, a great many actors.... What happened? I never once had the luck to meet, not a hero or a man of talent, but an ordinarily interesting person. Everything's dull and incapable, swollen and pretentious...."
All these conversations about degeneracy give me always the impression that I have unwittingly overheard an unpleasant conversation about my daughter. I feel offended because the indictments are made wholesale and are based upon such ancient hackneyed commonplaces and such penny-dreadful notions as degeneracy, lack of ideals, or comparisons with the glorious past. Any indictment, even if it's made in a company of ladies, should be formulated with all possible precision; otherwise it isn't an indictment, but an empty calumny, unworthy of decent people.
I am an old man, and have served for the last thirty years; but I don't see any sign either of degeneracy or the lack of ideals. I don't find it any worse now than before. My porter, Nicolas, whose experience in this case has its value, says that students nowadays are neither better nor worse than their predecessors.
If I were asked what was the thing I did not like about my present pupils, I wouldn't say offhand or answer at length, but with a certain precision. I know their defects and there's no need for me to take refuge in a mist of commonplaces. I don't like the way they smoke, and drink spirits, and marry late; or the way they are careless and indifferent to the point of allowing students to go hungry in their midst, and not paying their debts into "The Students' Aid Society." They are ignorant of modern languages and express themselves incorrectly in Russian. Only yesterday my colleague, the hygienist, complained to me that he had to lecture twice as often because of their incompetent knowledge of physics and their complete ignorance of meteorology. They are readily influenced by the most modern writers, and some of those not the best, but they are absolutely indifferent to classics like Shakespeare, Marcus Aurelius, Epictetus and Pascal; and their worldly unpracticality shows itself mostly in their inability to distinguish between great and small. They solve all difficult questions which have a more or less social character (emigration, for instance) by getting up subscriptions, but not by the method of scientific investigation and experiment, though this is at their full disposal, and, above all, corresponds to their vocation. They readily become house-doctors, assistant house-doctors, clinical assistants, or consulting doctors, and they are prepared to keep these positions until they are forty, though independence, a sense of freedom, and personal initiative are quite as necessary in science, as, for instance, in art or commerce. I have pupils and listeners, but I have no helpers or successors. Therefore I love them and am concerned for them, but I'm not proud of them ... and so on.
However great the number of such defects may be, it's only in a cowardly and timid person that they give rise to pessimism and distraction. All of them are by nature accidental and transitory, and are completely dependent on the conditions of life. Ten years will be enough for them to disappear or give place to new and different defects, which are quite indispensable, but will in their turn give the timid a fright. Students' shortcomings often annoy me, but the annoyance is nothing in comparison with the joy I have had these thirty years in speaking with my pupils, lecturing to them, studying their relations and comparing them with people of a different class.
Mikhail Fiodorovich is a slanderer. Katy listens and neither of them notices how deep is the pit into which they are drawn by such an outwardly innocuous recreation as condemning one's neighbours. They don't realise how a simple conversation gradually turns into mockery and derision, or how they both begin even to employ the manners of calumny.
"There are some queer types to be found," says Mikhail Fiodorovich. "Yesterday I went to see our friend Yegor Pietrovich. There I found a student, one of your medicos, a third-year man, I think. His face ... rather in the style of Dobroliubov—the stamp of profound thought on his brow. We began to talk. 'My dear fellow—an extraordinary business. I've just read that some German or other—can't remember his name—has extracted a new alkaloid from the human brain—idiotine.' Do you know he really believed it, and produced an expression of respect on his face, as much as to say, 'See, what a power we are.'"
"The other day I went to the theatre. I sat down. Just in front of me in the next row two people were sitting: one, 'one of the chosen,' evidently a law student, the other a whiskery medico. The medico was as drunk as a cobbler. Not an atom of attention to the stage. Dozing and nodding. But the moment some actor began to deliver a loud monologue, or just raised his voice, my medico thrills, digs his neighbour in the ribs. 'What's he say? Something noble?' 'Noble,' answers 'the chosen.'