Meantime Mark Twain was still awaiting the rewards of journalism, and doing literary hack work of one sort or another. In 1866 the proprietors of the 'Sacramento Union' employed him to write a series of letters from the Sandwich Islands. The purpose of these letters was to give an account of the sugar industry. Mark told the story of sugar, but, as was his wont, threw in a lot of extraneous matter that had nothing to do with sugar. It was the extraneous matter, and not the sugar, that won him a wide audience on the Pacific Coast. During these months of “luxurious vagrancy” he described in the most vivid way many of the most notable features of the Sandwich Islands. Nowadays such letters would at once have been embodied in a volume. In his 'My Debut as a Literary Person', Mark Twain has described in admirably graphic style his great “scoop” of the news of the Hornet disaster; how Anson Burlingame had him, ill though he was, carried on a cot to the hospital, so that he could interview the half-dead sailors. His bill—twenty dollars a week for general correspondence, and one hundred dollars a column for the Hornet story—was paid with all good will. On the strength of this story, he hoped to become a “Literary Person,” and sent his account of the Hornet disaster to Harper's Magazine, where it appeared in December, 1866. But alas! he could not give the banquet he was going to give to celebrate his debut as a “Literary Person.” He had not written the “Mark Twain” distinctly, and when it appeared it had been transformed into “Mike Swain”!
When Mark returned to San Francisco, he resolved to follow the example of Stoddard and Mulford, and “enter the lecture field.” The “extraneous matter” in his letters to the Sacramento Union had made him “notorious”; and, as he put it, “San Francisco invited me to lecture.” The historic account of that lecture, in 'Roughing It', is found elsewhere in this book. Noah Brooks, editor of the Alta California, who was present at this lecture, has written the following graphic piece of description: “Mark Twain's method as a lecturer was distinctly unique and novel. His slow, deliberate drawl, the anxious and perturbed expression of his visage, the apparently painful effort with which he framed his sentences, and, above all, the surprise that spread over his face when the audience roared with delight or rapturously applauded the finer passages of his word-painting, were unlike anything of the kind they had ever known. All this was original; it was Mark Twain.” Employing D. E. McCarthy as his agent, Mark gave a number of lectures at various places on the Pacific Coast. From this time forward we recognize in Mark Twain one of the supreme masters of the art of lecturing in our time.
In December, 1866, he set out for New York, preparatory to the grand tour around the world. His own account of the circular describing the projected trip is famous. He had proposed, for twelve hundred dollars in gold,—at the rate of twenty dollars apiece, to write a series of letters for the 'Alta California'. Brooks, the editor, fortified the grave misgivings of the proprietors over this proposition; but Colonel John McComb (then on the editorial staff) argued vehemently for Mark, and turned the scale in his favour. While Mark was in New York, he was urged by Frank Fuller, whom he had known as Territorial Governor of Utah, to deliver a lecture—in order to establish his reputation on the Atlantic coast. Fuller, an enthusiastic admirer of Mark Twain, overcame all objections, and engaged Cooper Union for the occasion. Though few tickets were sold, Fuller cleverly succeeded in packing the hall by sending out a multitude of complimentary tickets to the school-teachers of New York City and the adjacent territory. That lecture proved to be a supreme success—Mark's reputation as a lecturer on the Atlantic coast was assured.
On June 10, 1867, the Quaker City set sail for its Oriental tour. It bore on board a comparatively unknown person of the name of Clemens, who, in applying for passage, represented himself to be a Baptist minister in ill-health from San Francisco!
It brought back a celebrity, destined to become famous throughout the world. Prior to sailing he arranged to contribute letters to the 'New York Tribune' and the 'New York Herald', as well as to the 'Alta California'.
“His letters to the 'Alta California',” says Noah Brooks, “made him famous. It was my business to prepare one of these letters for the Sunday morning paper, taking the topmost letter from a goodly pile that was stacked in a pigeon-hole of my desk. Clemens was an indefatigable correspondent, and his last letter was slipped in at the bottom of a tall stack.
“It would not be quite accurate to say that Mark Twain's letters were the talk of the town; but it was very rarely that readers of the paper did not come into the office on Mondays to confide to the editors their admiration of the writer, and their enjoyment of his weekly contributions. The California newspapers copied these letters, with unanimous approval and disregard of the copyrights of author and publisher.”
It was the Western humour, and the quaintly untrammelled American intelligence, focussed upon diverse and age-encrusted civilizations, which caught the instantaneous fancy of a vast public. It was a virgin field for the humorous observer; Europe had not yet become the playground of America. It was rather a terra incognita, regarded with a sort of reverential ignorance by the average American tourist. By the range of his humour, the pertinency of his observation, and the vigour of his expression he awoke immediate attention. And he aroused a deeply sympathetic response in the hearts of Americans by his manly and outspoken expression—his respect for the worthy, the admirable, the praiseworthy, his scorn and detestation for the spurious, the specious and the fraudulent. In this book, for the first time, he strikes the key-note of his life and thought, which sounds so clearly throughout all his later works. It is the true beginning of his career.
On his return to the United States in November, he resumed his newspaper work, this time at the National Capital. On his arrival there he found a letter from Elisha Bliss, of the 'American Publishing Company', proposing a volume recounting the adventures of the “Excursion,” to be elaborately illustrated, and sold by subscription on a five per cent. royalty. He eagerly accepted the offer and set to work on his notes.
“I knew Mark Twain in Washington,” says Senator William M. Stewart of Nevada, in his reminiscences 'A Senator of the Sixties', “at a time when he was without money. He told me his condition, and said he was very anxious to get out his book. He showed me his notes, and I saw that they would make a great book, and probably bring him in a fortune. I promised that I would 'stake' him until he had the book written. I made him a clerk to my committee in the senate, which paid him six dollars per day; then I hired a man for one hundred dollars per month to do the work!” His mischievously extravagant description of Mark Twain at this time is eminently worthy of record: “He was arrayed in a seedy suit which hung upon his lean frame in bunches, with no style worth mentioning. A sheaf of scraggly, black hair leaked out of a battered, old, slouch hat, like stuffing from an ancient Colonial sofa, and an evil-smelling cigar butt, very much frazzled, protruded from the corner of his mouth. He had a very sinister appearance. He was a man I had known around the Nevada mining camps several years before, and his name was Samuel L. Clemens.”